Los Angeles skyline in shadow, foreground in light. Los Angeles skyline in light, foreground in shadow.

I went out for a brief walk Thursday afternoon (sometimes you just need fresh air). It had been raining, but had stopped, and the sun had broken through the clouds. Something made me go up to the top of the nearby parking structure where I could see downtown Los Angeles. It turned out to still be completely in shadow, as the gloom stretched inland. But it made for a great contrast with the sunlit hotel in the foreground.

The next day, another of intermittent rain and sun, I glanced out my office window shortly before sunset and took another short walk, this time straight to the parking structure for a better view of the mountains. The sun was sinking past open patches in the cloud layer, and I realized it was only a matter of time before it lit up the city in the distance.

Sure enough, a few minutes later, downtown Los Angeles was lit up by the sunset, and while I was at the wrong angle to see the towers turn completely orange as I did once on the train nearly three years ago, I was able to line up the same angle as the photo from the previous day…because this time the nearby hotel was the building in shadow.

I’ve found my lunchtime patterns fossilizing. Mostly, there aren’t a whole lot of places to eat within walking distance that aren’t hotel restaurants and therefore expensive, and parking is such a chore that it’s not worth driving anywhere. So I end up going to two fast food places and two cafes, over and over again.

The other day, I started to walk to Subway, and realized I just couldn’t bring myself to eat there again. So I did something I’d never done: I kept walking. As it turns out there wasn’t anyplace to eat past it, just two more hotels (neither of which advertised a restaurant) and an abandoned office building. From there I walked along Sepulveda until I reached In-N-Out.

Along the way, though, I spotted some interesting items, like this old warehouse:

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It's gloomy. The sky and sea are almost the same shade of gray. Looking along a steep cliffside toward a rock outcropping. It's high, maybe ten times as high as the low building perched on top of it, and grooves show dozens of layers stacked from the sea below to a bit below the top.

The Palos Verdes peninsula sits at the southwest corner of Los Angeles. Parts of it are built up in old, grid-style suburbs. Other parts are of the more modern, winding type. And still other parts remain open space, due in part to the unstable geology of the area. Parts of Portuguese Bend are sliding toward the ocean, requiring frequent repairs of the main road along the coast. Way back in 1929, a housing development began sliding into the ocean. Abandoned now, the area remaining above land is known as the sunken city.

Adjacent to those ruins is Point Fermin Park, an ordinary city park that sits atop the cliffs. The Point Fermin Lighthouse (previously featured here) looks over the sea, and a fenced walkway runs along the length of the cliffs.

Looking out here, you can see the layers of rock, and understand how parts of the point could just slide away. The warning signs on the fence don’t surprise me, but I have to wonder just who would want to climb out there.

Photo challenge (WordPress): Layers

Thurston Cave Ghosts

A long exposure shot in Thurston Lava Tube on the big island of Hawaii, capturing ghostly images of people walking through. I originally posted a color version along with other photos from the visit back in 2005, and converted it to black and white for my entry in this week’s “eerie” photo challenge on WordPress.com. If I’d known it would look so much better in black and white, I would have converted it years ago.

Crimson Saucers: Lenticular clouds at sunset.

Out of pure luck and timing during last night’s errands, I saw this amazing view of lenticular clouds over the San Gabriel Mountains, lit up red from the side by the sunset. I knew the phone couldn’t capture it, and ran back to the car for my camera. Even that came out awfully grainy, but the colors and shapes are intact.

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