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Last Wednesday, on my drive home from work, I spotted a sundog on the way home from work. I finally snapped it when I pulled into the parking lot at Trader Joe’s.

The picture on the left was the best of the set, with the best contrast. The red is clearly visible on the end toward the sun, and the reflection is clearly brighter than the surrounding clouds. The one on the right is actually two minutes earlier, and isn’t as good — except that it looks like there are two sundogs (something I hadn’t noticed when I took the picture). Presumably there was a gap in the cloud of ice crystals, and one half or the other drifted out of alignment.

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It’s long been a mystery to comic fans why the city of San Diego seems so uncomfortable with Comic-Con International. After all, with upwards of 100,000 people coming in for 4 days, renting hotel rooms, buying meals and drinks, and so on, we must be giving the city an annual boost of extra income, right?

Okay, there’s the usual love-hate relationship between any tourist destination and its clientele. Plus some people get freaked out by anyone in a costume. And sure, some attendees don’t understand basic concepts of hygiene, or bear an uncanny resemblance to the Comic Book Guy. But most of us are normal people (and shower every day). And besides, we’re bringing in all this business, right?

Well, maybe not. The New York Times writes, in an article about Hollywood’s uneasy relationship with the con, that the con is “decidedly low-rent.”

No. 33 on the official tip sheet* lists the grocery chain Ralph’s Market as an alternative to dining out. The Bio International Convention in San Diego, a gathering of the biotechnology industry, with one-sixth as many attendees, produces about double Comic-Con’s $41.5 million in economic impact on the city.

Yes, that’s right. A biotech conference brings the city 12 times as much per attendee as Comic-Con. The city puts up with 6 times the strain on their roads, public transportation, and other infrastructure, for only half the reward?

No wonder they don’t like us.

So here’s a mission for those of you going to San Diego this year: Head down to the reservations pavilion in the convention center lobby at least once, and make a reservation at a nearby restaurant. The Gaslamp District is right across the street from the convention center, so there’s plenty of good food to choose from. Be clean. Be polite. Don’t order the cheapest thing on the menu with a glass of water. Tip appropriately. Overall: make a good impression.

(via Comics Worth Reading)

*Not that I can find this “official” tip sheet anywhere. Plenty of unofficial tip sheets — heck, we wrote our own a few years ago — but no sign of an official one.

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Caught “Weird Al” Yankovic’s song, “She Drives Like Crazy” — appropriately enough, while on the freeway. I never used to understand why he did the funny voices in the song, until I remembered the Muppets music video of the original song (“She Drives Me Crazy”), with Miss Piggy and Kermit the Frog…and suddenly the voices clicked into place.

It’s odd that the intro on the title track to “The Phantom of the Opera” (the Andrew Lloyd Webber show) sounds so much like the MIDI file I found in the mid-1990s. I don’t know if that’s a comment on the quality of my old sound card, or a comment on how many synthesizers were used in the original recording. Either way, whoever sequenced that MIDI file got the timing exactly right.

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06-16-07_1338.jpg, originally uploaded by Kelson.

This is a picture I took last summer of the balcony on our old apartment. I used it to test using Flickr’s email upload and blog-posting features to upload a picture straight from my phone.

Unfortunately, it needed cleanup. The title (and post slug) end up being the filename, which I suppose I can fix before sending, and the content seems to get posted twice. I suspect the phone is sending both formatted and plain-text versions of the message, and Flickr is reading them both.

Anyway, it’s not a bad picture, so I figured I’d leave it up instead of deleting the test post.

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Bart Allen as the FlashI’ve just launched SpeedForce.org, a companion blog to the website, Flash: Those Who Ride the Lightning.

Since I started adding news items to the front page of Ride the Lightning, it’s started to get a bit crowded. I thought about converting it to a Delicious feed, but then I realized it really ought to be a blog. There hasn’t been a major Flash-focused blog out there since Crimson Lightning shut down, so I figured I’d step in and fill the gap. And I could use the domain I picked up last year!

I’ll be posting Flash-related news there, including a weekly round-up of Flash comics, as well as articles that might not fit into the existing site structure, and (eventually) reviews as well. Some stuff that I would have posted here will end up on the new site. Certainly Flash news, but I may start shifting more comics-related commentary over there as well.

I’ll be refining the look and features over the next couple of weeks, and cross-linking it more into Ride the Lightning. I might keep the current theme with a few tweaks, or I might try to match Ride the Lightning, or I might build something else entirely.

So please, check it out and let me know what you think! I’m open to suggestions as to content, design, etc. And of course bug reports.

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One nice thing about the DVD market is that it seems like just about every TV show imaginable has gotten released on DVD over the past few years (to the point where, in some cases, it feels like studios are scraping the bottom of the barrel). But if you look at the full list at TV Shows On DVD, the percentage of shows available is actually quite small.

Once the trend had been established, I waited years for first Babylon 5, then Animaniacs, and then The Flash to make the list. I’m still waiting for VR.5, a show from the mid-1990s that, like Firefly and Drive, got half a season on Fox and didn’t even see every episode aired. (Okay, the premise was total fantasy wrapped in a sci-fi buzzword, but the concept, characters, and storyline were interesting.)

So, what TV shows of days past are you hoping to see again? I’m mainly curious about shows that have been off the air for at least 5 years.