If you haven’t already, go over and look at today’s Astronomy Picture of the Day. It’s an incredible shot of the Moon and Venus during last weekend’s conjunction.
Author Archives: Kelson
Thoughts on Heroes: “How to Stop an Exploding Man”
The Heroes season finale was excellent. They did a good job of resolving the main story arc established at the beginning of the season (the bomb threatening New York City), balanced action and characterization, answered some questions while still leaving things open—and set up a really interesting situation for season 2.
It’s also nice to see that they’re keeping the weekly online comics going between seasons—and that they mentioned it during the broadcast. I think that’s a good move for keeping fan interest going until fall. I’m still hoping they’ll collect them in print, though. They could probably put everything concurrent with season 1 into a ~200-page trade paperback and sell it in bookstores. It would be a great companion item to go with the DVD set.
Now for more detailed thoughts on the episode. Spoilers follow: Continue reading
Showcasing the Flash
The first volume of Showcase Presents: The Flash came out today, reprinting ~500 pages of Silver-Age Flash stories in black-and-white for cheap. If you’re familiar with Marvel’s Essential line, it’s the same concept.
I took a look at it to see what stories were included. (DC’s solicits didn’t say.) As expected, it features the first several years of Barry Allen’s run as the Flash, from the original Showcase appearances starting in 1956 through the beginning of his series in 1959–1961. That includes the first appearances of the Elongated Man (who got his own Showcase Presents book last year) and Wally West as Kid Flash.
There was one surprise: “The Rival Flash,” from Flash Comics #104 (1949). That was the final issue of the Golden-Age series, and the last solo Jay Garrick adventure printed for years. I’d heard that the Showcase Presents books were making use of restoration done for DC’s Archives series, and this tracks: That same story also appeared in The Flash Archives Volume #1.
It also appears as a backup in The Flash #211 (1971), and is listed in the contents for the upcoming Flash: The Greatest Stories Ever Told, tying the origin story in Flash Comics #1 for the most-reprinted Golden-Age Flash story yet.
Full contents:
- Flash Comics #104 (1949)
- Showcase #4, 8, 13, 14 (1956–1958)
- The Flash #105–119 (1959–1961)
Mohindiana
Ever notice the similarities between Mohinder Suresh on Heroes and Indiana Jones?
No, seriously. His first arc is straight out of Indiana Jones and the Last Crusade.
Both are teaching professors (Mohinder: biology; Indy: archaeology)
Their fathers are both academicians as well (Dr. Chandra Suresh: biology; Dr. Henry Jones, Sr.: medieval studies).
Both are estranged from their fathers, in part due to the death of a female relative (Indy’s mother, Mohinder’s sister) and in part due to the fathers’ obsessions with their own personal quests (Suresh: evolved humans; Jones: the Holy Grail).
Nonetheless, each pursued his father half-way across the world when that quest got him into trouble.
They both found their fathers’ notes, which had been missed when their homes were ransacked.
Each encountered a female associate of his father, close to his own age, who later turned out to be a spy. Moreover, both women’s first names were four letters long and started with an E (Dr. Elsa Schneider, Eden McCain).
Each shares his name with a family pet. (Indiana Jones took his nickname from the dog. The elder Dr. Suresh named a lizard after his son.)
Super-hero Weaknesses
The suggestion box on my Flash site has picked up a couple of requests for the Flash’s “weakness.” The concept doesn’t really apply to the Flash’s powers, though. Thinking about it, if your hero has to have an off-switch, that’s kind of a sign that they’ve been over-powered, isn’t it?
It reminds me of a line that bothered me in Unbreakable. (Minor spoiler.) Samuel Jackson’s character explains to Bruce Willis that water is his Kryptonite. That’s hardly the case, though: a glass of water isn’t going to take him out of commission. He’ll still be invulnerable and super-strong while swimming. All it means is that he still has to breathe (and, presumably, eat and drink). A plastic bag over his head would be as effective as drowning.
Compare that to, say, Superman and Kryptonite, or Wonder Woman and being tied up, or past Green Lantern books and yellow objects or wood. It’s not in the same league (pun not intended).
Which brings us back to the Flash. What “weakness” does he have? Well, he’s a specialist, so he doesn’t have the advantage of super-strength or invulnerability. He can get tired. Like David Dunn, he has to breathe. He can get distracted. He can make mistakes. He can act without thinking. Are any of these really “weaknesses” in the Kryptonite sense, though?
LOST Renewal / Story Arcs vs. TV Scheduling
Here’s a surprise: Lost has been renewed for a three-season deal… but each season is only 16 episodes long. The writers are glad that they have an endpoint, because now they know how long they have to tell the rest of the story they have in mind. (Call me credulous, but I’m inclined to believe that they do have at least some of their plans worked out ahead of time.)
Though I have to say, I hope they’ve checked their contract for loopholes. Farscape thought they had a two-season deal, so they took their characters and story to some really dark places in Season 4, figuring they had another year to dig them out. Instead they got canceled, and it took a fan campaign and the sale of the Jim Henson company to get even a four-hour miniseries to wrap things up.
As for the structure, this is actually probably better than two 24-episode seasons. It makes it easier to show an entire season through without interruptions. This season’s schedule, with just 6 episodes at the beginning followed by months of reruns, was terrible. Of course, once they came back from hiatus, it was much better than the sporadic episodes they showed in Season 2.
Arc vs. Scheduling
This brings up a problem with trying to run a TV series with an arc to it: Scheduling can seriously mess it up.
Babylon 5 suffered from PTEN’s decision to hold the last four episodes of each season until fall, followed immediately by the following season. It undermined the season-ending cliffhangers, and broke the narrative in the middle. Eventually they started anticipating it: JMS would write a mini-cliffhanger five episodes before the end of the season, and in one case even wrote a recap into the script for episode 19.
Veronica Mars and Heroes have done a good job this year of breaking the season into mini-arcs that match the schedule. Veronica Mars had a 9-part mystery, followed by a 6-part mystery, followed by a series of one-shots at the end of the season, and each arc was shown without interruption.
Heroes told the initial “Save the Cheerleader, Save the World” storyline, followed it up with some backstory, and finished the first run with a teaser for the main arc for the rest of the season. The second arc deepened the plot, and brought everything to a high point: the revelation of Linderman’s and Bennett’s agendas, plus cliffhangers in Hiro’s and Peter’s journeys. Now we’re in the home stretch. As the tagline says, “It’s time to save the world.”
That seems to be the way to go: If you don’t have the clout to change the schedule (like 24), find some way to work within it. Plowing straight through without regard to when the episodes are going to be shown, like Lost did with Season 2, is just going to frustrate your audience.
(Thanks to aeryncrichton for the news!)
Nice Try
I’m sorry, no matter how many vitamins and minerals you add to cola, it’s not going to be healthy.
Oh, crap. Suddenly, I can picture the coffee chains and smoothie chains getting together.
“One iced blended mocha, please.”
“Would you like a free boost in that?”