I just got an email with the reminder that J. Michael Straczynski’s Babylon 5 Script Book Series is going out of print at the end of the month. Monday, June 30 is the last day.

It’s hardly a surprise, since the series was always advertised as a limited edition.

The weird thing is that they’re also shutting down the related store, with all the quote merchandise, until August. Presumably that includes the Londo/G’Kar campaign signs as well.

Meanwhile, the companion series, Other Voices, with scripts and commentary by the other writers who worked on the show, just released the second book. (To give you an idea of just how much of B5 JMS wrote, his scripts take up 14 volumes. The others add up to just 3.) It’s been interesting to compare the different styles of commentary. Some wrote epics, some did Q&A or interview-style introductions, and David Gerrold simply wrote half a page about why he resisted writing “Believers,” and what he did when he realized exactly why they wanted him to write it.

I hate to admit it, but I’ve only just started reading the bonus volume of the original set last weekend (in between bouts of re-reading The Ringworld Throne and writing). After so many years wondering “what would have happened if Sinclair had stayed?” you’d think I’d be in a bigger hurry to find out. Okay, I was busy with the whole moving thing, and then unpacking, and then trying to catch up on a fan site, and then trying to launch a blog, and I keep getting sucked into comic forums…

I think I need to sleep more.

It’s long been a mystery to comic fans why the city of San Diego seems so uncomfortable with Comic-Con International. After all, with upwards of 100,000 people coming in for 4 days, renting hotel rooms, buying meals and drinks, and so on, we must be giving the city an annual boost of extra income, right?

Okay, there’s the usual love-hate relationship between any tourist destination and its clientele. Plus some people get freaked out by anyone in a costume. And sure, some attendees don’t understand basic concepts of hygiene, or bear an uncanny resemblance to the Comic Book Guy. But most of us are normal people (and shower every day). And besides, we’re bringing in all this business, right?

Well, maybe not. The New York Times writes, in an article about Hollywood’s uneasy relationship with the con, that the con is “decidedly low-rent.”

No. 33 on the official tip sheet* lists the grocery chain Ralph’s Market as an alternative to dining out. The Bio International Convention in San Diego, a gathering of the biotechnology industry, with one-sixth as many attendees, produces about double Comic-Con’s $41.5 million in economic impact on the city.

Yes, that’s right. A biotech conference brings the city 12 times as much per attendee as Comic-Con. The city puts up with 6 times the strain on their roads, public transportation, and other infrastructure, for only half the reward?

No wonder they don’t like us.

So here’s a mission for those of you going to San Diego this year: Head down to the reservations pavilion in the convention center lobby at least once, and make a reservation at a nearby restaurant. The Gaslamp District is right across the street from the convention center, so there’s plenty of good food to choose from. Be clean. Be polite. Don’t order the cheapest thing on the menu with a glass of water. Tip appropriately. Overall: make a good impression.

(via Comics Worth Reading)

*Not that I can find this “official” tip sheet anywhere. Plenty of unofficial tip sheets — heck, we wrote our own a few years ago — but no sign of an official one.

Caught “Weird Al” Yankovic’s song, “She Drives Like Crazy” — appropriately enough, while on the freeway. I never used to understand why he did the funny voices in the song, until I remembered the Muppets music video of the original song (“She Drives Me Crazy”), with Miss Piggy and Kermit the Frog…and suddenly the voices clicked into place.

It’s odd that the intro on the title track to “The Phantom of the Opera” (the Andrew Lloyd Webber show) sounds so much like the MIDI file I found in the mid-1990s. I don’t know if that’s a comment on the quality of my old sound card, or a comment on how many synthesizers were used in the original recording. Either way, whoever sequenced that MIDI file got the timing exactly right.

Bart Allen as the FlashI’ve just launched SpeedForce.org, a companion blog to the website, Flash: Those Who Ride the Lightning.

Since I started adding news items to the front page of Ride the Lightning, it’s started to get a bit crowded. I thought about converting it to a Delicious feed, but then I realized it really ought to be a blog. There hasn’t been a major Flash-focused blog out there since Crimson Lightning shut down, so I figured I’d step in and fill the gap. And I could use the domain I picked up last year!

I’ll be posting Flash-related news there, including a weekly round-up of Flash comics, as well as articles that might not fit into the existing site structure, and (eventually) reviews as well. Some stuff that I would have posted here will end up on the new site. Certainly Flash news, but I may start shifting more comics-related commentary over there as well.

I’ll be refining the look and features over the next couple of weeks, and cross-linking it more into Ride the Lightning. I might keep the current theme with a few tweaks, or I might try to match Ride the Lightning, or I might build something else entirely.

So please, check it out and let me know what you think! I’m open to suggestions as to content, design, etc. And of course bug reports.

One nice thing about the DVD market is that it seems like just about every TV show imaginable has gotten released on DVD over the past few years (to the point where, in some cases, it feels like studios are scraping the bottom of the barrel). But if you look at the full list at TV Shows On DVD, the percentage of shows available is actually quite small.

Once the trend had been established, I waited years for first Babylon 5, then Animaniacs, and then The Flash to make the list. I’m still waiting for VR.5, a show from the mid-1990s that, like Firefly and Drive, got half a season on Fox and didn’t even see every episode aired. (Okay, the premise was total fantasy wrapped in a sci-fi buzzword, but the concept, characters, and storyline were interesting.)

So, what TV shows of days past are you hoping to see again? I’m mainly curious about shows that have been off the air for at least 5 years.

Went to see Aimee Mann on Friday at the House of Blues. She’s promoting her new album, @#%&*! Smilers (and yes, it’s pronounced as you might expect, though she also gave an alternate pronunciation of “Effing Smilers”), which just came out last week. Of course, this meant that most of the audience either hadn’t heard the new songs, or had only heard them a few days before. Old favorites like “Save Me” tended to get cheers as soon as people recognized the intro music. With the new stuff, people were quieter, as if they were waiting to hear the song for the first time. But they all got applause in the end.

In the past, when we’ve gone to the Anaheim House of Blues, we’ve tried to eat at Downtown Disney. It always proves problematical, with restaurants either not taking reservations for parties of two or not having any reservations left. This time we just ate near home and drove up after dinner. We got there after the doors opened, but before most of the audience arrived, and managed to claim a spot dead center in the main floor, much closer than we’d ever been to this stage.

The opening act was Rebecca Pigeon. She was quite good, and a good match stylistically. (Too often, you only get one — or neither. We still joke about “Corn Mo” who opened for TMBG a few years ago.) She started with “Tough on Crime,” which Katie figures has to have a Heroes video in it somewhere. Interesting fact: it turns out she’s married to David Mamet.

By the end of the opening act, the house had filled up considerably, and was respectably packed by the time Aimee Mann took the stage. Continue reading

»All pages site-wide with this tag