Tag: TV

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(Lost)Here’s a surprise: Lost has been renewed for a three-season deal… but each season is only 16 episodes long. The writers are glad that they have an endpoint, because now they know how long they have to tell the rest of the story they have in mind. (Call me credulous, but I’m inclined to believe that they do have at least some of their plans worked out ahead of time.)

Though I have to say, I hope they’ve checked their contract for loopholes. Farscape thought they had a two-season deal, so they took their characters and story to some really dark places in Season 4, figuring they had another year to dig them out. Instead they got canceled, and it took a fan campaign and the sale of the Jim Henson company to get even a four-hour miniseries to wrap things up.

As for the structure, this is actually probably better than two 24-episode seasons. It makes it easier to show an entire season through without interruptions. This season’s schedule, with just 6 episodes at the beginning followed by months of reruns, was terrible. Of course, once they came back from hiatus, it was much better than the sporadic episodes they showed in Season 2.

Arc vs. Scheduling

This brings up a problem with trying to run a TV series with an arc to it: Scheduling can seriously mess it up.

Babylon 5 suffered from PTEN’s decision to hold the last four episodes of each season until fall, followed immediately by the following season. It undermined the season-ending cliffhangers, and broke the narrative in the middle. Eventually they started anticipating it: JMS would write a mini-cliffhanger five episodes before the end of the season, and in one case even wrote a recap into the script for episode 19.

Veronica Mars and Heroes have done a good job this year of breaking the season into mini-arcs that match the schedule. Veronica Mars had a 9-part mystery, followed by a 6-part mystery, followed by a series of one-shots at the end of the season, and each arc was shown without interruption.

Heroes told the initial “Save the Cheerleader, Save the World” storyline, followed it up with some backstory, and finished the first run with a teaser for the main arc for the rest of the season. The second arc deepened the plot, and brought everything to a high point: the revelation of Linderman’s and Bennett’s agendas, plus cliffhangers in Hiro’s and Peter’s journeys. Now we’re in the home stretch. As the tagline says, “It’s time to save the world.”

That seems to be the way to go: If you don’t have the clout to change the schedule (like 24), find some way to work within it. Plowing straight through without regard to when the episodes are going to be shown, like Lost did with Season 2, is just going to frustrate your audience.

(Thanks to aeryncrichton for the news!)

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I was browsing the DVD releases at Target this weekend, and saw the box for Bring it On: All or Nothing. I did a double-take, because right there on the cover was Claire Bennet from Heroes:

Bring it On: All or Nothing DVD cover Claire Bennet

Yes, shortly before Hayden Panettiere played a cheerleader with super-powers on Heroes, she played a cheerleader in a direct-to-video sequel to Bring it On. The uniform is even the same color scheme!

She’s probably safe from being typecast, though. She’s done quite a bit of work, and something tells me Claire isn’t going to be cheering—or particularly cheerful, for that matter—anytime soon.

Edit: Forgot to mention, the Heroes Wiki is was a fascinating and addictive site.

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Genetics has been built into the show concept for Heroes from the beginning. Mohinder’s father was tracking a genetic marker, and it’s all about humans evolving powers (in response to what selection pressure, I don’t know, but it’s comic book science). So the question of what can be inherited is built into the show’s premise. And the potential for powers is clearly inheritable, though it’s not clear how.

We only have two examples of characters for whom both parents have powers—Claire and Micah—and both of them have powers themselves. In each case, the child’s powers are unrelated to either parent’s, though one can certainly see the advantage invulnerability might provide for someone living with a pyrokinetic.

We also have three cases of full siblings where neither parent appears to have powers: Continue reading →

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Bart as Impulse in 'Justice'With Bart Allen returning to Smallville tonight—alongside Cyborg, Green Arrow, and Aquaman—I find myself wondering about the best way to hang onto just a few episodes. Last night I went looking for my tape of “Run,” the first episode in which he appeared, and I couldn’t find it.

I have no interest in buying full seasons of Smallville, but I’d like to have copies of the two episodes with Bart (partly for character research, partly for completism). Warner Bros. has no reason to release individual episode DVDs, but downloadable episodes (as in iTunes) might be an option.

Another possibility: themed collections. There have been enough episodes guest-starring other DC heroes that WB could do something similar to Buffy‘s Slayer Collection, or The Simpsons “Treehouse of Horror” set. A single disc featuring, let’s say, the Flash, Cyborg, and Aquaman episodes (Green Arrow might need his own disc), followed by tonight’s big team-up, “Justice.”

Hey, I’d buy it.

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Been watching Heroes and loving it. Recently we read a list of names for the characters’ alter-egos. Inspired by this, I bring you my inventions:

Charlie – Flashdrive
Claire – Rebound (or, if you want silly, Anti-Maim)
D.L. – Fade
Eden – Hpnotiq (because somebody’s got to have a cool alternate spelling)
Isaac – Visionary
Micah – Wiretap (because I think Spark would get me in copyright trouble)
Nathan – Rocketman (I’m not the man they think I am at home . . . )
Niki – Evil Twin
Peter – Tabula Rasa (because anything with Mirror sounds too much like Mirror Master)
Sanjog – Dreamtime

I can’t think of anything for Mysterious Haitian Dude, and I just can’t bring myself to use Thought Police for Matt or Mr. Fusion for Ted. And I agree with the OP that Hiro is just Hiro because he rules.

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Start your own cable company like Jack and Jill* did!

Hello! We're Time Warner Cable! (With a picture of two children.)

This showed up in our latest cable bill. Time Warner is taking over from Comcast, and while their “Hello, my name is ____” campaign makes sense in a sort of cutesy way, I can’t figure out the logic of this one.

Though I imagine many people would agree that their cable company acts like it was run by eight-year-olds.

*I was trying to think of something to name the kids. My first thought was something like Wakko and Dot, but it didn’t fit the tone. Then I thought of Jack Warner, and Jill was obvious.

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CNET has an article on various websites related to Lost. Among them are official sites for Oceanic Airlines and The Hanso Foundation and fan sites for Mega Lotto Jackpot and Charile’s band, Drive Shaft.

I’d seen the Drive Shaft site last year (or at least a Drive Shaft site), though it seems to have exceeded its bandwidth for this month.

The official sites don’t have much detail, but they do have easter eggs…

Update (April 2010): Four and a half years later, as the show barrels toward its conclusion, only the Drive Shaft fan site is still around. Oceanic Air now redirects to ABC’s page for the show, the Hanso Foundation isn’t responding at all, and Mega Lotto Jackpot seems to have been picked up by a domain squatter.

Update (Feb 2017): In the years since I last checked, the Drive Shaft page was also taken over by a squatter, and has since gone offline.

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