Just made 20K with 10 minutes to spare. Actually made a bit more than that, as I was sitting at 19,900 at 11:00 and wrote a 400-word scene.
Switching to another progress gauge and going to bed.
Word Count: 20367
Just made 20K with 10 minutes to spare. Actually made a bit more than that, as I was sitting at 19,900 at 11:00 and wrote a 400-word scene.
Switching to another progress gauge and going to bed.
Word Count: 20367
Attended a friend’s wedding last weekend, held at the Quail Botanical Gardens in Encinitas (north of San Diego).
One constant feature of botanical gardens the world over is the collection of placards identifying each type of tree, shrub, or other plant. In the walled garden where the ceremony was held, they took it a step further:

Mostly random stuff this morning. Read some comics. Finished Callahan’s Cross-Time Saloon. Errands in the afternoon. Late lunch at Ruby’s, which always lends itself to not needing dinner that night. Weather went from warm and sunny to gloomy and cool during lunch.
Picked up writing early evening. My goal is to hit 20,000 words by the end of the weekend, which should put me on track (20K/50K = 12d/30d = 40%). Looks like I can make it.
Concluded that the progress gauge I’ve been using here is either using something other than time to determine the goal, or just plain b0rked. It went from 13,105 yesterday to 12,896 today. Maybe it’s based on average words/day or something.
It’s odd to be writing with the only goal being word count. But it’s also oddly liberating. That’s kind of gone down now, since I’ve been establishing a world and characters, and at the very least I have to keep things more or less consistent. I guess it’s the freedom to mess up. It doesn’t matter if what I write is crap. As long as I finish it, I can revise it as much as I want later.
I had a bit of conflict insert itself into the story today. Completely unintended, but the character was acting grumpy, and started explaining why. In such a way that’s going to make things complicated for a while.
One of the big problems I’ve been having since I started to see the overall shape is that the stuff I have the best handle on comes near the end of the story. I’m enough out of practice to not have a sense of how long it’ll take to get there, but I want to get a sense of where the characters are before I start writing too far ahead.
Word Count: 17415
Managed ~1600 words and passed the 25% mark in Nano. Which is probably silly to play up, since it’s so close to the 20% mark that I hit yesterday. Still, from 1/5 to 1/4. Next milestone at 1/3. Unfortunately to be on track I ought to hit it by the end of the day tomorrow, and I’ve got ~3500 to go. On the plus side, I’ve got a no-plans weekend to do some catching up. (Oddly enough, the progress gauge seems to think I’m ahead 17 words. I’m not sure how it came up with a goal of 13,105 words based on 9 or 10 days, when the ultimate goal is 50,000 in 30.)
Word Count: 13,122
Writing 1666 words a day is hard. Writing 1800-2500 or more because you’ve fallen behind is harder. Throw in work, traffic, voting, food, and other plans, and it gets really hard.
The last time I got a good night’s sleep was Saturday. I missed my chance to write Sunday morning, and a trip to see a movie turned into an all-day event, so I didn’t get started until evening. I think I was up until 1:30. Monday evening was a marathon session, and I think I finished around midnight. Tuesday I didn’t get a chance to start until 11pm, and I was determined to get at least a few paragraphs down, which turned into a couple of pages. 12:30? 1:00?
It’s taking its toll.
Today I skipped my weekly trip to the comic store during lunch hour, because I knew I wouldn’t have time to read anything tonight. We were contemplating grabbing coffee on the way home, but eventually decided to skip the Flashback Feature showing of Dr. Strangelove and just put it on Netflix. Even though we were home, we still taped Lost as both of us went into writing mode.
I broke 10,000 words today, the 20% mark. And I added some more characters, which will help me figure out what’s actually going on in the middle of the story. I figured out where it’s going Sunday night, but how it gets there is still pretty nebulous. I managed to do some good character bits today that actually set up a scene I’d already written better than what I had before.
I’m not quite on track, but I’m getting there. I think I’ll take a cue from Girl Genius and describe it as Doom Level: Middling. Goal identified, but still determining course. Almost caught up with word count. Major sleep debt, but finally getting to bed before midnight.
Crap, I need to figure out what’s going on with the villain. So far I don’t know any more than the main characters do, and they don’t know much.
Word Count: 11471
California is an interesting state. We just re-elected Republican Governor Arnold Schwarzenegger 55% to 39%, but also re-elected Democratic Senator Dianne Feinstein 60% to 35%. All but one of the remaining state offices went to Democrats (some by larger margins than others).
The Governator is talking about a mandate. Politicians always do that when they win. 55% is a bit shaky, but with ~15 percentage points between him and Angelides, he’s at least more justified in claiming it than a certain Republican winner two years ago who only had a three-point lead.
Meanwhile Congress has returned to its natural state—namely, with at least one house controlled by the party not holding the Presidency—as the Democrats have taken back the House for the first time in 12 years. There’s an analysis in the Los Angeles Times suggesting that the Republicans’ mistake was in focusing too heavily on their base over the last few years and alienating the center.
Schwarzenegger is actually a good example of this. He’s a Republican, but a moderate one. During the 2003 recall election, the Republican party actually ran a second candidate, Tom McClintock, because Arnold wasn’t Republican enough. Admittedly you can chalk some of it up to name recognition and charisma, but the moderate Schwarzenegger not only won the recall handily, he had no problem holding onto the office this year when California voted overwhelmingly for Democrats.
Representative Nancy Pelosi, practically guaranteed to be the next speaker of the House, promised “to lead the most honest, the most open and the most ethical Congress in history” [note: originally linked to Forbes] and run things in a more bipartisan way than the Republicans have for the past 12 years. I’m jaded enough to say I’ll believe it when I see it, but encouraged enough that I think there’s at least a chance they will.
The real shocker, though, is Donald Rumsfeld stepping down as Secretary of Defense. I think it’s long overdue—this administration has generally rewarded loyalty over competence, and I’ll agree with many that the wars in Iraq and Afghanistan have been mismanaged. Here’s hoping Robert Gates, if confirmed, does a better job.
This weekend we went out to see The Prestige, which was quite good. The next theater over was running The Nightmare Before Christmas in 3-D, and we figured, what the heck? After the first movie, we got tickets for another.
The Nightmare Before Christmas is one of my favorite movies, but for some reason the 3D release didn’t really interest me when I first heard about it. It felt too gimmicky, like when they project a regular movie on an IMAX screen even though the movie itself isn’t really made for that format.
I got a little more interested when I read an article about how they did it. ILM essentially re-did the entire movie as a computer-animated film, matching each frame exactly, then shifted the virtual camera over a bit. One eye gets the original film, and the other eye gets the CGI copy.
I was astonished at how seamlessly they matched. I couldn’t remember which eye got the original, and I honestly couldn’t tell. Most CGI-animated films have a cartoony, sort of vinyl look to them, which would not blend at all, but ILM is used to matching their CGI to photographed actors and sets, which I suppose makes them the ideal animation studio for this sort of thing. It had to be the most effective reformatting of a film that I’ve ever seen—compare it to colorizing movies, or the Star Wars special editions (which were done by the same effects house, but with older technology)—because it didn’t detract (or distract) from what was there in the first place.
Of course, it wasn’t long before I stopped looking at the technical merits and just settled into watching the movie.
Having re-watched it, I’m now very interested to see what director Henry Selick does with the movie adaptation of Neil Gaiman’s book, Coraline