Category: Entertainment

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It’s funny how some companies will go out of their way to avoid acknowledging the competition. Universal Studios has a panel at Comic-Con promoting the movies Paul and Cowboys and Aliens. Here’s how they describe Paul and its part of the panel:

Paul—  Scheduled to appear for Universal Pictures’ sci-fi comedy-adventure Paul are a who’s who of film comedy. Director Greg Mottola (Superbad) will be joined by cast members Simon Pegg (Hot Fuzz), Nick Frost (Shaun of the Dead), Kristen Wiig (Date Night), Bill Hader (Forgetting Sarah Marshall), Jeffrey Tambor (The Hangover), Joe Lo Truglio (Role Models), Seth Rogen (The Green Hornet), and Sigourney Weaver (Baby Mama) as they discuss the movie about two sci-fi geeks whose pilgrimage to Comic-Con ultimately takes them to America’s UFO heartland. While there, they accidentally meet an alien who takes them on an insane road trip that alters their universe forever. Q&A session to follow.

Does anyone really think that the Comic-Con audience will best remember Sigourney Weaver for a supporting role in Baby Mama? (I didn’t even know she was in it.)

Not, say, her starring role in the Alien series?

Ripley would like to have a word with someone...

Or if you want to go for something more recent, it’s only been half a year since Avatar.

Or heck, since it’s a sci-fi comedy about fans and conventions, how about Galaxy Quest?

See, they don't think it makes sense either.

Guess what? Those movies weren’t produced by Universal. Baby Mama was.

Talk about underselling the guests! That’s like promoting that you’ve got Harrison Ford from Sabrina!

I see it in comic books as well, though not quite to this extent. DC, when it realizes that someone is best-known for their work at Marvel or somewhere else, will at least mention the fact…but they always seem to want to downplay it. Standard practice is to put the DC titles in all-caps and anything else in standard title case. For example: Flash: Emergency Stop by “Grant Morrison (FINAL CRISIS) and Mark Millar (Civil War),” or Superman: Earth One by “J. Michael Straczynski (BRAVE AND THE BOLD, Thor, Babylon 5).”* It always leaves the impression that they’ve kind of hoping that, even though they’re banking on the name recognition, you won’t really notice.

*Ironically, Babylon 5 was produced by another subsidiary of Warner Bros….and the licensed comic books were published by DC.

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I finally made it to a Westercon! It’s been years since I’ve been to a general science-fiction/fantasy convention. The last one was WorldCon/LACon IV in 2006, but I was distracted by a summer cold and lots of DayQuil. Before that was the last Loscon I attended in 2002. So while I remembered how this sort of event is usually run, I wasn’t sure what to expect.

A Bit of Background

Westercon is a fan-run convention that travels around the western United States and Canada, similar to WorldCon on a smaller scale. It’s usually held during the Fourth of July weekend. This year it was held in Pasadena, California, and combined with the filk convention ConChord 23 to form WesterChord, Westerconchord, or simply Confirmation.

I’ve been to a couple of Westercons, but not anything you’d call recent. I remember attending one in San Diego and one in Anaheim, having a dinosaur-themed T-shirt from one year, and picking up a particular issue of The New Teen Titans in San Diego, so I think the two I attended were San Diego in 1986 and “Conosaurus” in Anaheim in 1989. Yes, it’s been twenty years since my last Westercon!

Location

I had no trouble finding the Pasadena Hilton, but getting inside was a little tricky. The entryway was under construction, so they were routing people through one of the ballrooms, which had been set up for some sort of banquet. (More about that later.) The hotel was vaguely familiar from my memories of Loscon in the 1980s, but has been remodeled to add a coffee shop and a restaurant in the middle of the conference center. The Starbucks was most welcome, though the con was good at making sure pitchers of water and plastic cups were available in each panel room and the main hall.

Since I was only there for the day, I didn’t explore the area looking for restaurants or other activities. I just relied on Starbucks and the ad-hoc pizza, sandwich, pastry and salad counter that had been set up across the way.

Anyway, I found registration easily, but the onsite sign-up forms were on a table behind a planter. I wasn’t the only one who walked straight past them.

Impressions

It was a much smaller convention than I’ve become used to in years of attending the big comic-book events like Comic-Con International, WonderCon, and Wizard World. Even Long Beach Comic Con pulled in 6,300 people its first year, but I’d count the attendance here in the hundreds.

Attendees were also older than Comic-Con on average, mostly 50+ rather than mostly around 30. Certainly there were plenty of younger fans at Westercon, and there are plenty of older fans at Comic-Con, but there does seem to be a generation gap of sorts between the two types of conventions, at least in the southern California area. At least this con seemed more alive than the last few Loscons I attended — and a lot less bitter!

Maybe it’s the literary focus. LASFS has always been very book-oriented, and there were a lot of writers among the con guests. One of the book dealers even had an entire shelf set aside for books by authors who were guests at the con.

Continue reading →

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The parking lots at The District in Tustin, and the streets that run through them, are just plain horrible. They’re bad enough, in fact, that the last time we were there*, it wasn’t clear at first that the reason traffic was moving so slowly was that it was working around a car accident.

As I slowly drove past the crashed Lexus, we both looked toward it…and burst out laughing.

I felt awful for it…but the license plate was DIMWIT1.

Bonus in-joke: Katie asked me where the other two were.

*June 13, for the record.

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Whenever I see spam that starts out with a subject or greeting like “Hey, friend,” I think of Fluffmodeus from the webcomic Something Positive:

TV Tropes describes the grotesque cute character as being “like an ’80s cartoon character who Care-Bear-Stared a little too long into the abyss…” Rippy declared him to be “the most annoying thing that’s ever existed.” Hmm, maybe he’s a spammer when he’s not haunting Kharisma? 😀

Oh, and the archives…definitely not work-safe.

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An experiment: I’ve modified* Twitter Tools to create digest posts as drafts instead of publishing immediately. That gives me a chance to edit a week’s worth of random thoughts and links down to the interesting stuff, clean things up a bit, expand things that could use more detail, and remind myself of items that I wanted to write more about later.

If it works out, and if the plugin still offers digests after it’s rewritten to use OAuth, I’ll probably use this same setup to make sure I keep on top of linkblogging at Speed Force.

*It was pretty simple. I just looked for the function that creates digests, then changed the post_status from publish to draft.

The Links

  • Why information storage is hard: The Universe Hates Your Data.
  • Interesting analogy: Facebook, Twitter, and the iPhone aren’t quite ecosystems. Maybe it’s better to think of web services as governments. (via ma.tt)
  • WTF of the week: A book I was looking at on Amazon didn’t have any active discussions related to it, so Amazon showed me some random forum threads. They included this question on used textbooks: “Is it Ok if I used it to bludgeon several people to death with it?” Be sure to read the responses. [Edit: Amazon’s forums have been shut down.]
  • I love how Twitter’s status blog describes Wednesday morning’s outage as “high whales.”
  • Dear CNN: A 4.0 earthquake in California, especially one that didn’t cause any damage, is not breaking news. It’s more like business as usual. (It’s worth noting that a full day later, they haven’t updated the story with anything substantive…probably because there isn’t anything to add!)
  • Very cool: the Sci-Fi Airshow is a gallery of photorealistic images of spaceships from various science-fiction TV shows and movies set at, well, an air show. (via Bad Astronomy and SciFi Wire)

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DC Comics has launched a digital comics program, starting with the iPad/iPhone and the Playstation network.

And by launched, I mean launched. As in, you can download the app and buy comics right now.

I’m really looking forward to the day when they expand this to more platforms (desktop PCs, Android and Windows–based tablets, etc) and start reaching into their back catalog. I’ve griped about the lack of Golden Age Flash reprints before, and the Bronze Age is also virtually invisible in reprints (though at least with comics from the 1970s and 1980s, you can usually find the back-issues at a reasonable price).

I haven’t had time to read all the interviews, but I’ll definitely be reading them tonight:

Jim Lee at Microphone at DC Editorial.With Jim Lee so heavily involved in this project, I can’t help but think of a moment at WonderCon this year. Saturday was the day of the iPad launch, and the Apple Store in San Francisco is just a few blocks from the convention center. Jim Lee was conspicuously missing from the DC Editorial panel. He showed up partway through the panel and stood in the Q&A line, where he planted a few questions…and then pulled out the brand-new iPad that he had stood in line for that morning!

Sadly, judging by ComiXology’s new releases, DC hasn’t brought Flash to the iPad just yet. But I’m sure it’s only a matter of time.

Update: Comics Alliance has another article I won’t have time to read just yet, on why this is a big deal.

Cross-posted at Speed Force

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