Believe it or not, the record player is new. It turns out there’s a whole subset of the toy market for retro toys. It’s a bit different under the hood – I’ve had to fix it once already, and it’s actually chip-driven, not classic music box works. I figure it’s probably cheaper these days to make it with fewer moving parts.
It’s bothered me for a long time that movie studios seem to think the only story worth telling about a superhero is the origin. You get a trilogy if you’re lucky, then back to another origin take. It would be like only ever running the pilot of every TV show even though they’re designed to set things up for an extended run. Or, I don’t know, remaking the prologue of Les Misérables over and over again without ever going further with Jean Valjean.
Sorry I don’t have a new article on Reading Les Misérables this week. I took a break to read Robert J. Sawyer’s latest novel, Red Planet Blues. It’s a detective noir story set on a future Martian colony where people have perfected the art of transferring human minds into robot bodies. It’s expensive, but it also makes modern fingerprint, DNA and other biometric forensics useless, forcing investigators to fall back on good old-fashioned sleuthing. The colony itself is essentially a gold rush town, only instead of gold, people have gone to Mars seeking fossils of long-extinct Martian life.
Sawyer read an excerpt from the novel during his author spotlight at Chicon 7 last summer. It sounded like great fun, and it lives up to its promise.
Unless I get totally swamped, I should be back to Victor Hugo next week…well…probably. There’s a new Julie Czerneda book out, and I’m really tempted to read that now that I know it’s out. I don’t want to lose too much momentum on Les Mis, though.
I was kind of hoping Disney would pick Joss Whedon to direct the next Star Wars movie just to watch fans’ heads explode. But going with the guy who rebooted Star Trek? That’s what I call a close second.
J.J. Abrams Will Reportedly Direct the Next Star Wars Movie
Originally posted on Google+
Little-known fact: in the First Age, Mazrim Taim sought power by running a craft store, rather than becoming head of the Asha’man.
Where did you think they got their supplies for making sword and dragon pins?
On a more serious note, I’m currently reading A Memory of Light, the long-awaited final volume of The Wheel of Time. I’m about 80 pages into “The Last Battle.” This chapter isn’t just longer than a Robert Jordan prologue, it’s longer than some novels I’ve read.
Update: This photo turned out to be quite popular on Tumblr, racking up more than 300 notes including a slogan from ashamanhannigan: “We’ll turn you from other craft stores.”
As the release date approaches for the first movie in The Hobbit triogy, I find myself comparing the circumstances to the Star Wars prequels. Why? In both cases you have…
But of course, Star Wars isn’t Lord of the Rings, and Peter Jackson isn’t George Lucas. Let’s look at four big differences.
1. Time
The Phantom Menace came out 22 years after Star Wars: A New Hope and 14 years after Return of the Jedi. An entire generation of children grew up with the original trilogy and were adults by the time the prequels started. And with 14 years of no Star Wars films, the prequels had to justify the wait.
With Lord of the Rings, it’s only been 10 years since Fellowship of the Ring, and 8 since Return of the King. We’ve spent half the time away from Middle Earth as we did from that galaxy far, far away. Children have become teenagers, and teenagers have become adults, but there isn’t quite the same level of “My childhood is back!” nostalgia that could make or break the films for a large section of the audience.
2. Directorial Experience
According to IMDB, George Lucas stopped directing after the first Star Wars film in 1977. He kept writing and producing, of course, but he hadn’t directed a film in two decades when he picked up The Phantom Menace
Peter Jackson may have slowed down a bit, but between wrapping up the extended edition of Return of the King in 2004 and picking up The Hobbit in 2010, he’s directed King Kong and The Lovely Bones.
3. Source Material
This is a big one. The Star Wars saga was an original story by George Lucas. When he wrote Episodes I-III, he was free to do anything he wanted as long as it didn’t contradict Episodes IV-VI. The Hobbit films are based on Tolkien’s novel, the appendices from Lord of the Rings, and his published notes. The core of the story is a lot more well-established.
4. Executive Meddling Potential
Zillionaire George Lucas wrote, directed and produced the Star Wars prequels, financing them himself. Nobody was in a position to tell him no. On one hand, this is good, because there weren’t any suits with more money than talent to tell him to add an extra car chase here, or add a love triangle there, and does Revenge of the Sith *really* need to be PG-13, can’t we dial down the violence a bit? On the other hand, it also meant no one could say, “George, don’t you think Jar-Jar is a little over the top?” or “This fireplace scene just isn’t working.”
Peter Jackson lucked out with the Lord of the Rings trilogy in being able to mostly do his own thing. But the legal battles and rights-wrangling that have caused The Hobbit to take so long to reach the screen indicate that the studios might be trying to exert their influence to “protect” their investment (which usually seems to involve killing the goose that lays the golden eggs). Certainly the decision to stretch the story out to three movies sounds like the studio trying to multiply their ticket sales, though I can also see Jackson and Weta deciding that this is their last chance to explore Middle Earth, so they might as well make the most of it.
Well, it’s just one week until The Hobbit: An Unexpected Journey opens and we all get to see how it turned out. One thing that’s definitely changed for me: Unlike Episode I, there’s not a chance that I’ll be standing in line for hours to see a midnight (or 2AM) showing. I can wait until Saturday afternoon.
