Category: Entertainment

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It took an hour and four minutes, but I managed to book a hotel for Comic-Con International this morning. (Yes, it’s not until July. And I still want to call it San Diego Comic Con.) Last year I was unable to get through online or by phone, but had no problems faxing the reservation request.

Reservations went on sale at 9:00 AM. I hit the website, started calling, and started faxing.

Phone: I couldn’t get through for the entire ~50 minutes of redialing. Just “no answer” over and over again.

Fax: Busy signal, over and over again. Occasionally the circuit would connect, and it would start making fax tones, but it never actually completed the handshake.

Web: The convention website loaded, very slowly, just enough to get me the link to the Travel Planners site. I could get that first page to load—again, very slowly—and occasionally I could get into the second page, where I selected the check-in and check-out dates and preferred hotel. From that point on, it was timeouts, and a bogus error page about how either I had been inactive for 12 minutes or my browser was not accepting cookies (neither of which was true), and I should hit refresh to start over.

Around 9:50 I finally managed to get to the hotel availability page.* My first choice wasn’t available, so I went back and selected All Hotels (which I should have done in the first place). My second choice wasn’t available either. In fact, there were only about three hotels in the downtown area that had rooms left for the full length of the convention.** Continue reading →

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[Flash Logo]In 1991, DC released The Greatest Flash Stories Ever Told, part of a series of hardcovers collecting classic stories about their signature characters. It was reprinted in softcover a few years later, but both editions have been long out of print. When DC started releasing new “Greatest Stories…” books last year, I figured it was only a matter of time before they released a new edition. Yesterday, DC announced that Flash: The Greatest Stories Ever Told will appear in July of this year:

THE FLASH: THE GREATEST STORIES EVER TOLD TP
Writers: Robert Kanigher, Gardner Fox, John Broome, Cary Bates and Mark Waid.
Artists: Lee Elias, Carmine Infantino, Ross Andru, Irv Novick, José Luís Garcia-López, Kurt Schaffenberger, Alex Saviuk, Mike Wieringo, Joe Giella, Wallace Wood, Joe Kubert, Frank Giacoia, Mike Esposito, Murphy Anderson and José Marzan Jr.

Collects stories from FLASH COMICS #86 and 104, THE FLASH #123, 155, 165 and 179, DC SPECIAL SERIES #11 and THE FLASH (Second Series) #91.
$19.99 US, 208 pages

I pulled out my copy of the 1991 edition, and it’s fair to say this is an entirely different book. There are only two stories in common: “Stone Age Menace,” and “The Flash—Fact or Fiction?” The new book is also about eighty pages shorter than the old one.

Here’s the character breakdown:

Flash  1991 book  2007 book 
Jay Garrick 4 2 / 4
Barry Allen 12 5
Wally West 1 1 / 2

Both books are very heavily focused on Barry Allen, and each includes just one story with Wally West as the Flash. Flash: The Greatest Stories Ever Told includes two crossover stories: “Flash of Two Words” features both Barry and Jay, and “Beyond the Super-Speed Barrier” features all three during Wally’s days as Kid Flash.

So, assuming the contents are final, do they hold up to the title’s promise? Continue reading →

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The Los Angeles Times is reporting that Dreamworks and Aardman are going their separate ways after the disappointing performance of Flushed Away and Wallace & Gromit: Curse of the Were-Rabbit.

Wait… Wallace and Gromit? Wasn’t it #1 on opening weekend? Didn’t it stay in the top 5 for at least a month?

Aardman’s dry British wit went over well with critics on such films as “Chicken Run” in 2000 and 2005’s “Wallace & Gromit: The Curse of the Were-Rabbit,” which won an Oscar for best animated feature.

But both “Wallace & Gromit” and “Flushed Away” were costly misfires, failing to resonate with American audiences. DreamWorks reported a $25-million loss on “Wallace & Gromit.”

Hmm, according to IMDB, W&G had an estimated budget of $30 million. It grossed $16 million its opening weekend and went on to gross $56 million by January, 2006. Domestically. That’s not even counting foreign distribution or DVD sales.

If they spent $30 million and made more than $56 million, how exactly did they “lose” $25 million? Where did that missing $50 million go?

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After last week’s Smallville episode, “Justice,” featured Cyborg, Aquaman, Green Arrow and the Flash Impulse, there was another spike in traffic to my Flash site and the profile of Bart Allen, Smallville Edition.

Daily traffic to Flash section for January 2007, showing a 1.5× jump on Jan. 18

It jumped up to 1½ times the usual number of visits on the day “Justice” aired, then quickly started trailing off to normal levels. It’s nowhere near as big a jump as last time the Flash appeared on the show, when I saw a threefold spike in traffic for the first two days.

Why the difference? I’ve got several theories:

  • Interest in Smallville has waned over time, so fewer people dropped in. Pure speculation.
  • Viewers remembered Bart from “Run” (which was rerun a few weeks ago) and many didn’t feel the need to look him up again. Again, speculation.
  • Bart was sharing the limelight with other guest stars this time. But I’d expect people to look for all of them, which is borne out by the number of people who have searched the site for Green Arrow in the past week.
  • Overall site traffic is higher, causing the jump to be less noticeable. Wishful thinking, but the last spike hit ~7,600 hits/day, while this one hit ~8,200, so the numbers hold up. (Hits & bandwidth are down for the Flash section, but I’ve done several rounds of optimization in the last few years.)
  • Fewer sources linked to the site. Last time, there were lots of links from forums and blogs. I even got linked from Television Without Pity. (They decided to go with Wikipedia instead.) This time around, it was mostly search engine hits.

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Bart as Impulse in 'Justice'With Bart Allen returning to Smallville tonight—alongside Cyborg, Green Arrow, and Aquaman—I find myself wondering about the best way to hang onto just a few episodes. Last night I went looking for my tape of “Run,” the first episode in which he appeared, and I couldn’t find it.

I have no interest in buying full seasons of Smallville, but I’d like to have copies of the two episodes with Bart (partly for character research, partly for completism). Warner Bros. has no reason to release individual episode DVDs, but downloadable episodes (as in iTunes) might be an option.

Another possibility: themed collections. There have been enough episodes guest-starring other DC heroes that WB could do something similar to Buffy‘s Slayer Collection, or The Simpsons “Treehouse of Horror” set. A single disc featuring, let’s say, the Flash, Cyborg, and Aquaman episodes (Green Arrow might need his own disc), followed by tonight’s big team-up, “Justice.”

Hey, I’d buy it.

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2007 looks to be a good year for fantasy adaptations, at least of books I’ve read. What I’ve seen of Stardust (Neil Gaiman & Charles Vess) looks great. I’m psyched up for His Dark Materials: The Golden Compass (Phillip Pullman)—and I’ve got to say I’m glad they’re doing each book as its own movie, instead of trying to condense the whole trilogy. And Harry Potter and the Order of the Phoenix (J.K. Rowling, as if you didn’t know) looks promising as well, though most of the Harry Potter films have suffered from condensing too much.

I’m a little more apprehensive about The Dark is Rising (Susan Cooper), mainly because the IMDB page says they plan to start early this year, but the Los Angeles Times has it down for a September release. For the record, I do think this is the one to start with, not Over Sea, Under Stone, because as I recall it has a much greater sense of tension, which will translate better to screen. Plus it provides more of an introduction to the world and the conflict, since Will is dropped right in the middle of it, while I remember the other book being set more solidly in the “real” world. The Drews don’t get involved as deeply until later.

On a related note, I don’t think I’m in the target audience for The Number 23. We saw the trailer for it on Friday when we saw Pan’s Labyrinth (which is quite good, BTW), and I could not stop laughing. Not because of Jim Carrey, but because of the premise. Perhaps it comes from reading the Illuminatus! trilogy. There’s a great sequence in the book where one of the characters is starting to look for certain numbers, including 23, in everything. Of course, since he’s human, he finds them, using ever more convoluted arithmetic to prove that they’re significant. While reading Illuminatus!, I looked up stuff on synchronicity and found the tech term for this tendency to see connections where none exist: apophenia. And here I’m watching this preview, and there’s a sequence in which the lead character starts finding the number 23 in everything, using ever more convoluted arithmetic…. I don’t think I could take the premise seriously enough to get into the movie.

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