The caterpillar in Alice in Wonderland is totally a Vorlon.
He’s always asking “Who are you?”, has a short temper, speaks cryptically, and when he offers help, he won’t explain it. He relies on an alternate atmosphere supply. And in the Disney version, he even sheds his external skin and reveals himself as a winged being.
I don’t think he was ever named, but I think I should call him Kosh.
Publisher’s Weekly reports that WonderCon still wants to return to the Bay Area, but that the limiting factor is scheduling.
With Moscone basically the only convention center in the area that’s big enough, their options are limited.
WonderCon’s last year (so far) in San Francisco was 2011. C2E2 launched in 2010, and grew to 41,000 attendees in 2012 and 50,000. Emerald City has been around for a decade, but expanded dramatically over the last few years, jumping from 13,000 attendees in 2009 to 32,000 in 2011. This year, all three cons* were in the 53-56K range.
The other shows’ explosion in size coincides with WonderCon’s move out of San Francisco. Both shows were already growing before WonderCon moved to Anaheim, so while I’m sure some former regulars decided to go to Emerald City instead, I doubt it accounts for the bulk of the growth. It makes me wonder (no pun intended) whether WonderCon might be facing similar scheduling conflicts even if it had stayed in San Francisco back in 2012.
If they do have to go up against another high-profile convention, it’s going to be one of those damned-if-you-do, damned-if-you-don’t situations. My feeling is they’d be better off scheduling for the same weekend as C2E2, since Chicago’s three times the distance and two time zones away. Sure, it could be seen as a proxy battle between the NYCC and SDCC juggernauts, but it would play better than looking like they’re stepping on the little guy.
*I couldn’t find figures for ECCC 2013, but Wikipedia cites 53K in 2012, and they’ve been growing every year. C2E2 2013 was 53K, and WonderCon’s site cites 56K for 2013.
Comics, costumes and cars…writers and artists…Young Justice and scenery by the sea. I had a good time at Long Beach Comic and Horror Con on Saturday, though I felt like something was missing. At first I wasn’t sure what, but by the end of the day I realized two things:
Skip to the photos if you want, or read on.
The con is starting to feel like two conventions. No, not comics and horror. Five years on, it’s still the most comics-focused “comic con” I’ve attended. I find myself wondering why they still have “Horror” in the name. No, the two cons are: costumes in the lobby and around the edge of the main floor, and books-and-art inside. There were cosplayers I saw repeatedly in the lobby and wondered whether they ever managed to make it downstairs at all. Continue reading
But over the past two years I’ve dropped half the series I was collecting, and the others (the ones I liked) have been canceled. I’m down to one DCU series. (Again)
The New 52 DC universe no longer feels like the same DC universe I used to follow. The tone is off (though to be fair, it had been shifting ever since Identity Crisis), and it’s now just different enough to feel unfamiliar and off-putting, but not different enough to feel like another fictional world that I can enjoy on its own terms.
A few years back I came to the realization that a shared universe I knew well, like DC at the time, was a hook that would encourage me to try more comics set in that world, while one that I didn’t know so well, like Marvel, actually discouraged me from reading it. The Marvel books I read tend to be those that are either not the Marvel universe, or set off in a corner of it. Since the New 52, the same has been true of DC.
Previously posted as a comment on Reddit
WonderCon has officially announced that they’re returning to Anaheim in 2014 for a third year, from April 18-20. It’s turned out to be a good venue for the convention, especially if they can work the remaining kinks out of parking next year, and it means it’s easy for us to attend, since it’s close enough for us to commute. (That really takes some of the pressure off of trying to get tickets for San Diego, too.)
Still, I hope they find a way to move back to the Bay Area soon. I attended three years at the Moscone Center when it meant traveling (it probably helps that we have family and friends in the area to visit on the way up and back), and while the show still feels very much like part of the same family, it does feel like a slightly different show. I was in San Francisco on a business trip last week, and when I realized I was in the neighborhood, I just had to stop by Yerba Buena park and the Moscone Center for old time’s sake. Continue reading
Every time I listen to Vienna Teng’s song, “The Hymn of Acxiom,” it gets creepier. It’s beautiful, it’s haunting…and it’s all about how big data is keeping track of every trace we leave, piecing together a more and more detailed picture of each of us in order to feed us back the perfect, tailored life, and isn’t that what we wanted?
Tracking. Privacy. Social media. Filter bubbles.
And I always think, “I need to post something about this on Facebook…”
And that just creeps me out more.
