Category: Sci-Fi/Fantasy

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Y’know, something I just can’t understand is the tendency, in rants about how the Star Wars prequels have not measured up to and/or sullied precious memories of the originals, to make sure there’s a dig about them being soulless computer-generated films, often citing the superiority of earlier effects with actual models and the presence of real actors.

Haven’t Pixar and DreamWorks demonstrated that it’s entirely possible to make a well-constructed, entertaining film entirely with CGI? Hasn’t Hollywood’s studio machine demonstrated that it’s entirely possible to make a shallow, soulless film entirely with real actors? Remember the original reviews of Jurassic Park that accused the milestone CGI dinosaurs of being more lifelike than the actors?

It ain’t the CGI, folks.

The effects are top-notch. The visual design, even when referencing other films, is impressive. Acting. Directing. Writing. This is where Episodes I and II have broken down. And if you’ve seen the right movies, you know the leads can act—when they’re given a chance.

No, it’s the dialog and the directing—both primarily Lucas’ work, and both tasks he let others take on or at least polish in earlier films. From what I hear Tom Stoppard has polished the dialog in Episode III. One can only hope that Lucas’ “practice” directing the last two has given him the experience needed to make the final film stand out.

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A new Angel comic book mini-series (from IDW, rather than Dark Horse), Angel: The Curse, picks up after the end of the TV series.

In this first issue of a new Angel tale, Angel has survived the conclusion of his TV show and finds himself in a mysterious Romanian forest. There, his search for the Gypsy tribe that cursed him years ago takes a turn for the worse.

I suspect we’ll get a “once out of the pit…” explanation (i.e. no explanation at all) and the cliffhanger’s resolution will remain open for Joss to deal with in a movie-of-the-week or something.

But what galls me is that the book is supposed to have four covers. OK, one variant every once in a while is nice, and I can even go for Dark Horse’s early efforts to have one drawn cover and one photo cover to get the newsstand audience (is there such a thing anymore?)… but the only reason to do four covers for one book is to get collectors to buy four copies. It was an insulting gimmick in the early 1990s, and it annoys me that the practice never quite went away. Worse, TV Guide took it mainstream. I guess we’ll know we’re in trouble when Time or National Geographic starts doing multiple collectors’ covers.

*grumble*

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I’ve been meaning to write a review of the movie version of The Hitchhiker’s Guide to the Galaxy, but Greg Dean says it so much better. In the rant, I mean, not the comic. I don’t think people who didn’t like the movie are stupid, but I do think that people who didn’t like the movie solely or primarily because it wasn’t identical to the book are being short-sighted, given that Douglas Adams himself changed the story every time he moved it to a new medium.

Some things worked, some didn’t, but overall I liked it.

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They gone and done it. They killed off the mainish character they were promising, and somehow they managed to make it someone that most people are only going to mourn for the loss of a cute guy. Heck, I’ve noticed a huge amount of anti-Boone sentiment since the series started, so there’s probably joy in a lot of Mudvilles now.

But that’s not what this post is about.

I’m for calling Claire’s baby D’Argo until we find out what she names him. D’Argo Boone Charles Littleton, because you have to cover all your bases.

But that’s not what this post is about.

I’m all about the preview at the moment, because I think that for once, they might have been showing some real truth. If you’re a believer in the Shore Leave Theory, that is.

We see Locke get shot. This could be a flashback to the long-awaited How I Got My Wheelchair explanation, but I don’t buy that since he had present-day hair (or lack thereof) and it seems more in line with the head-hitting tendencies of the writers to have him get old after whatever-it-is takes him down. I think Continue reading →

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A while back I remarked that the Babylon 5 spinoff Crusade died in part because the Sci-Fi channel had already committed to Farscape.

I was thinking about VR.5 recently. Had it survived into a second or third season, Anthony Stewart Head might not have been available for Buffy the Vampire Slayer. Can you imagine anyone else as Giles? Of course, given the nature of the show (they killed off a regular about five episodes in, and pulled an “everything you know is wrong” moment near the end of the season), it’s entirely possible that Oliver wouldn’t have made it through season 2 anyway, and he still would have gotten the role as Giles.

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