Circular window with concentric circles and spokes, seen from below and to one side.

Partway down the central escalator at the San Diego Convention center, you can look down the long cylindrical skylight that makes up the roof of the lobby, rings forming the appearance of concentric circles. Years ago, a friend of mine referred to it as the Death Star Cannon shot, and it’s a popular one to take, both during Comic Con and at other events.

Looking along a long, semi-open tube in a building, with the Comic-Con banner in the center.

At this year’s Comic-Con International, I found myself looking at the windows surrounding the stairs instead. My first thought was to mix things up with the classic cannon shot, but when I got home and looked at the results, I realized: This really does resemble the windows in the Emperor’s throne room. It’s still a Death Star shot, but a different part of the station!

If you’d like to see more photos or read more about my experience at the convention, check out I Survived Comic-Con 2013.

And this year, that’s saying something. (I’ll get into that later.)

Sometime Thursday afternoon or Friday morning I concluded that we’d remember this year’s trip more for the circumstances around it than for the con itself. I had no idea.

For starters: We had tickets for Thursday and Friday, and planned to drive into town Wednesday afternoon and drive home Friday evening. Sure, Comic-Con is stressful, but we always used to drive home Sunday evening and I was fine.

Of course, most of those times we weren’t bringing a toddler along.

Under Pressure

Comic-Con is a stressful, high-pressure, taxing experience. Vacationing with a small child is also a stressful, high-pressure, taxing experience. And so many little things went wrong the first two days: Leaving the stroller behind and having to buy a cheap one on the way, the leg cramp in stop-and-go traffic, having to search for outlets to plug in the lamps in our hotel room (and having to unplug them in order to charge more than one phone at a time), the fit at dinner that had strangers commenting on how J must be tired (actually, ma’am, he acts like this regardless of sleep quotient). Getting out too late to take the shuttle back and having to take the trolley instead (though that actually worked out fine, as J loved the idea)…at which point we learned that the routes had changed since we last rode the trolley, and we got off one stop too early to make the transfer.

Thursday morning we had everything planned out: We’d go to breakfast at Broken Yolk Cafe, then pick up our badges, then I’d take J around while Katie tried to catch the first big panel of the day. So what happened? We missed the shuttle because they moved the stop from where it had been last time we stayed on this route. Then I ordered blueberry crepes and managed to spill them on my shirt and shorts. They went into the con while I went back to the hotel to change clothes and try to rinse out the blueberry syrup before it stained.

And the first taste of Comic-Con is always overwhelming. Always. Add in these circumstances and you won’t be surprised that when I finally caught up an hour and a half later, Katie was ready to swear off ever coming back.

Lessons Learned:

  1. Always bring spare clothes. (Done, fortunately.)
  2. Don’t start the con with a breakfast that might stain if it spills.
  3. If you’re bringing a small child, find some way that you can start the con without them, then bring them in later.

Overheard: “It was! It was! It was Reptar!”

Settling In

Fortunately, things improved over the course of the day, and the rest of Thursday actually went pretty well. Friday, on the other hand…well, we’ll get to that.

Continue reading

I’ve been attending San Diego Comic-Con for more than 20 years, but this was the first time I left the con in an ambulance.

I’m OK now. Though I might not be when I see the bill.

It started at lunchtime. We went to New Break, an independent coffee shop near Ralphs, which we’d been to before. They were offering samples of a blended peanut butter banana coffee drink, and while I really wanted to try their blended mint mocha, it was safer to skip something made on the same equipment.

What I decided on was a Mexican Mocha. Generally, these add cinnamon, maybe nutmeg or chili powder. I’ve had drinks with that and similar names, and Mexican hot chocolate, plenty of times. I didn’t ask what was in it, but I had just told them I was allergic to peanuts when I decided to skip the blended drink.

I considered getting it iced, but there was some confusion as to what was included in the lunch deal, so I got it hot instead. That turned out to be a wise decision, since I probably would have started out chugging a few ounces of a cold drink.

Two sips in, the back of my throat and my lips started tingling — a bad sign. I stopped, flagged over one of the baristas, and asked whether there were any nuts in the drink. She didn’t think so, but said she’d check.

I pulled out my emergency kit, took my Benadryl and Pepcid, and set my Epi-Pen on the table in case it progressed. I probably should have just taken it right then, but who wants to spend the afternoon in the emergency room instead of Comic-Con?

Meanwhile, the coffee shop staff had been unable to find ingredients for the mix, and had to call the owner to confirm that yes, there were peanuts in it.

Great.

Over the next hour, it felt like the reaction was under control, so I figured we could return to the convention center. Unfortunately, anaphylaxis can take several hours to run its course, and medication can wear off before it does. Continue reading

Bat-Naan!

So, we were telling J to be careful of the “hot naan,” at which point I started singing “Hot naan! Hot naan! Hot naan!” Katie decided it needed to be bat-ified.

Green hills roll back to a half-moon shaped bay in the distance, an immense round rock near the shoreline. The rock is taller than the trio of smokestacks nearby. More hills are visible on the far side of the bay, and the hazy gray-white-blue sky above the brighter blue of the ocean.

Morro Bay lies along the central California Coast near San Luis Obispo, and is known for two major landmarks: Morro Rock, a large volcanic dome right near the shoreline, and a power plant with three very tall smokestacks.

Some miles north, Highway 46 cuts through the coastal mountains from Cambria to Paso Robles, revealing cattle ranches, wineries, and empty hills. There’s one spot along the road where the hills part, revealing a perfect view of the bay and the rock. Better yet, there’s a turnout, making it easy to stop and look.

The first time I drove this way, it was gray and overcast, and might actually have been raining. A year later I took the same drive again on an sunny day, unable to remember how far along the turnout was but watching for it the whole way. The result: this shot.

The curves of the dome, the bay, the rolling hills and the patch of heavier vegetation all fit in with this week’s theme.

Photo Challenge (WordPress): Curves

It's a cloudy day. Behind a white picket fence and green lawn, there's a whitewashed, gabled housel Most of it is two stories, but a square tower in the middle rises two more levels, and the tower is topped with a railing above which which you can just glimpse the top of a glass structure.

Point Fermin Lighthouse in San Pedro, California, at the southern tip of Los Angeles.

The Victorian lighthouse is surrounded by a city park, and the park is lined with a walkway along the top of the cliffs by the sea. Off to one end is the infamous sunken city, a suburban development that was abandoned when the land started sliding into the ocean. I took a whole slew of photos as I walked along the clifftop, and you can see the seven best on Flickr.

This is one of three lighthouses in the area that I considered driving to over the weekend for Instagram’s weekend hashtag project (theme: lighthouses), figuring it had the best chance of clear weather. No such luck. (Update: I have since been to Point Vicente many times, but I can’t remember what the third one was. Maybe the one in Long Beach by the aquarium?)

Strangely, the phone picture I chose for the project turned out to be more striking than the better shot taken with my camera. I was trying to keep the lamppost separate from the house, but it turned out I shouldn’t have.

I’m always surprised when that happens, even though it’s not that uncommon an occurrence.

The same house, but this time it's sepia-toned and fading darker toward the corners. It fills a a square frame with a border that makes it look like the holder in a really old photo album. And the angle is just different enough to make it look fuller, or bulging, or perhaps even looming above the viewer.

Photo Challenge (Instagram): Lighthouse

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