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Back in 2005, Tokyopop started working on manga-style graphic novels based on Jim Henson’s Labyrinth and The Dark Crystal. They released one volume of three planned for Legends of the Dark Crystal, taking place centuries before the movie, and two volumes of four planned for Return to Labyrinth, focusing on Sarah’s brother Toby as a teenager…and just sort of stopped. After two years, the third volume of Return to Labyrinth eventually came out, but it was unclear when the final volume would arrive.

Earlier this year I noticed an August release date for the conclusion of Return to Labyrinth. I checked a few days ago and was surprised to find that not only was it actually available…but so was Legends of the Dark Crystal volume 2. (Interestingly enough, the main thing I can glean from the Return to Labyrinth v.4 reviews on Amazon is that the Jareth/Sarah shippers hated it.)

Of course, when you start thinking about long-delayed fantasy books, one in particular always comes to mind: George R.R. Martin’s A Dance With Dragons, the long-awaited fifth book of A Song of Ice and Fire. It’s already been nearly five years since the last book, and while the cover art has been ready for most of that time…there’s no sign of the book being finished anytime soon. This is the book that indirectly prompted Neil Gaiman’s (in)famous essay in which he stated, “George R.R. Martin is not your bitch.” The really funny thing? People are reviewing the book on Amazon. Actually, they’re reviewing the wait for the book!

In addition to fan frustration, some readers are concerned that George R.R. Martin might follow in the footsteps of another fantasy author and die before he completes his magnum opus. Robert Jordan, fortunately for his fans, was already working on the conclusion of his epic, The Wheel of Time, and left extensive outlines and notes. Brandon Sanderson has been writing a trilogy to conclude the series based on Jordan’s notes and partial manuscript. The Gathering Storm came out last year and was surprisingly good. On Tuesday, Dragonmount reported that Sanderson has completed the final draft of Towers of Midnight, and is on track for its November 2 release. The final book, A Memory of Light, should be out next year.

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A bright ring surrounds the sun, which is blocked by the silhouette of a hand holding up a coffee mug.The first year we stayed in town for Comic-Con, we walked past an It’s a Grind coffee shop every morning on the way to the Little Italy trolley stop. Since then, we’ve always tried to fit in at least one visit to either that shop or the one Downtown across the street from Ralphs. (Sure, they’ve opened a store near home since then, but it’s sort of a tradition.)

I never quite made it this year, though I came close on Saturday before lunch.

I ended up walking by a coffee stand set up outside Lion Coffee. Two years ago, the site had been a Starbucks, before the chain started mass-closing their stores. (Now they’re only on every other corner.) Last year, Lion was in the process of converting this location, but hadn’t actually opened yet. Shrewdly, they had set up a table outside, selling coffee from urns and drinks from a cooler.

This year, they were open, but had set up a table around the corner to catch people walking by. It worked. They didn’t have any iced coffee outside, but the clerk handed me a dollar-off coupon for asking, and I ended up getting a really good iced mocha inside!

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The Great Typo Hunt by Jeff Deck and Benjamin D. HersonNPR has an article on The Great Typo Hunt: Two friends cross the country with a Sharpie pen, correcting grammatical and spelling errors in road and shop signs. And there’s a book.

I may need this.

When I was in college in the mid-1990s, I kept a “Bent Offerings” newspaper cartoon on my bulletin board. One person was scrawling “I before E…” on a wall. Another was correcting a menu, muttering, “It’s Brussels Sprouts, not Brussel Sprouts!”. A third was examining someone’s T-shirt, disapprovingly asking, “Is that how they taught you to use an apostrophe?” The strip was captioned, “Roving Gangs of Rogue Proofreaders.”

The appeal hasn’t stopped. You may have noticed I have two categories on this blog devoted to weird/funny signs and mistakes in signs.

Yeah, this sounds like a good bet. Update: I finally read it.

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Light Cycle, TRON Legacy style.I used to go to Comic-Con mainly for the exhibit hall. That’s where the comics were, after all, as well as the publishers, writers and artists. I was never really big on buying other collectibles, but there was always interesting stuff to see. So if I wanted to get a comic book signed, or look for back-issues, or take a look at the black-and-white previews that DC used to bring of their upcoming books, that’s where I’d be.

Marvel Comics - Asgard Throne RoomOver time, though, I filled in my back-issue collections. Ebay and Mile High Comics took care of any new/old discoveries. As the exhibit hall expanded to the point that I couldn’t really explore it all in a single day, I also started to get more interested in watching the events and presentations. Switching from a one-day trip to a four-day trip drastically changed my experience, because for the first time in years, I could do both.

Statue of Alphonse Elric (Fullmetal Alchemist)Looking back at this year’s con, though, it almost seems like I was avoiding the main floor. I explored a few small areas, and when I had extra time, I’d walk slowly through on the way from one thing to another, but until Sunday, I don’t think I spent more than an hour at a time in the real heart of the convention.

LEGO Buzz Lightyear statueI think a lot of it is a sense of familiarity. There are always a lot of new displays, and the mix of costumes changes every year, but a lot of enough elements stay the same from one year to the next. DC’s booth looks largely the same. Square-Enix still has that Fullmetal Alchemist statue from four years ago. The LEGO Buzz Lightyear is still cool, but I saw it last year.

At one point I walked past a line of people in the middle of one of the larger aisles, and wondered what they were waiting for…until I realized they were waiting for a signing at a bookseller’s booth. That booth was in roughly the same spot and looked exactly like it did last year when I waited in line for a Peter David signing. It was actually kind of eerie — and it was hardly the only booth that seemed to have stayed put all year.

Red Faction Mecha display.In a sense, the exhibit hall is starting to feel like a city, with an illusion of permanence and (dare I say it) continuity from year to year. You can’t explore an entire city in one visit, and if you come back on any sort of regular basis, you don’t take a general city tour every time. You start developing regular hangouts, like the restaurant or park or bar that you visit every time you’re in town. You specifically look for things you haven’t already seen. And then you ignore a lot of what you’ve seen already.

So I hit my hangouts: Studio Foglio, DC, Sideshow. I did some exploring, making a point to check out the small press, webcomics, and artists’ areas. But those aisle-by-aisle sweeps are a thing of the past.

»Full index of Comic-Con posts and photos.

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Serious stuff (news, usability, history, etc.):

And not so serious:

  • Fantastic image: Firefly crew as the Enterprise crew. Classic Star Trek, of course. One thing that really struck me was the reminder that there’s really only one woman among the regular classic Trek cast: Uhura. Nurse Chapel and Yeoman Rand are there, but neither of them would really have had the kind of focus that Kaylee, Zoe, Inara and River have here.
  • Incredible custom action figure maker Sillof collaborated with Glorbes on a Star Wars in World War II series.
  • The webcomic SMBC presents: The Logogeneplex! I’m pretty sure I’ve read stuff that this was used on. (Warning: archives are NSFW.)

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I’m listening to The Bird and the Bee right now. Every single track on the album is labeled as [Explicit] because of the song called “F——ing Boyfriend,” even though that’s the only song that actually has any explicit lyrics.

Both iTunes and Amazon have two versions of the album. One is marked explicit on every single track. The other has edited the one song, and isn’t marked.

I suppose that might have made sense in the old days when an album was only ever sold as a complete unit (with maybe a single or two)…but in today’s digital market, the base unit isn’t the album. It’s the song. If the song itself isn’t explicit, it shouldn’t be labeled as such. That would be like giving Spider-Man an R rating because Sam Raimi also directed Evil Dead.

Some consequences:

  • On my playlist, 9 out of 10 songs from this album are labeled [Explicit], but aren’t. They’re perfectly suitable to play around children and people with sensitive ears, but are labeled as if they’re offensive.
  • Anyone searching iTunes or Apple for an individual song will see at least two versions, one of which says it’s explicit (but isn’t) and one of which doesn’t — even though they’re the exact same recording. Confusing your customer is bad for business.