Wow, is the year over already? Here are this blog’s five most popular posts of 2012.

Don’t Use Third-Party Links in Email – Object Lesson: Comic-Con Registration (March)
Being both a comics fan and a long-time email administrator put me in the perfect place to analyze what went wrong when Comic-Con International tickets went on sale. I got linked to by a couple of high-profile sites, resulting in a lot of views during the first few days after the debacle and making March 3 the blog’s busiest day of the year. It quickly trailed off to almost nothing, and didn’t even get a blip when tickets for next year’s con went on sale. It’ll probably be forgotten next year.

Tablet Tip: Using Bookmarklets with Chrome for Android (August)
The two things that seem to pull in perennial traffic are popular images and troubleshooting articles. In this case, I describe how to use bookmarklets on Chrome for Android, since the normal way (clicking on a menu/icon) doesn’t work. (Two words: auto complete.) This one started slow, but since mid-September it’s pulled in more and more views every month.

Nexus 7 + USB Cable = Finally! Photo Uploads Without a Laptop! (October)
This post detailed how I was able to connect my Nexus 7 tablet to my camera, to thumb drives, and to keyboards and mice. It turns out all you need is a $1 cable adapter and a $3 app. This has been another slow but steady post, with a spike in visits shortly after Christmas. These two troubleshooting posts are actually in the top three for December (

Photos: Solar Eclipse from Los Angeles (May)
I went out to a hilltop park in Palos Verdes to watch May’s solar eclipse, which was an 85% partial eclipse in Southern California. I stumbled into an impromptu eclipse festival, with lots of individuals and groups who had all brought different equipment and were happy to share. A link from Patch.com brought in a lot of visits for the first week or so, and then it trailed off with a couple of spikes, one in June (not sure why) and another during the November eclipse.

WonderCon in Anaheim – A Great Weekend Comic-Con (March)
Another post following the typical event pattern of a sharp initial spike and steep drop-off, but this one hasn’t vanished quite so thoroughly as the others…probably because of the uncertainty for most of this year as to where next year’s con would be. What I find particularly interesting is that more people have viewed this post than my write-up of this year’s San Diego convention.

Spectrum on the Floor (Not Pink Floyd)

You’ve probably heard about Instagram’s new terms of service, which claim the right to sell your photos. [Update: Instagram has posted a “that’s not what we meant!” statement and promised to revise that section.]

To help us deliver interesting paid or sponsored content or promotions, you agree that a business or other entity may pay us to display your username, likeness, photos (along with any associated metadata), and/or actions you take, in connection with paid or sponsored content or promotions, without any compensation to you.

Monetization is one thing, but selling my creative output, using it or my likeness for advertising, without my permission? That’s stepping over the line. Add this to the recent decision to hide image previews from Twitter, and a pattern emerges of a service that was once open and free starting to close ranks.

I’m not personally worried about Instagram in particular. I’ve only really dabbled in it over the last few months, treating it most of the time as a first draft for Flickr. I have maybe 50 photos and a handful of followers, and most of the people I follow there are also on other networks. If Instagram doesn’t back down or clarify the language [Update: they did], I can easily repost the photos I want to keep online and go somewhere else.

I am worried about the trend it highlights: You can’t always rely on social media.

And I am worried about the fact that these changes were announced after the Facebook acquisition went through, and after Facebook revised their terms so that they no longer have to put new terms of service to a vote. I’ve got a lot more invested in Facebook than I have in Instagram.

Where Have All The Photos Gone?

GloomI used to blog about web browsers at Spread Firefox and Opera Watch. Both sites are long gone. Countless articles I’ve linked to have vanished as publishers restructured or went out of business.

I’ve got an extensive LiveJournal from a few years back. It’s still there, but when I let my paid account lapse, I started moving over some of the less personal, more tech- and entertainment-focused posts (like convention reports) to this site, just in case a BOFH deletes it, or they change their terms of service to something unacceptable.

The question “Who owns your data?” has been repeated so often over the years that I can’t look up the post I’m thinking about, which advocated open file formats over proprietary ones (like Microsoft Office) on the basis that you should always be able to find a reader for a text document, but if you lose access to Word, or if Microsoft decides to drop support for an older format, you’re at their mercy.

The problem with social networks as services is that, like with those proprietary file types, you’re at their mercy. Want to search for a three-year-old Tweet? Tough. Facebook changed their privacy settings again? Oops. Twitter decides they don’t want apps like yours to exist, so they close off part of their API? Bye! The site you posted all your photos to decides to close up shop? *Poof!* There go your photos.

So What’s the Alternative?

Train ArrivingWhen it comes down to it, the only way to be sure you aren’t going to be exploited or abandoned is to do it yourself.

Blogging is basically the same as social networking, except distributed:

  • People publish written posts, photos, videos, and more.
  • Other people comment on them.
  • You can “share” a post by linking to it, and pingbacks/trackbacks will let them know you’ve done so.
  • You can subscribe to someone’s updates through RSS, and services like RSSCloud and PubSubHubub can make updates appear quickly.
  • Services like OpenId make it possible to authenticate visitors, which means you can start locking down who gets to see what.

The upside is that you, not Facebook or Google or Twitter, have full control of your content. The downside is that you have to exercise that control. You have to maintain the infrastructure, you have to guard against attackers, you have to filter out spam, you have to do your own backups, and you have to know at least something about the system under the hood.

We keep going to social networks because they’re so damn convenient. They take care of all that, and make your stuff easier for people to discover as a bonus.

But when you leave the network — or when it leaves you — what happens to all your photos, status updates, rants, raves, and commentary?

Who owns your profile?

Posters for The Hobbit: An Unexpected Journey and Star Wars Episode I: The Phantom Menace

As the release date approaches for the first movie in The Hobbit triogy, I find myself comparing the circumstances to the Star Wars prequels. Why? In both cases you have…

  • A visionary director returning to…
  • A high-profile trilogy set in a fantastical world…
  • After years away…
  • To tell a prequel set a generation earlier…
  • Including significant events that set up the other story (Vader’s turn to the dark side and the rise of the Empire, Bilbo finding the One Ring and the Necromancer of Mirkwood).
  • Some cast are returning as younger versions of the same characters (Palpatine, C-3PO, Gandalf, Elrond)
  • Other characters have been recast (Obi-Wan, Bilbo).

But of course, Star Wars isn’t Lord of the Rings, and Peter Jackson isn’t George Lucas. Let’s look at four big differences.

1. Time

The Phantom Menace came out 22 years after Star Wars: A New Hope and 14 years after Return of the Jedi. An entire generation of children grew up with the original trilogy and were adults by the time the prequels started. And with 14 years of no Star Wars films, the prequels had to justify the wait.

With Lord of the Rings, it’s only been 10 years since Fellowship of the Ring, and 8 since Return of the King. We’ve spent half the time away from Middle Earth as we did from that galaxy far, far away. Children have become teenagers, and teenagers have become adults, but there isn’t quite the same level of “My childhood is back!” nostalgia that could make or break the films for a large section of the audience.

2. Directorial Experience

According to IMDB, George Lucas stopped directing after the first Star Wars film in 1977. He kept writing and producing, of course, but he hadn’t directed a film in two decades when he picked up The Phantom Menace

Peter Jackson may have slowed down a bit, but between wrapping up the extended edition of Return of the King in 2004 and picking up The Hobbit in 2010, he’s directed King Kong and The Lovely Bones.

3. Source Material

This is a big one. The Star Wars saga was an original story by George Lucas. When he wrote Episodes I-III, he was free to do anything he wanted as long as it didn’t contradict Episodes IV-VI. The Hobbit films are based on Tolkien’s novel, the appendices from Lord of the Rings, and his published notes. The core of the story is a lot more well-established.

4. Executive Meddling Potential

Zillionaire George Lucas wrote, directed and produced the Star Wars prequels, financing them himself. Nobody was in a position to tell him no. On one hand, this is good, because there weren’t any suits with more money than talent to tell him to add an extra car chase here, or add a love triangle there, and does Revenge of the Sith *really* need to be PG-13, can’t we dial down the violence a bit? On the other hand, it also meant no one could say, “George, don’t you think Jar-Jar is a little over the top?” or “This fireplace scene just isn’t working.”

Peter Jackson lucked out with the Lord of the Rings trilogy in being able to mostly do his own thing. But the legal battles and rights-wrangling that have caused The Hobbit to take so long to reach the screen indicate that the studios might be trying to exert their influence to “protect” their investment (which usually seems to involve killing the goose that lays the golden eggs). Certainly the decision to stretch the story out to three movies sounds like the studio trying to multiply their ticket sales, though I can also see Jackson and Weta deciding that this is their last chance to explore Middle Earth, so they might as well make the most of it.

Well, it’s just one week until The Hobbit: An Unexpected Journey opens and we all get to see how it turned out. One thing that’s definitely changed for me: Unlike Episode I, there’s not a chance that I’ll be standing in line for hours to see a midnight (or 2AM) showing. I can wait until Saturday afternoon.

Return Path says the majority of spam complaints relate to legitimate emails.

There are two issues here:

  1. A lot of people don’t make a distinction between “email I don’t want anymore” and “email I didn’t want in the first place,” even though the appropriate responses are different. (One deserves an unsubscribe. The other deserves reporting, blocking, censure, etc.)
  2. A lot of marketers…how shall I put this?…make rather optimistic assumptions about whether people want their marketing messages.

Originally posted on Google+