It took more than 8 hours, but I finally got my hotel confirmation for Comic-Con. It wasn’t one of the 12 I’d requested this morning, but it’s in my price range, relatively close, and was actually #14 on the list we put together last night.

All this despite the fact that I put the request in within 5 minutes of the system going online. That part was smooth, and judging by the comments on Twitter and at The Beat, it went smoothly for most people.

Then came the waiting.

On one hand, it was better because I could actually do things — like, y’know, work — instead of sitting there hitting refresh on the browser and redial on the phone for two hours. On the other hand, instead of two hours of active frustration, it was eight hours of wondering whether they had lost my info, or whether I had mistyped my email address, or whether they had actually run out of rooms in the first five minutes and hadn’t gotten around to telling me. A confirmation number for the request itself would have gone a long way toward making me confident that I was in the system.

Later posts on Twitter, and later comments at The Beat, reflected the growing sense of frustration among congoers — and anger as they were assigned hotels that weren’t even on their list.

Order

It seems that not everyone’s requests were handled in the order received. I saw people who had received confirmation hours before I did, but who had submitted their requests a few minutes later. My guess is that Travel Planners was taking two passes through the queue: one pass to handle the requests that they could fill based on people’s actual choices, then one pass to handle the requests where all the preferred hotels were full. Even that doesn’t quite track, though, so I’m not sure what was really going on.

Edit: Katie suggested that they might also be prioritizing based on how many nights you tried to reserve. I was only reserving three nights, so it sort of makes sense that they might give more weight to someone trying to reserve four or five.

Lessons to be Learned

As with the convention’s struggle with crowding, every year they solve one problem only to discover another lurking behind it. A lot of people have compared this year’s process to a lottery, but really, it actually shifted the advantage from luck to typing speed.

Think about it: For the last few years, everyone has had to try to get through, repeatedly, over a period of several hours. Those lucky enough to make a solid connection would then make a reservation and leave. You could start at 9:00 and get through at 9:05 or 11:00, but there really wasn’t any sort of strategy you could apply other than trying multiple avenues at the same time.

Now? Everyone logs in at 9:00, fills out a form immediately, and submits it. Whether you submit your request at 9:05, 9:10 or 9:15 has nothing to do with luck. Instead, it has to do with whether you made up a list beforehand, how long it takes to enter your information, and how much time you spend verifying it before clicking that button.

In that way, it’s actually less of a lottery than it used to be!

Update: I’ve posted some ideas on what to do if you couldn’t get a room.

CBR’s coverage of the WildStorm panel at Emerald City Comicon yesterday includes a great bit in which, due to technical difficulties with the slide show, CBR’s reporter was put on the spot to ask the panelists a question:

“If you were stuck in an Office Max during a full scale vampire attack, what would you use as a weapon?”

They rolled right into it. Phil Hester would use a T-square, Kurt Busiek claimed that despite his best weapon foraging attempts he would end up with a stapler and go down quickly, Ben Abernathy would break some broom handles to use as stakes, Darick Robertson would use two drafting triangles as punching daggers, and Francesco Francavilla would assemble a cross out of whatever he found.

My first thought was actually the classic chair leg, but then I realized that Office Max would mostly have swivel chairs on plastic bases, and of course desks made up of sheets of particle board. Technically wood, but nothing you could easily turn into a stake.

Myth Adventures, Phil Foglio’s comic-book adaptation of Robert Asprin’s fantasy/comedy novel, Another Fine Myth, is being serialized as a free webcomic [Edit: no longer available.], in the same format as Girl Genius. I remember spending a lot of effort tracking down the mid-1980s books on eBay, before they finally reissued the collection.

The title of that first novel was originally going to be Another Fine Mess, from the Laurel and Hardy catch-phrase, but someone misheard it and Robert Asprin decided he liked that version better. It turns out that “Another fine mess” is actually a misquote itself, according to this the New York Times article on why we misquote movies (via @johannadc). It was originally “Here’s another nice mess you’ve gotten me into.”

In the 1940s, comic book publishers would often re-purpose an old series to avoid postal fees for launching a new one. For example, the super-hero book All-Star Comics became All Star Western.

EC’s Moon Girl was infamous. It launched as a superhero title, became Moon Girl Fights Crime! by issue #7, and A Moon…A Girl…Romance with issue #9 as they tried to figure out just what genre audiences wanted.

Eventually it became Weird Fantasy, then Weird Science-Fantasy, then finished its run as Incredible Science-Fiction. It ended with the story, “Judgment Day,” an allegory against racism which the Comics Code Authority tried to censor.

I just read that someone’s reviving it. The original super-hero character has fallen into the public domain, and the new series, described as “‘The Dark Knight’ meets ‘Mad Men,” is being published through comiXology’s iPhone comics…60 years later.

A few weeks ago, I mentioned that a lot of the indie comics I read don’t have fixed schedules. In a few cases, it goes beyond that, and the comics are, as near as I can tell, totally stalled — in some cases for years. Maddeningly, there are a few that are stalled just one issue from the conclusion!

Planetary #27 was one of these, but the epilogue issue finally came out last month. I was beginning to wonder whether Ignition City #5 was headed the same way, once it got to three months after the fourth issue, but the last issue finally came out in October.

Currently, I’m waiting for…

Gemini #5

Gemini #4(Image) This five-issue miniseries from Jay Faerber and Jon Sommariva about a super-hero whose secret identity doesn’t know he’s a super-hero (sort of like that TV show with Christian Slater last year) started off solidly, then quickly went off the rails scheduling-wise. I didn’t even realize how late it had gotten until I looked for it a few days ago and found a reference to the original solicitation: It was supposed to wrap in September 2008! The longest gap was between #3 and #4 (which came out this past July).

Status: The artist is currently working on the issue…along with a bunch of other projects.

Update (March 2011) Still not finished. According to Jay Faerber, “Jon Sommariva has the script, so it’s in his hands now.” (Image.com forums))

Update (April 2026) To the best of my knowledge, this was never completed.

Robert Jordan’s New Spring #8 – COMPLETED! (May 2010)

Robert Jordan's New Spring #1(Dabel Bros.) This 8-issue miniseries adapting the Wheel of Time prequel launched in August 2005, produced by Dabel Bros. and published by Red Eagle Entertainment. After a couple of issues it got to be very sporadic as the studio and publisher started to feud, and it ceased publication entirely after #5 came out in early 2006.

Update: This got complicated enough that I’ve moved it to its own page.

The Oz/Wonderland Chronicles #4 – COMPLETED! (April 2011)

Oz/Wonderland Chronicles #4 (Preview)(BuyMeToys.com) Simple premise: Alice from Alice in Wonderland and Dorothy from The Wizard of Oz have grown up and left behind the worlds they think were simply childhood fantasies, and are now roommates in (IIRC) Chicago (Their other roommates include Wendy from Peter Pan and an obvious analog of Susan from the Narnia books). Of course, their pasts were real, and now they’re being called upon to return to those worlds and help them. The four-issue miniseries was coming out about once a year starting in 2005, but it’s been at least two years since issue #3.

Status: They released a preview of #4 at Chicago Comic-Con this year, and the website says it’ll be out “early 2010.”

Update (June 2010): I’ve found several stores listing an August 25, 2010 release date, but the official website doesn’t say anything. We’ll see.

Update (April 2011): The fourth issue finally came out on April 13, 2011 — three years after the previous issue and six since the first. Meanwhile, they launched a sequel, “Jack and Cat Tales,” before they actually finished the first series.

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