Category: Comics

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Green Arrow 53 CoverI just discovered that this week’s Green Arrow #53 is actually written by William Messner-Loebs. (DC’s website still says Judd Winick.)

Messner-Loebs and his wife have been in terrible financial straits for some time. An article about their plight last January led to fan mobilization complete with donation drives, benefit auctions and books, and—most importantly—a campaign to convince publishers to start hiring him again.

I’ve already ordered The Three Tenors: Offkey from Äardwolf Publishing and Heroes And Villains: The William Messner-Loebs Benefit Sketchbook from TwoMorrows Publishing. Neither has arrived yet, though they’re supposed to have come out last month.

Now I’m off to the comic store to pick up Green Arrow.

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Mnemovore #5 came out this week. (For some reason issue #4 shipped twice—once just before Comic-Con and again last week.) This week’s issue, or at least my copy, has a strange quirk to it. Some of the word balloons are faded, as if a rubber stamp was pushed down with unequal force, or as if someone ran a gradient tool over the text with Photoshop. I’m still not sure whether it’s intentional or just a coloring or printing error.

This scan should be relatively non-spoilery:

Panel showing faded word balloon

At one point I thought they might be the result of coloring gradients applied above the word balloons instead of below, but I could only get a few to match up.

The thing is, it’s appropriate for the book—if maddening to try to read. The premise is that into our information-saturated world has come a predator that feeds on information, eating people’s memories and leaving them amnesiac or worse. In a story about information loss, gaps in information make thematic sense. And there was one panel with the same effect last issue: “They can make it so you can’t…”

Just one issue to go…

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Character collage: Portraits of two women, looking downward to the left and right. Behind each is another woman standing, one regally in an elaborate blue dress with a necklace and hair ornaments, the other in a plain white dress. They are also looking away from the center. In front are three men standing, two in armor with swords drawn. The man in the center is holding up his sword, dividing the image in half. The man on the right is holding his sword pointing downward. The man on the left is wearing middle-ages-looking clothes and balancing the point of a dagger on a fingertip.The first issue of the New Spring comic book was surprisingly good. I wasn’t sure how well Robert Jordan’s writing would translate to the medium, and of course a lot of details are lost, but Chuck Dixon has done a good job adapting the story, and Mike Miller’s art is incredible.

The book opens with a brief description of the world, then a series of splash pages showing the scope of the Aiel War, starting with thousands of Aiel pouring over the Dragonwall. From there it moves to Lan’s story, then to Moiraine’s. Two pages stand out for me: The panorama of Tar Valon, and Gitara’s Foretelling, the latter of which is most effective because it contrasts with the very realistic style of the rest of the book.

Believe it or not, I’d recommend this. Who would’ve thought I’d be excited about The Wheel of Time again?

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Last year, a pilot was made for a TV show based on Warren Ellis’ Global Frequency, a series of one-shot stories about a worldwide organization of on-call specialists who take down threats to humanity. JMS would have been involved if it had been picked up. It didn’t make it to the air, though it was shopped around. And a few months ago, the pilot was leaked onto the internet, becoming wildly popular. This morning, Ellis posted the following remark in his email newsletter, Bad Signal:

It’s my current understanding that the bittorrenting of GLOBAL FREQUENCY has rendered it as dead as dead can get as a TV series. It seems that people in high places did not take kindly to the leak. I have no further details, so don’t ask.

Nice going, guys.

Sure, you can put the immediate blame on the suits who didn’t like being proved wrong about the show’s appeal… but it also reminds me of when the creators of Battlestar Galactica practically begged their fans to wait a few weeks and watch it on TV instead of downloading it off the net so that they’d get high enough ratings to be renewed.

For now, the only way to get Global Frequency remains the original, collected into two volumes: Planet Ablaze and Detonation Radio.

2026 Update: everyone’s phones are better than the Global Frequency phones were at the time, no TV or movie adaptation ever materialized beyond the pilot, and the comic is out of print (probably due to Ellis turning out to be a serial (and parallel) harasser). Barnes & Noble has an ebook edition for Nook, though.

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When DC Comics first announced the quartet of miniseries leading up to Infinite Crisis, I figured I’d take a look at Day of Vengeance (the magic corner of the DCU) and maybe Rann/Thanagar War (the Sci-Fi corner), and that was it. Countdown to Infinite Crisis got me excited about The OMAC Project, though, so I figured I’d pick up the first issue of each mini and see what I thought.

At first I found OMAC and Rann/Thanagar the most interesting, and Day of Vengeance just enough to get me to try issue 2. Villains United didn’t impress me at all.

After three issues of each (plus Day of Vengeance #4 out this week), my impressions have more or less reversed. On a whim I picked up Villains United #2 and enjoyed it much more. OMAC and Rann/Thanagar are both bogged down, and Day of Vengeance reminds me a lot of March of the Wooden Soldiers (my least favorite Fables arc): some nice moments, but a bit slow and not particularly exciting.

Right now, I could probably leave OMAC and Day of Vengeance, and the only things keeping me on board Rann/Thanagar War are the L.E.G.I.O.N cameos and trying to figure out what’s going on with Blackfire. Part of the problem is that none of them seem to be six issues worth of story. Sure, there’s a cliffhanger at the end of each issue, but they just still feel padded.

Well, we know DC is planning for big changes in the Crisis’ wake. I can only hope they have good reasons for what they end up doing, rather than just doing something like “Let’s kill off the Flash and Supergirl again because we did it 20 years ago!”

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The Beat remarks that maybe Padres games during Comic-con WASN’T such a hot idea. [archive.org]

The Beat asked [the cab driver taking them to the airport] how traffic had been during the Comic-con/Padres game confluence.

“Oh, that was a fiasco,” she told us.

Having had to skip several trolleys that were indistinguishable from large moving sardine cans, I have to agree. On the other hand, the fireworks display over Petco Park on Saturday night was breathtaking!

Edit: The trolley system is working on untangling the mess for next time:

It was the first time the agency was called upon to overlay its special-event service, which runs between Qualcomm Stadium and the Gaslamp Quarter, with the new Green Line between Santee and Old Town.

Besides a steady stream of passengers at the San Diego Convention Center on what is traditionally the busiest day of the annual comics convention, trolleys carried 8,000 to 9,000 Padres fans. Some fans said they waited far longer than usual for the special-events trains, which normally provide speedier passage to and from the ballpark by bypassing downtown.

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