Category: Entertainment

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Wow.  The Babylon 5 Scripts team keeps finding more ways to get my money.  The latest: The Chronologies of Babylon 5.  And it includes every single piece of B5 canon, down to the six short stories JMS wrote after the series ended and even the unproduced Crusade scripts.

The script books have mostly been interesting for the commentary and supplemental material. Though I was disappointed that they couldn’t get Neil Gaiman to write an intro for his Day of the Dead script in the latest volume. It just reprinted the contents of the solo script book you can get from the CBLDF, which has a brief intro by JMS and a handful of footnotes by Neil Gaiman.

So, here’s what we’ve got so far (including what’s been announced):

  • 15 volumes of Babylon 5 scripts by J. Michael Straczynski.
  • 3 volumes of “Other Voices,” the B5 scripts by other writers.
  • 1 volume of the B5 TV movie scripts (announced).
  • 1 volume of chronology (with a Q&A and presumably commentary).

In theory, that covers everything except Crusade, which is what I’m really looking forward to. Probably two or three volumes, and I’d hope they’d include the unproduced scripts. IIRC there are two by JMS and one by Fiona Avery, and the Chronology list mentions one that was assigned but not written. The two JMS scripts used to be available online through some PITA Java-based reader that theoretically prevented people from copying the text (though that can’t stop screenshots or manual transcription), but also made it really difficult to do things like scroll. The site folded years ago, probably in the dot-com crunch, and they haven’t seen the light of day since. I remember one of them contained the first indication of a link between Techno-Mages and the Shadows.

Back to the chronology: on one hand, it feels like they’re starting to milk the audience for all it’s worth now that they’ve seen the success of the script book series.  On the other hand, it’s only one additional volume.  And it looks really cool…

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I don’t understand the rage exploding over the Harry Potter delay. More precisely, I suppose I should say I don’t understand the depth of the rage.

Harry Potter and the Half-Blood Prince was originally scheduled for November, but Warner Bros. has just decided to push it back to June for scheduling purposes.

Is it annoying? Yeah. Is it a personal affront? Not so much.

Maybe I’m jaded, having been through this with movies like Stardust and Serenity, not to mention Sci-Fi Channel’s insane scheduling system that basically treats each “season” as two 10-episode seasons and splits them across what might as well be two years…or, going further back, PTEN’s insistence on holding back the last 4 or 5 episodes of each Babylon 5 season until the following fall, every single year to the point where TNT, after picking up the final season, did the same thing. Pathology got postponed twice, then pulled off the schedule entirely before it finally hit theaters nearly a year after the original release date.

Or maybe it’s just that I like the Harry Potter books better than the movies.

It’s not like it’s been taken off the schedule indefinitely. It’ll still get a theatrical release. I can’t think of any at the moment, but I’ve had movies I really wanted to see get stuck on a shelf, finished, for years. Some of them eventually surfaced as direct-to-DVD releases.

And they’re not delaying production on Deathly Hallows. The actors will still be well within the standard Hollywood “teenager” age range by the time they finish playing 17-year-olds in the final film.

So I can understand being annoyed, but I don’t understand the letter-writing, the petitions, the plans to boycott the film — yes, there are fans who intend to boycott the film if they have to wait for it.

*sigh* I’d better go over to Newsarama and see how crazy the thread about Final Crisis #4 being delayed 2 weeks has gotten. Actually, no, I shouldn’t. I should get some sleep instead.

P.S. Anyone else think that “HP Rebellion” would be a great name for a computer?

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The latest newsletter for the Center Theatre Group includes a mention of The Fly: The Opera.  Yes, The Fly, based on the sci-fi film about a scientist who gets combined with a housefly in a teleportation accident.  And its remake. As an opera. 😯

Plácido Domingo conducts the U.S. premiere of the LA Opera-commissioned opera written by Oscar®-winning composer Howard Shore (Lord of the Rings)based on the original 1957 George Langelaan short story as well as David Cronenberg’s 1986 film, with a libretto by the Tony Award-winning playwright David Henry Hwang (M. Butterfly).

I used to figure, if someone can turn The Phantom of the Opera, Little Shop of Horrors, and Jekyll and Hyde into a musical, nothing should surprise me.  But… seriously…  The Fly? And not just a musical, but an opera? And the creative team: Placido Domingo and David Henry Hwang working with David Cronenberg?

😕

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Possibly jumping the gun, but last night I reserved a backup hotel for next year’s Comic-Con. Although considering that most of the big-name hotels right by the convention center are already booked (though I’m sure they’ve set aside blocks for the convention already) or want incredible amounts of money per night, perhaps it’s not that crazy an idea.

The price and distance are just good enough that I’d be willing to skip the insane reservation crunch when the convention block goes on sale next year, though I’ll probably give it a shot to see if I can get something closer.

Meanwhile, we’re seriously considering hitting WonderCon again next year, which will also give us another excuse to visit people up in the Bay Area. (Not that we should need an excuse, but it seems like we do.)

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