Category: Entertainment

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OK, this is bizarre. Apparently a Hong Kong software company is preparing to release a Virtual Girlfriend for high-res mobile phones. It—or I suppose I should say “she”—is structured as an online game, on the virtual pet model. (Remember the tamagotchi fad?) You hold conversations with “Vivienne,” give her virtual gifts, even work up to a virtual wedding—which adds a virtual mother-in-law to the game.

The graphics are nice, and apparently they’ve put together a very elaborate conversation engine, but I have to wonder who this will really appeal to. The way she’s described she’s pretty high-maintenance—why go to all that effort when you don’t get the benefit of a real person?

Of course, there are other possibilities for the technology:

Vivienne, for instance, will double as a translator for travelers. Type in the desired words in English while traveling and, with additional programming in the next few months, her synthesized voice will coo it back in Chinese, Japanese, Korean, German, Spanish or Italian.

Just as games have driven desktop computing to keep pushing the envelope, this could lead the way toward the conversational interfaces that are so prevalent in science-fiction.

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[Cover]In the first week of March, Peter David’s series Fallen Angel returns from hiatus with issue #19, the first part of a 2-part crossover with Sachs and Violens, a classic pair of Peter David/George Perez characters.

Fallen Angel follows the enigmatic title character through the city of Bete Noire, Louisiana. Lee—known to some as the Fallen Angel—protects the city at night, but the city isn’t sure it wants her there. Duality and moral ambiguity are the series’ central themes, as it becomes clear that you can’t always map protagonist to heroine or antagonist to villain. Intrigue and action with a twist of film noir.

So far, DC hasn’t ordered anything beyond #20, but no one can confirm whether the series has officially been cancelled. Word is that if the next two issues sell well enough, the series could continue. If not, it’s toast.

We’re down to the wire. If you’re curious, pick up the Fallen Angel TPB (collecting issues #1–6). See if you can find—or borrow—the later issues. And if you’re interested at all in seeing the series continue, pick up or pre-order Fallen Angel #19–20.

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You know, when Napster announced its subscription music plan, I never gave it a second look. Not because I assumed it wouldn’t work with my Linux box or Katie’s Mac, but for one simple reason:

No matter how many songs you “buy” on the plan, once your subscription lapses, they’re all gone.

Want to stop paying $15/mo? Say goodbye to your music.

Napster goes out of business? Say goodbye to your music.

On the other hand, suppose I’ve bought a bunch of songs from iTunes at 99¢ each, and I decide I don’t want to buy any more from them? No problem. If the marketplace changes two years from now and Apple decides to abandon the iTunes music store, I can still listen to songs I bought from them.

Amazingly, some people still need this explained to them. John Gruber of Daring Fireball writes, “I thought this was obvious, but, judging by my email, there seems to be a fair amount of confusion…” Forget the math, do the logic first!

There is one flaw in Gruber’s logic regarding CDs vs. subscription music: while I expect CDs will be playable over the next decade or two, eventually they will go the way of vinyl records. However, if I were to bet, I’d expect my CD collection will be playable long after Napster To Go has, shall we say, gone.

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