Farscape: The Peacekeeper Wars

Let me just say that the upcoming Farscape miniseries looks incredible. They ran a trailer they had just finished — not the one that’s just started airing, but one they’ll start showing later on — and it looks like it may be the most intense four hours of Farscape ever. They’re very cagey about the actual plot, but the clips show a level of danger, action, and drama at least equal to Farscape at its best.

The stated goal is to “bring this chapter of Farscape to a close” — to tie up the major dangling storylines and leave things open for other miniseries, feature films, comics, spinoffs, etc. Who will be around by the end is unclear, but it’s clearly going to be a heck of a ride.

They opened the floor for questions from the audience, and let me just say, hilarity ensued. I’d never seen any of this group at a convention before, but when anything funny comes up, David Kemper, Claudia Black, and Ben Browder just run with it. (Edit: quotes are now available.)
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[MirrorMask Logo]Yesterday I mentioned the MirrorMask panel at Comic Con. Neil Gaiman and Dave McKean were both there to talk about the movie and play a trailer-like clip they had put together the night before.

MirrorMask came about when Sony noticed that while Labyrinth and The Dark Crystal didn’t do very well in theaters, over the years they’ve become strong, steady sellers in the home video market. So they went to the Jim Henson company and asked if they could do a fantasy film in the same vein, on a budget. So Lisa Henson called up Neil Gaiman by way of asking for Dave McKean, and explained the situation: They only had a $4 million budget, but they wouldn’t have any studio interference. They went on to say they knew they couldn’t afford Neil to write the screenplay, but could he at least come up with a story, at which point he said (Edit: corrected quote) “If Dave’s directing it, I’m writing it.” Continue reading

We accidentally went to Comic Con on Thursday. The plan was just to pick up our badges that afternoon, but there was a panel on balancing action and character development with some really big-name authors – Robert Jordan, Peter David, Raymond Feist, etc. (The basic lessons: let combat grow out of the characters’ actions instead of tossing it in, and be aware that combat is confusing. Focus on individual characters as much as possible, rather than trying to present a long view. Quotes here.) So we stayed, I got massively dehydrated, and we spent the next hour slowly drinking water and recovering. We ended up running into a group from the UCI RPG club and just stayed around and talked for a while before we headed off to dinner.

Neither of us had ever been to Comic Con on a day other than Saturday, and my experience with conventions tends to be that Thursdays are very light. Not so! Continue reading

I’m beginning to think I should recommend convention-going as a good form of exercise. At this size convention, anyway. Not only do you get winded just traveling between panels (which comes standard at just about every con I’ve been to, since they all go overtime and the next one you want is always at the opposite end of the place), but there’s the opportunity for climbing multiple flights of stairs, the walk to and from your car is a great hike, and the food at the convention center is expensive enough to keep your caloric intake down. Also, the dealers’ room is sort of like an Olympic-sized crowd-weaving practice ground. Fun if you’re me, not so fun if you’re trying to follow me.

The other thing about cons that makes me want to exercise is seeing how the medians of the demographics play out. You have the younger contingent, who are mostly good-looking and relatively thin. You have the really old people, who are using hand-carved canes and usually there because they’re connected with actually producing something, and who are generally moving pretty well. Then you have two basic groups of middle-aged fans: the ones who are really skinny and nerdy-looking still, and the ones who put the “middle” in “middle-aged.” It’s wonderful motivation to lose weight when you see a forty-year-old Arwen on a Lark. (Please understand that I’m not trying for a cheap shot. I consider myself lucky that I’m able to lose weight when I want to, and I wish everybody were that fortunate. It’s just kind of heartbreaking in a weird empathetic way.)

So I’ve been on a real veggie kick the last couple of days, and I only just figured out what was up with that this afternoon at Subway. (Found out they’ll give you spinach on your sandwich if you ask nicely. Score!) And all things considered, it could be worse. I could be on a steak kick in the middle of India.

I knew someone once who had no interest in science-fiction, and dismissed it with “That could never happen.” That seems to be the mainstream attitude toward SF — try to pit Farscape against Survivor and you know exactly what will happen — and yet they love to see films about the impossible. (Well, as long as the words “Star Trek” aren’t in the title.) According to the IMDB, 15 of the top 20 all-time grossing movies in the U.S. are science-fiction or fantasy — including the entire Lord of the Rings trilogy and four of the five Star Wars films (The Empire Strikes Back is #21). As much as people like to disdain Star Wars fans, there aren’t enough for the movies to do that well without the mainstream flocking to the theaters as well.

Now, I’m including The Sixth Sense, Spider-Man, and Pirates of the Caribbean, but even if you’d rather not, that’s still more than 50%. And the other five films include two movies about talking animals (Finding Nemo and The Lion King) and one about a guy surrounded by incredible coincidence (Forrest Gump).

Studios have clearly noticed the trend, since they keep making the films, but do you think the average Joe will notice how much sci-fi he actually watches? Nah, that could never happen.

From IMDB: All-Time USA Boxoffice as of July 7, 2004: Continue reading

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