Category: Sci-Fi/Fantasy

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OK, first I’d like to stress that I did like most of The Two Towers the first time through. It was mainly the non-ending that bugged the heck out of me, and that was the impression I was left with leaving the theater.

I can say now that not only does the movie hold up to a second viewing, it was actually more enjoyable this time around. Perhaps because I knew where it was stopping, it didn’t bother me so much that it stopped there.

One review I read lamented not seeing the developing friendship between Gimli and Legolas. That puzzled me, since I saw it even during my first viewing of the film. From Legolas ready to defend Gimli to Eomer, to their camaraderie during the battle: Legolas offering to get Gimli a box to stand on (and Gimli smiling at the joke instead of growling), their competition over who can kill more orcs, etc. Actually, that competition was one of my favorite character bits from the battle, and I was glad to see it make it to the screen.

Most of the story changes didn’t bother me much. Continue reading →

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A few months ago I read an article about filmmaking which talked about why the ending of a film is so important: it’s not just that the audiences want to see it come out a certain way, but the ending is the last impression the audience is left with. A film can be fantastic all the way through and then fall on its face at the end, and that’s the impression people will be left with.

Now I loved The Fellowship of the Ring, both the theatrical release and the special edition. I enjoyed most of The Two Towers. But the ending fell flat on its face. Helm’s deep simply stopped, and the Frodo/Sam story did nothing more than present a vague threat from Gollum.

Imagine if The Empire Strikes Back had ended not with Luke getting his replacement hand and Lando and Chewbacca heading off to rescue Han, but had instead ended with the escape from Cloud City. That’s what this felt like.

Visually, the film is amazing. The effects, the scenery, the sets, costumes and battle sequences are stunning. The acting, like last time, is excellent. And yet between the jumbled editing and the lack of an ending, the film is far less satisfying than the previous one.

I’m left with two conclusions: either New Line Cinema stepped in to “protect the franchise” instead of trusting the people who got the first one right, or they had a harder time cutting it down to three hours and made poorer choices.

At this point I’m going to bring up some specifics. Continue reading →

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I guess it’s just the “HP and the A of B” pattern, combined with the new movie coming out, but I’d like to see titles like:

But let’s stay away from titles like:

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The two of us and our friend Daniel were wandering through Borders last night, looking at the Harry Potter display. Oddly, it was right next to the sections on Astrology, Speculative (I guess New Age is too passé), two whole shelves on Magical Studies, Christianity, Metaphysics, and finally Self-Help. (How’s that for an interesting combination?)

Among them we found some frightening titles, like Dreams for Dummies (they don’t already have them?), or The Complete Idiot’s Guide to Being Psychic, which made the claim that everyone is psychic, as opposed to the book we found down the shelf, which proclaimed merely that All Women are Psychic. Wiccan Feng Shui seemed like an interesting idea.

Daniel found the real kicker: The Complete Idiot’s Guide to Enhancing Self-Esteem. Just think about it.

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I’ve been meaning to pick up a copy of the Conan the Barbarian soundtrack for a while, but kept not finding it. A few weeks ago, we were listening to a copy of Holst’s The Planets we had just picked up. I’d heard the whole suite before, but had only heard “Mars” recently, so one section of “Jupiter” just leaped out at me. I was absolutely certain I had heard something very like it, but not exactly the same, in a movie, probably sword-and-sorcery. I tried several net searches, but had no luck – it’s not as if you can plug a few notes into Google and search for pieces containing a melody.

A while later it occurred to me that it might have been from Conan, so I tried to find it online, only to learn it was out of print. This looks like a job for eBay! It took a couple of auctions to get it (I really hate snipers), but I did, and the CD showed up in the mail a few days ago.

And sure enough, the piece I couldn’t help but think of while listening to “Jupiter” was there: track 12, “The Kitchen/The Orgy.” Interestingly the liner notes go into how Basil Poledouris constructed the piece, but don’t make a single mention of Holst, despite other tracks acknowledging influences such as Orff’s Carmina Burana, or the Gregorian chant “Dies Irae.” But the similarity is undeniable – even more similar than “Charging Fort Wagner” from James Horner’s Glory soundtrack or Joel McNeely’s battle music from the Verdun 1916 episode of the Young Indiana Jones Chronicles is to Orff’s “O Fortuna” (neither of which credits that influence either).

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Yay me. Looks like the writing-stuff-down-so-I-can-prove-I-said-it purpose of this board is coming into play sooner and more effectively than I’d thought. Not that I like the way the writers brought it about, but I’m beginning to think that to write on one of Joss’s shows, you have to take an Emotional (Manipulation) Intelligence Test. Saying any more in this vein would constitute spoilage, so I’ll just insert my little tag…. Continue reading →

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