Oh, fun. Time to look up a LiveJournal archiver, just in case…
Not Dead Yet: LiveJournal will be run by the US arm with software development in Russia. Hmm…
Oh, fun. Time to look up a LiveJournal archiver, just in case…
Not Dead Yet: LiveJournal will be run by the US arm with software development in Russia. Hmm…
The Top 10 Reasons I Will Not Follow You in Return on Twitter is making its way around…well…Twitter today. Just reading the tile makes me wonder: why would someone expect to be followed in return? I guess it comes down to this question: What does it mean to follow someone? Is it different from friending them? And just what does “friend” mean in this context, anyway?
The way social networking sites use the term “Friend” has always bugged me. The actual software for Facebook, MySpace, or LiveJournal seems to use it to mean two distinct things:
Wishful thinking aside, reading Neil Gaiman’s blog regularly doesn’t make me his friend.
Okay, so “Friend” is shorthand, but it brings in a load of connotations, blending the two meanings. People will freak out when a stranger “friends” them, will feel insulted if someone that they’ve friended doesn’t friend them back, or will feel rejected if someone de-friends them. I’ve heard it suggested that one reason people move from one social network to another is to start over with a clean slate of friends, and not have to worry about the drama of removing anyone from their current friends’ list.
Twitter, with the simple and direct term, “Follower,”, doesn’t seem like it would bring in the same level of baggage. To me, clicking “Follow” doesn’t feel like it has the same emotional weight as marking someone as a friend. I follow accounts that I find interesting, and that I actually have a chance of keeping up with. If someone follows me, I don’t feel obligated to follow them, and if I follow someone else, I don’t expect them to follow me.
So I was perplexed when I started seeing new followers showing up on my personal Twitter account who clearly had only done a keyword search on my latest tweet, or looked at who I was following. What were they expecting? That I would look at the “XYZ is following you!” email and trace it to their website? That I would follow them back?
It didn’t make any sense to me.
Of course, now I’m sure they were expecting me to follow them back. As this article suggests, a lot of people do see “Follow” as a synonym for “Friend”, and they were most likely trying to game that system.
In other words, despite the terminology, Twitter’s stuck with the same old baggage that clogs up other social networks.
Google Translate on a misdirected tech support request in Korean:
the product did not change down on the wind.
I wonder what that’s about?
It’s been a little over a month since I upgraded to a T-Mobile G1. Overall I’ve been very happy with it. The Internet-related features are great, I’ve gotten used to how most of the functions work, and I’ve tried it out under various circumstances and played with a bunch of applications. The only problems I have, oddly enough, are with its functionality as a telephone. Continue reading
Listening to “Nightmare Revisited.” All-American Rejects were not the best choice for “Jack’s Lament”
Amazingly, “What’s This” is worse. A song all about the thrill of discovery with NO ENERGY. Are they thinking about what they’re singing?
Korn is knocking “Kidnap the Sandy Claws” out of the park. *whew*
OK, this album is definitely improving.
Amy Lee + “Sally’s Song” = win.

Some thoughts on watching Helvetica, a documentary about the typeface:
Battlestar Galactica
As we move into the second half of the final season, will all really be revealed? Season Four has been good, definitely better than Season 3 (which IMO got bogged down by the Starbuck/Apollo “plot”), though the logic of the Final Five Minus One doesn’t make much sense.
— Returns Friday, Jan. 16 @ Sci Fi 10pm
Bones
I’m not the one watching this, but Katie’s still hooked, so I guess it’s still good.
— Returns Thursday, Jan. 29 @ Fox 8 pm
Fringe
We both gave up after something like 4 episodes. It seemed like they were trying too hard to be The X-Files, too focused on the conspiracy and everything fitting “the pattern” and being tied to work in this one lab…and then there’s the problem with not bothering to research the regular science or think through the consequences of the totally-made-up “fringe” stuff that gave the show its title. The only thing worth watching for was John Noble’s mad scientist, Walter Bishop.
Lost
After a couple of seasons of floundering, Lost came back very strongly last year. Having an end point to work toward certainly helped, as did opening up the format from present with flashbacks to present with both flashbacks and flashforwards. At first the flashbacks were great for showing what motivated the various characters, what brought them to the island, what issues they were still working through, etc. But after a while they started answering questions no one asked (“The secret of Jack’s tattoo!”) or re-treading old ground. Adding flashforwards to post-Island events really added to story possibilities, and they made thorough use of it.
— Returns Wednesday, Jan. 21 @ ABC 9pm
Heroes
Alternately fantastic and infuriating. I’ve gone into this recently, so I won’t repeat it here. That’s what links are for. With luck, Volume 4 will fall more on the fantastic side.
— Returns Monday, Feb. 2 @ NBC 9pm
Pushing Daisies
As good as ever. They managed to somehow maintain the tone while moving forward with character development and further exploring the consequences of Chuck’s resurrection.
— Sadly, canceled. Word is that ABC may show the last three episodes next summer. SUMMER. *grrr* Just show ’em in a 5am marathon so they can be released to iTunes, Amazon Video and DVD, willya?
Terminator: The Sarah Connor Chronicles
This still hasn’t totally grabbed me the way Heroes or Pushing Daisies has, but it’s been an interesting, intricate take on the Terminator mythos. And oddly enough, I’m far more interested in the second half of this season than I am in the upcoming Terminator: Salvation movie. Sadly, Fox has moved it to the Timeslot of Death.
— Returns Friday, Feb. 13 @ Fox 8pm
Dollhouse
Not much to say about this one, since it hasn’t aired yet, but I’ll at least take a look at just about anything developed by Joss Whedon. Eliza Dushku and Amy Acker won’t hurt, either. Unfortunately, Fox has placed it in the Second Timeslot of Death, right after SCC
— Starts Friday, Feb. 13 @ Fox 9pm
(TV Guide via Blog@Newsarama)