Maybe it’s the housing costs, but people in San Francisco need a little extra incentive to give out their computer password than people in Liverpool. Last year a survey found that 71% would reveal their password for a chocolate bar. A similar survey this month in San Francisco found that 66% would give it up for a coffee.

At least Verisign made good on the offer—with a $3 Starbucks gift card.

Too bad it’s the bad guys.

As reported on DailyDave and picked up at SANS, Email Battles and elsewhere, there are phishers out there using a botnet (a network of infected “zombie” computers) not just to send emails, but to host the websites and the DNS for their scam.

Imagine what this technology could do for legitimate sites. It could potentially surpass Akamai’s system of worldwide mirrors. You could set up something like BitTorrent that would automatically mirror sites you’re looking at. Getting Slashdotted would actually improve a site’s response!

A new Angel comic book mini-series (from IDW, rather than Dark Horse), Angel: The Curse, picks up after the end of the TV series.

In this first issue of a new Angel tale, Angel has survived the conclusion of his TV show and finds himself in a mysterious Romanian forest. There, his search for the Gypsy tribe that cursed him years ago takes a turn for the worse.

I suspect we’ll get a “once out of the pit…” explanation (i.e. no explanation at all) and the cliffhanger’s resolution will remain open for Joss to deal with in a movie-of-the-week or something.

But what galls me is that the book is supposed to have four covers. OK, one variant every once in a while is nice, and I can even go for Dark Horse’s early efforts to have one drawn cover and one photo cover to get the newsstand audience (is there such a thing anymore?)… but the only reason to do four covers for one book is to get collectors to buy four copies. It was an insulting gimmick in the early 1990s, and it annoys me that the practice never quite went away. Worse, TV Guide took it mainstream. I guess we’ll know we’re in trouble when Time or National Geographic starts doing multiple collectors’ covers.

*grumble*

Let’s see… what have I picked up recently?

Otherworld (Vertigo). I picked this up on the strength of Phil Jimenez and part of the concept. A group of people from present-day Earth get dragged into an extra-dimensional war—which, of course, has been done before. After issue #2, I’m still not entirely sure what’s going on, beyond the basics. We’re still figuring out who gets transformed how, and as for what’s actually going on in the other world, I think we’re going to have to find out along with the leads. (Heck, I’m still trying to figure out which character is narrating the whole thing.) I’m hoping things will become clearer with #3.

The Atheist (Image/Desperado). A skeptic paranormal investigator (nicknamed the Atheist by his colleagues) comes up against the one case he can’t debunk: the dead are returning and taking possession of the living. In some ways this reminds me a bit of Simon Spectre and Frank Ironwine, the two Apparat books inspired by Doc Savage and the detective pulps. Definitely continuing with this one.

Beyond Avalon (Image/Desperado). King Arthur’s daughter takes up a sword and leaves the island of Avalon to see what’s out there. #1 was just interesting enough to get me to buy #2. But I haven’t actually read #2 yet.

Mnemovore (Vertigo). The concept of this one intrigued me enough I had a dream about it a few nights ago. (Appropriately, I can’t remember much of it.) The main character, injured in a snowboarding accident, has amnesia…but something is causing everyone around her to lose memories as well. Something alive, that Kaley encounters at the end of the first issue. Another one I’m definitely following.

Countdown to Infinite Crisis (DC). I have to admit I had very low expectations for the latest big event book. But the 80-page giant was actually quite good. Three of the four spinoff minis are out now, and they’ve been hit or miss. On one hand, I like the idea that each series focuses on a different corner of the DC universe—Day of Vengeance for the magical characters, Rann/Thanagar War for the sci-fi, The OMAC Project for the superhero/thriller types and Villains United for…well, you can probably guess. On the other hand, at 6 issues apiece plus the 4-issue Return of Donna Troy, that’s already 29 books, plus however many issues Infinite Crisis itself will be. This is all for the 20th anniversary of Crisis on Infinite Earths, which was only 12 issues! And, frankly, the “Which one will lead to Infinite Crisis? Buy them all and find out!” gimmick offends me.

Anyway, I liked the first issue of The OMAC Project, Day of Vengeance #1 left me just curious enough to pick up #2, and Villains United didn’t intrigue me much at all.

Rising Stars: Voices of the Dead. Now that JMS and Top Cow have resolved their dispute and finished Rising Stars, the publisher can start releasing Fiona Avery’s spinoff minis again. First out of the gate is this one, focusing on Lionel Zerb, who talks to the dead. Unfortunately I can’t help but wonder what happened to Rising Stars: Untouchable, the mini about telekinetic assassin Laurel Darkhaven announced two years ago. My impression was that it was done, or at least completely written, with publishing held up by the dispute. I’ll have to reread VotD without that question in my head. (Strangely, I can’t find anything about either series at Top Cow’s website)

Found a couple of comments this morning that consisted of the usual generic phrases:

Please check some relevant pages dedicated to…

You may find it interesting to check the sites about…

The weird thing: No links. No author name, no author URL, no links in the comment itself. Nothing that would clue in content filters to block it…but then nothing that would accomplish anything, either.

I’ve been meaning to write a review of the movie version of The Hitchhiker’s Guide to the Galaxy, but Real Life says it so much better. In the rant, I mean, not the comic. I don’t think people who didn’t like the movie are stupid, but I do think that people who didn’t like the movie solely or primarily because it wasn’t identical to the book are being short-sighted, given that Douglas Adams himself changed the story every time he moved it to a new medium.

Some things worked, some didn’t, but overall I liked it.