I’ve seen The Last Jedi twice now. I’m still not sure how I’d rank it, but the performances are way better than most of the prequel trilogy, and the story is the first theatrical Star Wars to break new ground in ages.

I’ll admit there’s a lot of stuff that happened that I didn’t like, but it made sense within the story context, and it was done in an interesting way. And there was a lot of cool stuff too…including a ton of blink-and-you’ll-miss-it details that I missed the first time through.

What do you mean, “Like?”

I learned years ago that “stuff happened that I didn’t like” and “it was badly made” are two separate comments on a movie, TV show, book, or other work of art.

Do I like the reason Luke left? No, but it makes sense. (A lot more sense than him joining the Dark Side with a resurrected clone of Darth Sidious, TBH.) When you think about it, it’s probably the best explanation they could have come up with for why Luke would decide that he’s part of the problem and remove himself from the galactic stage. It would have to be something majorly traumatic that he would blame himself for.

Do I like that the Resistance command don’t trust each other enough to share plans? No, but again it makes sense under the circumstances, and it feeds into the themes.

Structure and Hope

The Last Jedi feels different from the other Star Wars films. It’s a lot of separate threads that seem mostly unconnected but come together toward the end into a clear picture. Rey’s journey is critical, as is Kylo Ren’s, as is the link between their journeys. Luke’s reasons for being on the island, and his triumphant return, are tied deeply into the plight of the Resistance as it battles the loss of hope, which we see in the slow attrition of the fleet chase, the breakdown of trust within command, and finally the point where they’re reduced to one small band making what could well be a last stand.

And the trip to Canto Bight? For all the whining about it, I think it’s thematically more important than the chase. It shows people taking advantage of both sides of the conflict, and it shows ordinary civilians being oppressed…and that epilogue.

The First Order does everything they can to snuff out that spark of hope, and almost succeeds…but it flares again. We see it with Luke, and with Rey, but their actions only preserve what’s left. It still feels like a hollow victory until we see the epilogue and realize that the spark has taken hold, and is growing again — and that’s inspired as much by one kid’s encounter with Finn and Rose as the legend of Luke Skywalker.

Take out Canto Bight and you take out the epilogue. Take out the epilogue and you’re left with an unremittingly bleak story. Bleaker than Revenge of the Sith…but only* because we already knew where RoTS had to go.

Uncharted Regions

This is the first time since 1983 that there’s been real uncertainty about the future in a Star Wars movie. We didn’t know where The Empire Strikes Back was going, or Return of the Jedi. The prequel trilogy had a lot of surprises along the way, but we knew it would end with Anakin turning to the dark side and helping wipe out the Jedi, Palpatine becoming the Emperor, and the Republic becoming the Empire. I loved Rogue One, but again, we knew what it was building up to. And The Force Awakens was too focused on bringing fans back into the fold with familiarity to break new ground.

The Expanded Universe quickly set up a new status quo and told episodic stories within that setting. Some changes would stick over time, but you knew at the end of the day Leia was rebuilding the Republic, Luke was rebuilding the Jedi, and so on. Eventually they broke out of it and started making big changes with New Jedi Order, and subsequent stories that moved toward the more distant future of Legacy, but it was only a secondary canon, blessed but less official than the movies.

Now? We have no idea what might happen next. We can hope that the First Order will be defeated, because that’s the kind of story Star Wars is, but we have no idea what the cost will be, or who will make it through to the end, who might redeem themselves or turn to darkness.

And I have to wonder if that’s part of the backlash: Star Wars has been a familiar place for decades, and now that certainty is gone.

Cool stuff

So, some of those great details that I didn’t notice the first time through:

  • When Leia floats through the ruined bridge, she passes through the hologram of Snokes’ flagship, disrupting it just like Holdo’s hyperspace maneuver does later in the movie.
  • After Luke’s projection is finished, he sees two suns and the Force theme swells. The first time through I was so caught up in worry about Leia (tied up with Carrie Fisher’s death) that I didn’t quite notice. The second time through, I knew what was happening with her, but I just lost it at this moment.
  • The kid with the Resistance ring at the end doesn’t grab his broom and lift it – the broom moves to his hand.

*Well, that and Lucas didn’t manage to convey as much emotional heart in the prequels as he did in ANH or the other directors did w/ Empire & Jedi. They all felt slightly detached. And I’ve seen the actors in enough other movies to know it wasn’t their fault.

With Jessica Jones and Star Wars: The Force Awakens both out, it’s hard not to compare Kilgrave’s power to Jedis’ ability to influence minds. But while we admire “You don’t need to see our identification” and laugh at “Republic credits will be fine,” Kilgrave is terrifying.

It’s not just that Jedi are compassionate and Kilgrave is a total sociopath with no regard for human life who would casually make someone kill or maim themselves just because he was having a bad day. Darth Vader is just as ruthless, but doesn’t bother with the technique (in the films, at least).

It’s that the “Jedi mind trick” is explicitly shown to be limited. It’s used rarely, and only for specific commands. The first time we see it used in A New Hope, Obi-Wan Kenobi describes it as “influence” rather than control and specifically says it only works on “the weak-minded.” Willpower is sufficient to guard against it. In Return of the Jedi, Jabba the Hutt even laughs it off when Luke tries to use it on him. The only time we see any sort of long-term suggestion it’s to “go home and rethink your life.” Presumably the dealer in Attack of the Clones will be in full command of his own faculties by then, having simply been prompted to start the soul-searching.

Kilgrave, however? His commands are absolute. No matter how hard you prepare mentally, no matter how strong your will, no matter whether your actions would go against your principles, or hurt you, or hurt someone else — even someone you care about — you do it. Immediately. None of the usual trying to stop your hand from moving that you see in a lot of movies where a mind-controlling character shows up. No apparent strain on his part to keep controlling you. Implanted commands can last for hours, and he can renew his control over and over as long as he wants to.

That’s scary enough right there. Putting that level of power in the hands (well, voice) of someone who sees other people as merely tools and playthings, and whose only behavioral boundaries consist in covering his own tracks? That’s nightmare-level stuff.

Think about it this way: Emperor Palpatine spent decades manipulating key people across a galaxy into putting him in a position of absolute control over thousands of worlds. Put him in a room with Kilgrave and he wouldn’t stand a chance.

Ah, Comic Con! The show doesn’t seem much bigger than last year (and they’ve already filled the convention center floor), but there are more people. Last year, Friday was quite comfortable, but this year it was more crowded than I remember.

Let’s see… News from panels so far. Serenity and Mirrormask are apparently opening the same weekend (September 30), so I’ll be spending an entire day at the movies. Sergio Aragones and Mark Evanier are working on a script for a CGI Groo the Wanderer film. They apparently held out for years for a deal that gave them enough creative control to satisfy them. And early next year they expect to release the 4-part comic book, Groo vs. Conan.

The Jim Henson Co. 50th anniversary panel was great fun. In addition to seeing some early experimental muppetry, we learned that they will be producing a sequel to The Dark Crystal that takes place several hundred years later, and a prequel anime series.

Katie went to the big Warner Bros. movie panel, featuring Harry Potter and the Goblet of Fire, V For Vendetta, The Fountain (from Darren Arenofsky), and The Corpse Bride, all of which look promising.

And if you have a chance while in San Diego, don’t miss Fellowship!, a musical parody of The Fellowship of the Ring. With the exception of one running gag that got old very fast, it was a great send-up of the movie (and it was also fun looking for tropes and in-jokes from musicals).

This year is absolutely crawling with Jedi costumes. So many that we didn’t bother to take pictures, except for one Anakin & Obi-Wan pair where the former actually looked like Anakin. There’s also a booth selling high-quality light sabres with removable, light-up blades that are sturdy enough you can duel with them. The cheap ones run for $120.

I was thinking about Star Wars, the “bringing balance to the Force” prophecy, and RPG character alignments, and realized that while you can neatly map the Jedi and Sith to good and evil (Anakin’s confusion notwithstanding), you can’t map them so neatly to order and chaos.

The Sith are a chaotic organization. They thrive on emotional chaos, they spread chaos to meet their ends… but when they get in charge, they impose order on everyone else.

The Jedi are extremely ordered. They try to purge emotions, they deny attachments. They’re hidebound by tradition. The organization is very structured. And yet they fight not to impose order but to protect it. The Jedi actually strive to preserve the balance of law and chaos.

I’m actually reminded a bit of Michael Moorcock’s Eternal Champion series, in which the cosmic balance between order and chaos is treated as its own faction. The Eternal Champion, in his various incarnations, always fights for the Balance, bringing order to Chaos worlds and chaos to Order worlds.

So the Sith are chaotic, but impose order, while the Jedi are ordered, but fight for balance. The problem, of course, is that the Jedi are not balanced themselves. Anakin does three things to correct this:

  1. He destroys the old Jedi order
  2. He destroys the Sith (two decades later)
  3. Destroying the Jedi ensures that Luke and Leia, heirs to the Force, will grow up as people first, Jedi later.

Luke and Leia have the opportunity to re-create the Jedi without all the baggage that dragged the old Jedi order down… and they can rebuild it with Jedi who are actually in balance themselves.

We went to see Revenge of the Sith again last night. Fourth weekend out, and the theater was still packed. (We were able to get tickets 15 minutes before showtime—or, rather, preview time—but it was pure luck that we managed to find a pair of seats that weren’t in the front three rows.)

And now, Decisions that could have changed everything.

  1. Obi-Wan: Certainly, I’ll take down General Grievous. But since he wiped the floor with me last time, I’d like some backup. Anakin, would you care to join me?
  2. Mace Windu: Palpatine is the Sith Lord? Great work, Anakin! I’m going to recommend you for full Jedi Masterhood next week for this! Hey, you’ve been working hard, why don’t you go celebrate and unwind. Here, I’ve got a pair of tickets to the Outer Rim… (I can’t take credit for this one.)
  3. Anakin: (after delivering the report on Grievous’ location to the Jedi Council) *keeps his mouth shut*
  4. Anakin: In my vision, Obi-Wan was trying to help you. You’re right, we should ask him for help.
  5. Obi-Wan: You know, Anakin has been spending a whole lot of time with Senator Amidala. And everyone’s wondering who the father of her child is. I wonder if she’s told him, I mean we were on Coruscant around the time that… oh, blast!
  6. Ki-Adi-Mundi: Relax, Skywalker, I was on the Council before they made me a master, too. Oh, wait, they wrote that out? Never mind.

Finally, some thoughts on viewing order. For a new viewer, I think watching the original trilogy first, then the prequel trilogy, probably works best dramatically. There’s so much in the prequels that has impact simply because you recognize elements from the original.
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A collection of comments, thoughts and images, some highly spoilerish and not all of them canon.

1. I framed through the end of the Vader vs. Obi-Wan battle in A New Hope after being a bit confused by it last night. Watch closely, and you’ll notice two things. First, Vader’s lightsaber appears to go through Obi-Wan’s, about an inch above the hilt. This I can pin on imperfect special effects and then get on with my life. However, the second thing is that Obi-Wan’s robes start collapsing before the lightsaber even touches him. Kelson, watching it, said, “Does Vader even connect with a body?” I don’t think he does. Which looks like a very plausible solution to the disappearing-Jedi conundrum: if Obi-Wan wasn’t actually killed in action, then all evidence points to non-violent death being the only way to disappear.

2. This time through A New Hope, I had the strange experience of mentally hearing a parallel voice track for Vader, with Hayden Christensen speaking many of his lines. I don’t know how much of this is my own overactive brain (fueled by coffee and Honey Smacks, no less) and how much is a reflection on the acting/directing/writing, but it’s very cool.

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