Tag: Fantasy

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[Cover]Also in comics news, the nine-part adaptation of Neil Gaiman’s Neverwhere begins in June.

The basic premise is this: In urban areas, we tend to tune out the homeless to the point where we don’t even see them. What if we really don’t see them? What if there’s another world, just slightly out of sync with this one, where the rules are all different. (JMS used a similar springboard for Midnight Nation, but took it in a completely different direction.) There’s poverty, and scavenging… but there’s also magic, and honor, and a society with its own strange codes. The story follows everyman Richard Mayhew as, through a simple act of kindness, he slips through the cracks from London Above to London Below. In order to get back, he has to help a mysterious girl named Door on her quest to find her family’s killers and honor their legacy…and escape the assassins tracking them both!

It’s hard to guess how well this will work. Neil Gaiman’s comics and prose are both fantastic (in every sense of the word). Comic book adaptations of his prose, though, haven’t been nearly as good. The writers have a tendency to preserve too much of the text, and it gets bogged down in narration. It happened with “Murder Mysteries,” with “Only the End of the World Again”, and with “The Price.”

Neverwhere has two advantages, though. It started life as a TV script (he only wrote the novel because he realized that budget limitations and producer interference would prevent them from doing the story “right”), and TV, like comics, is a visual medium. And with nine issues, there should be plenty of room to show, not tell, the story.

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Fallen Angel is ending with #20, and Babylon 5: The Memory of Shadows has fallen through.

However, JMS has always said, “If they can do a Brady Bunch movie, you can be sure that sooner or later, somebody’s going to do a B5 movie.” Even better, it turns out that while Warner Bros. owns the B5 TV show lock, stock and barrel, JMS owns the movie rights…so he’s in a position to make sure that whoever does do a B5 movie will get it right. “To that end,” he says… “I can wait.”

As for Fallen Angel, I suspect the timing of the decision means DC either wasn’t waiting for sales after all, or was going on pre-orders from stores. Peter David cryptically remarks, “We are not, however, quite dead yet.” It’s not clear what he means, but the characters are creator-owned, and the series isn’t tied to the DC Universe, so it’s entirely possible for them to pop up again at another publisher. Only time will tell.

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I’m about halfway through The Illuminatus! Trilogy, and the most apt description is, if you’ll pardon the language, a mindfuck. Once the writing settles into a coherent structure (or perhaps once the reader is attuned to it), the mind starts noticing connections. Everywhere. It’s as if it was written specifically to induce apophenia.

The most insidious part of the book(s) is the frequent use of historical or other authors’ fictional sources. “Oh, there’s Emperor Norton.” “OK, we’re back to Buckminster Fuller again.” “Hey, that’s right, ‘Tekeli-li!’ does show up in both Lovecraft and Poe.” And this constant mixing of fact with fiction, familiar with strange, and things known to be true with things which seem implausible does make you wonder: how much of this did they make up on their own, and how much did they stitch together out of real events, prior works, and creative synthesis?

After all, if you had never heard of Joshua Norton, and one day heard the story of a man who declared himself Emperor of the United States, Continue reading →

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[MirrorMask Logo]Yesterday I mentioned the MirrorMask panel at Comic Con. Neil Gaiman and Dave McKean were both there to talk about the movie and play a trailer-like clip they had put together the night before.

MirrorMask came about when Sony noticed that while Labyrinth and The Dark Crystal didn’t do very well in theaters, over the years they’ve become strong, steady sellers in the home video market. So they went to the Jim Henson company and asked if they could do a fantasy film in the same vein, on a budget. So Lisa Henson called up Neil Gaiman by way of asking for Dave McKean, and explained the situation: They only had a $4 million budget, but they wouldn’t have any studio interference. They went on to say they knew they couldn’t afford Neil to write the screenplay, but could he at least come up with a story, at which point he said (Edit: corrected quote) “If Dave’s directing it, I’m writing it.” Continue reading →

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I knew someone once who had no interest in science-fiction, and dismissed it with “That could never happen.” That seems to be the mainstream attitude toward SF — try to pit Farscape against Survivor and you know exactly what will happen — and yet they love to see films about the impossible. (Well, as long as the words “Star Trek” aren’t in the title.) According to the IMDB, 15 of the top 20 all-time grossing movies in the U.S. are science-fiction or fantasy — including the entire Lord of the Rings trilogy and four of the five Star Wars films (The Empire Strikes Back is #21). As much as people like to disdain Star Wars fans, there aren’t enough for the movies to do that well without the mainstream flocking to the theaters as well.

Now, I’m including The Sixth Sense, Spider-Man, and Pirates of the Caribbean, but even if you’d rather not, that’s still more than 50%. And the other five films include two movies about talking animals (Finding Nemo and The Lion King) and one about a guy surrounded by incredible coincidence (Forrest Gump).

Studios have clearly noticed the trend, since they keep making the films, but do you think the average Joe will notice how much sci-fi he actually watches? Nah, that could never happen.

From IMDB: All-Time USA Boxoffice as of July 7, 2004: Continue reading →

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I realized this morning what struck me as odd about the original crew of Moya: they’re not a crew, they’re a D&D party. Two warriors, a priest, a thief, and Ordinary Guy (who’d probably be classed as a bard). We started trying to categorize everyone else who shows up and realized that we’d need to know all the kits and extra subclasses to do it right. Then I thought of trying to determine alignments and couldn’t decide whether to use the D&D system or the TMNT system (which I barely know but seems to work better for actual people). It was at that point that Kelson said, “You know, it’d be easier to sort them into Hogwarts houses.” So we did. Continue reading →

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After reading a scathing review of the Hugh Jackman/Kate Beckinsale movie Van Helsing, which differed from my own experience more in reaction than in fact (mine was much closer to the experience excellently summarized by sekl—which makes sense, considering I was two seats away), I started thinking about just why I enjoyed the movie.

Because, to be honest, it was terrible.

But terrible in a strangely entertaining way.

While watching it, I thought—many times—that this is what happens when you put every cliché you can think of into one movie. (“Oh, of course the road goes along the edge of a cliff!”) Depending on your mood, it could be the most tedious or most hilarious thing you’ve ever seen. I also spent most of the movie trying to figure out whether or not it was intended to be a comedy.

And thinking back on that, it hit me. Van Helsing is the monster movie equivalent of The Eye of Argon.

For those of you who aren’t familiar with it, The Eye of Argon is reputed to be the worst fantasy story ever written. It’s the tale of the barbarian Grignr and his quest to steal the titular jewel, filled with cruel swordsmen, an evil wizard, disgusting creatures and a beautiful, captive princess, written with prose so purple it’s a wonder it doesn’t creep into the ultraviolet. And yet, reading it, you can never be sure whether it’s intentional parody or an earnest effort by someone who just didn’t realize how bad it was.

Traditionally, Eye of Argon is read as a group, each person trying to keep a straight face as long as possible and passing it on to the next once he or she bursts out laughing. Sometimes getting through a whole sentence about “livid wilderness lands” or “keen auditory organs” is a real challenge!

Read The Eye of Argon… if you dare!

Edited June 19: The the site I originally linked to has vanished, so I’ve re-linked to a copy that’s still up.

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