Tag: Fantasy

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Sunday at SDCC was, oddly, more crowded than Saturday. Maybe it was the desperation of the last day combined with the fact that it was still on the weekend. We got in later, closer to 11:30, since we spent the morning packing.

I did a final round of back-issue hunting, and ended up not buying anything. All the Golden Age Flash books were high-grade, and therefore out of my price range. Unfortunately I forgot to check eBay this morning, because several auctions I’d put off bidding on ended before we got home.

I hit two panels: First Fables, which was basically the entire creative team of the book and the spinoff, Jack of Fables, and was great fun. They also announced the upcoming “burning questions” issue. They’ll take questions from readers, and put together a bunch of one– or two-page stories to answer them.

The other panel was for Lord of the Rings. People from New Line Home Video, EA Games, Games Workshop, and Topps Cards all talked about their new tie-ins. At least, they did after the 15-minute attempt to get the screen properly hooked up to both the DVD player and the laptop. I’m annoyed that they’re releasing another DVD edition (this set has the theatrical version and the extended version on one double-sided disc—no, they’re not making more changes to the films, thank the Eldar), but the Battle for Middle Earth II expansion pack, Rise of the Witch-King, looks pretty cool. Too bad I’m not any good at real-time strategy games.

We left the con around 4:00, had dinner back in Little Italy, then got on the road around a quarter to six. 2½ hours later, we were home.

It’s odd how quickly you get used to the walking. After the first day, my feet were sore from walking and my shoulders were sore from carrying my backpack. They were still bad the next morning, but better by evening, and by the third day, they were perfectly fine. (Well, except for the blister on my toe.)

Still, I think I’m going to be a zombie at work tomorrow. Next year, it might be worth taking the following Monday off as well.

Anyway, stay tuned. I’ll be posting photos (cosplay, weirdness, and possibly sightseeing)—and with any luck, quotes as well—sometime in the next few days.

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I read Shadowpact #2 last night. So far the book does read better than Day of Vengeance, probably in large part because Bill Willingham can set his own schedule instead of the must-be-6-issues policy of the Infinite Crisis lead-ins.

One of the villains struck me as familiar, though: an albino swordsman with a magic sword, apparently allied to a sinister god-like being, who has picked up the nickname, “the White Rabbit.”

Elric: The Making of a Sorcerer #3Maybe it’s just the timing—just a few days ago I read a comic about Elric, an albino swordsman with a magic sword, allied to a sinister god-like being, with the nickname, “the White Wolf.”

Michael Moorcock's MultiverseActually, I was first reminded of Count Zodiac from Michael Moorcock’s Multiverse, largely because Zodiac is based in the 20th century, rather than an ancient sword-and-sorcery landscape. Count Zodiac is one of at least three versions of Count Ulric von Bek*—the others appear in The Dragon in the Sword and the trilogy that begins with The Dreamthief’s Daughter—and, like Elric, an incarnation of the Eternal Champion.

The Eternal Champion in all his forms fights for the balance between order and chaos, and often finds himself fighting for order while indebted to a lord of chaos. At least two versions** of von Bek are albinos who wield the Black Sword (Ravenbrand, rather than Stormbringer), and while I don’t recall Ulric himself being linked to a demon the way Elric is reluctantly linked to Arioch of Chaos, the von Bek family has ties to Lucifer going back to the Hundred Thirty Years War. Continue reading →

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We went to see a screening of Edward Scissorhands tonight. A couple of local art cinemas (both part of the Edwards/Regal chain) have been doing a weekly “Flashback Features” series since summer (or possibly earlier). The first one we went to was The Princess Bride, which was absolutely packed with people who knew the movie so well they were laughing before the jokes.

None of the others we’d been to were anywhere near as full, and we lost track of the series a couple of months ago. Then yesterday I remembered we’d been planning to go see Edward Scissorhands, and figured we’d missed it. (I finally bought the DVD a couple of months ago, but wanted to hold off until after the screening since Katie hadn’t seen it before.) Fortunately, Katie remembered that it was this week, and we were able to make it. (And for once, we made it on Wednesday, so we could go to South Coast Village instead of Rancho Santa Margarita.)

Well, we prepared to turn into the theater parking lot and noticed it was full. Katie was the first to realize why: Johnny Depp. We got in, but I had to park across the street. The crowd was as good as the one for Princess Bride, and there was even one guy in full costume (the normal-clothes version, not the leather and buckles). We were pleased that while they showed “The Twenty,” which I suspect is a contractual obligation, they neglected to turn on the sound! The 15-year-old print was in terrible shape, but the condition was forgotten quickly.

It’s always a risk to go back and watch something you enjoyed when you were younger. Your tastes change as you grow up (or you actually develop a sense of taste). There are some cartoons and movies I refuse to watch because I want to remember liking them. Sometimes they work out. Sometimes they don’t.

Edward Scissorhands still holds up: The contrast between the inventor’s mansion and the pseudo-50s achingly “normal” suburbia, Danny Elfman’s fairy-tale music, the neighborhood’s curiosity, then acceptance, then ultimate rejection of this strange visitor, Peg’s determination to make things work out, Kim’s slow realization that her boyfriend isn’t a very nice guy, and that this scary blade-handed stranger is, the cop’s efforts to smooth things over—all with Tim Burton’s distinctive quirky style.

Back to the screening series, it really brings out the difference between the home movie experience and the theater experience. It’s not just the size of the screen and the volume of the sound. It’s the audience. When you have a few hundred people all watching the same movie, reacting to the same things, you get an emotional synergy that you don’t get with a couple of people at home—or with a few dozen people yakking and answering their cell phones!

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It’s refreshing when a movie you’ve anticipated for years actually lives up to your expectations. It’s unprecedented when it happens twice in one weekend. MirrorMask and Serenity were both amazing.

The MirrorMask theater listing looks like a tour schedule, with the film opening in a few more cities each week. Unfortunately, at least some theaters that have it now won’t have it by next weekend, so we’re going to have to catch it again one night this week. Then we’ll seek Serenity again on the weekend. Somewhere in there we’ll find time for the other movies we wanted to see.

We’ve got a more thorough review of Serenity planned…

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Character collage: Portraits of two women, looking downward to the left and right. Behind each is another woman standing, one regally in an elaborate blue dress with a necklace and hair ornaments, the other in a plain white dress. They are also looking away from the center. In front are three men standing, two in armor with swords drawn. The man in the center is holding up his sword, dividing the image in half. The man on the right is holding his sword pointing downward. The man on the left is wearing middle-ages-looking clothes and balancing the point of a dagger on a fingertip.The first issue of the New Spring comic book was surprisingly good. I wasn’t sure how well Robert Jordan’s writing would translate to the medium, and of course a lot of details are lost, but Chuck Dixon has done a good job adapting the story, and Mike Miller’s art is incredible.

The book opens with a brief description of the world, then a series of splash pages showing the scope of the Aiel War, starting with thousands of Aiel pouring over the Dragonwall. From there it moves to Lan’s story, then to Moiraine’s. Two pages stand out for me: The panorama of Tar Valon, and Gitara’s Foretelling, the latter of which is most effective because it contrasts with the very realistic style of the rest of the book.

Believe it or not, I’d recommend this. Who would’ve thought I’d be excited about The Wheel of Time again?

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Wheel of Time Book 11: Knife of DreamsI finally talked myself into reading New Spring, the prequel novel to Robert Jordan’s interminable long-running Wheel of Time series. It’s actually a very interesting character study of young Moiraine, and much more engrossing than the last two books in the series have been—perhaps because I don’t expect it to advance the plot.

Anyway, I’ve spent the last week thinking, “I really ought to see if there’s any news on Book 11.” I finally remembered it when I was in front of a computer, and discovered that Knife of Dreams has just been finished, the cover announced last week, and the book is scheduled to be released on October 11.

I came into the series when Book 8, Path of Daggers was the latest, and Winter’s Heart was released during the year it took me to read the series up to that point. I really liked books 1 (once it got going), 4, and 5, and book 2 still managed to keep me up for hours trying to finish when I really should’ve just gone to bed. The problem is that after book 5, he stopped writing novels, and started writing a novel. A really long one that spans multiple books. (Seriously, how long can he drag out the Faile kidnapping story?)

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