Category: Comics

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Central City is big. You just won’t believe how vastly, hugely, mind-bogglingly big it is. I mean, you may think it’s a long way down the road to the chemist’s, but that’s just peanuts to Central City. (With apologies to Douglas Adams.)

It’s an old post, but I just found the Absorbascon’s take on Central City, looking at the wide expanses depicted in Carmine Infantino’s Silver-Age drawings of the Flash’s hometown.

What is this vast complex? The National Science Center? NIH? STARLabs HQ? No. It’s Barry Allen’s back room. In his APARTMENT. In your house, this sort of room is barely big enough to hold the Cybex machine you don’t use. In a Central City apartment, it’s about the size of a bowling alley.

On a related, but more serious note, letterer Todd Klein has posted a 4-part study of the Flash Logo from 1940 through the present day: Part 1 · Part 2 · Part 3 · Part 4. With his insider knowledge, it’s far more thorough than the study I did a few years ago. (via Wallyoeste)

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Drawing of the Flash, a man running wearing a red suit with yellow lightning-themed trim.Yesterday’s article about the Flash (warning: major spoilers for this week’s DC Universe: Zero) in the New York Daily News brings up the hero’s key role in launching the Silver Age of Comics. Superheroes had fallen out of favor in the early 1950s, and comics were exploring genres like westerns, horror, romance, etc. When DC successfully relaunched the Flash in 1956, there was an explosion of new super-hero titles.

The Daily News quotes former Flash scribe Geoff Johns as saying, “Without Barry Allen, we’d still be reading comic books about cowboys.”

I don’t think that’s precisely true. Not to discount Barry’s contribution—it’s entirely possible, even likely, that super-heroes would have remained a background genre. But for one thing, we’re looking at half a century of ephemeral pop culture. For another thing, let’s consider: why were comics going after the western, crime and horror genres when super-heroes failed? Because that’s what was popular in movies and television at the time.

I’d guess that, without the Flash revitalizing super-heroes, we would have seen more science-fiction comics in the 1960s, more police comics in the 1970s, sitcom comics in the 1980s, and so on. Comics genres would probably have followed along with trends in pop culture instead of becoming heavily focused on a single genre.

We wouldn’t be reading cowboy comics today; we’d be reading reality comics.

Perhaps the presence of multiple genres would have eventually gotten rid of the “but, you know, comics are just for kids” mentality. (Not that it’s worked for cartoons or video games yet, but video games are still relatively new, and cartoons have similarly been dominated by the musical fairy tale and slapstick comedy short.)

Eh, who knows? Maybe they’d be all about pirates.

Edit: The comment thread at The Beat also has some interesting speculation on comics without the Silver Age Flash.

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Opera Software has just released a new beta version of the desktop web browser, Opera 9.50 beta 2. The splash page makes me think of something a bit different, though:

Opera 9.5 beta
Speed, security, and performance matter.

Now, we’ve made the fastest browser in the world even faster. Opera’s new beta is quicker to start, faster at loading Web pages and better at running your favorite Web applications.

Hmm, a red and yellow blur, zooming across the view? And an emphasis on speed? That reminds me a bit of this guy:

The Flash

Opera has long promoted itself on its speed, and it has used a super-hero theme in its advertising before. The vaguely Superman-like* “Opera Man” was used heavily in advertising Opera 8, despite being ridiculed by most of the browser’s user community.

So why not a subtle reference to the Flash?

*Blue costume + red cape. Hey, if a blue shirt and red jacket work for Clark on Smallville, you know the color scheme has become iconic.

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The CBLDF has issued a press released detailing the victory in the Gordon Lee case. This was the case in which a comic book store in Rome, Georgia, as part of a 2004 Halloween promotion, was handing out free comics left over from that year’s Free Comic Book Day. Among over 2,000 comics, they accidentally included a copy of Alternative Comics #2, which included a story about Picasso which included him running around his studio in the nude. And they accidentally gave it to a kid. The parents wouldn’t accept an apology, and pressed charges instead. The DA has been determined to make an example out of him, pushing grossly overinflated charges including felonies that would have given him prison time. 3½ years, 3 trial dates, a mistrial for prosecutorial misconduct, and $100,000 in defense costs later, the Rome DA finally agreed to drop the case in exchange for a written letter of apology — which is exactly what the store owner had offered in the first place.

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You may have noticed I’ve been thinking about fan conventions lately. 🙂

It started after last year’s Comic-Con, when I decided I wanted to go to something a bit less…intense. 😯 Last year’s Wizard World LA was nice, but a bit sparse, so I went looking for more comic and general sci-fi/fantasy cons within driving distance of the LA/OC area. Surprisingly, I didn’t find much. Gaming conventions, costuming conventions, Anime Expo, sure, but sci-fi? Pretty much just Loscon, which we both gave up on after 2002 (and from what I’ve heard, hasn’t picked up again). I asked around a bit on some forums, and someone on either the Comic Bloc or Newsarama forums suggested WonderCon, and suggested considering the city as a vacation destination, not just a place to find a hotel for the con.

Since WonderCon worked out so well, I’m looking at what else might be fun. That’s part of why I did my price comparison last month, and Kevin Standlee’s comments got me looking at WorldCons and the like again. Not for this year, but maybe a few years out.

Looking at all these cons, I realized that beyond a certain threshold, distance doesn’t matter. Only the destination. If it’s far enough away that you have to fly, the only thing that distance impacts is the cost of your plane ticket. Whether your flight is 5 hours or 10 hours*, it’s still going to take up most of a day or night when you factor in dealing with the airports. Everything else, from hotel prices to whether you need a passport, a phrasebook, or currency exchange, is a factor of the destination.

WonderCon, I think, was at the boundary of driving distance from here. We could make the trip out in one day, but it was a lot more fun to break it into stages and make it a road trip. San Diego is at the boundary of commuting distance. We could drive out there in the morning and drive back at night (and I did that with my parents for over a decade), but it’s not practical to do for more than one day. Whereas if I wanted to, I could easily commute to Wizard World Los Angeles 2 or even 3 days. (As it was, we only went for Saturday.)

With two cons in Q1, and San Diego coming up in July, any traveling we do later this year is probably not going to be convention-related. As it is, we’ve talked seriously about three possible non-con vacation spots. But it might be worth casting a wider net for cons in 2009 or 2010.

*Katie and I were talking about this, and realized that it’s probably different if you have kids. In that case, a 5-hour flight probably would be significantly harder to manage than a 3-hour flight.

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I was thinking about the timeline of DC Comics’ Earth-51 (home to the Great Disaster in Countdown to Final Crisis) and trying to wrap my head around what the past and present might mean for a world that’s been created and destroyed twice in as many years, and realized that some of the time paradoxes make much more sense if you consider that there’s more than one kind of time.

Real-world time is, as you’d expect, the time that passes between when two stories are published. For example, it’s been 45 years since Spider-Man first appeared in Amazing Fantasy #15 (Aug. 1962).

In-story time is the time that passes within a story. So even though it’s been 70 years since Superman first appeared on the newsstand, it’s only been 10–15 years since his debut within the DC Universe.

The tension between these two leads to a strange, fluid take on time, which has its own issues.

But then you get into time travel and cosmic retcons, and in-story time can’t quite explain things. Continue reading →

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So, what comic book event of the summer has me the most excited? Is it Marvel’s Secret Invasion?  DC’s Final Crisis? The release of The Flash Companion? Geoff Johns returning to The Flash for Rogues’ Revenge?

Well, that last one is close, but it’s actually Comic Book Tattoo, the upcoming ~500-page anthology of comic book stories inspired by Tori Amos’ music announced last December, and Comic Book Resources has a huge article about the project, including art.

(as last time, via Colleen Doran)

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