Category: Conventions

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With all the talk of Comic-Con International moving out of San Diego someday, it was pretty much impossible not to consider this weekend’s WonderCon as a test case.

The Anaheim Convention Center definitely has the floor space. WonderCon used about 1/4 of the main floor this weekend (all of Hall D, unlike Wizard in 2010, which only used about half to two-thirds of it), not counting registration downstairs.

Rooms for programming might be a problem. As near as I can tell, WonderCon used all the meeting rooms on level 2, and the large ballroom that takes up most of level 3. The Arena might be a good replacement for San Diego’s Hall H, but for the smaller panels they’d have to spill over into the nearby hotels. Fortunately, those hotels are next to the convention center, not at opposite ends or across a railroad like in San Diego.

Parking was the major breakdown this year, and Comic-Con will need even more. (I’d guess a lot of the people at the volleyball and cheer competitions were staying in hotels from out of town, or bused in from closer schools.) I suspect if they can use the stadium lot all four days and direct people to it clearly (including signs between the freeway and convention center letting people know that the convention lot is full, and accurate directional signs all the way to the stadium lot), it will probably be all right.

Food could be a problem, but it’s easily solved by bringing in food trucks or encouraging people to walk a few minutes. You know…like we do in San Diego. (Though hotel restaurants and a half-empty mall have nothing on the Gaslamp District.)

Hotels, to me, are the biggest open question. Most of the pro-Comic-Con-in-Anaheim articles I’ve seen sort of gloss over the fact that Disneyland is right across the street, or use it to bolster the claim that there are lots of hotels.

But you know, Disneyland visitors are going to be using those hotels, too. Especially during the height of summer.

Update 2017: The convention center is building a whole new wing with 200K more square feet. WonderCon is now using 3/4 of the main floor for the exhibit hall, the remaining section for registration, and programming is spilling over into the Hilton. There are a lot of new hotels in the same block and the next one over. Restaurants are about the same, but they’ve brought in more food trucks every year. Parking’s still a problem, though.

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Banner: Comic-Con International

If you’re trying to get a message out, or provide a service, analytics are great. They tell you what’s working and what’s not, so you can focus on what does work. Unfortunately, when it comes to email, a lot of organizations use a third-party click-tracking service, which registers which mailing the user clicked on, then redirects them to the real website.

Why do I say unfortunately?

Because it’s what phishing does: Sets up a link that looks like it goes one place, but sends you somewhere else instead. In the case of a legitimate email with a click tracker, you end up at the real site eventually. In the case of a phishing message, you end up at a fake login page that wants to capture your username & password, or a site with drive-by malware downloads. Using this technique in legit mail trains people to ignore warning signs, making them more vulnerable to the bad guys. And it makes it harder for security software to detect phishing automatically.

Now add another reason: You don’t control that click-tracking service, so it had better be reliable.

That’s what happened with Comic-Con registration today.

Getting tickets to San Diego Comic-Con used to be a breeze, but last year the system broke down repeatedly. It took them three tries, with multiple handlers, to open a registration system that didn’t melt in the first few minutes.

A few days ago, Comic-Con International sent out a message with the date and time registration would open, and a link to where the page would be when it went live. They went to a lot of trouble to make sure their servers could handle the load, as did the company handling registration. They built a “waiting room” to make sure that people trying to buy tickets would get feedback, and get into a queue, when they arrived, but could still be filtered into the registration system slowly enough not to overwhelm it.

The weak link: The click tracker.

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I wasn’t sure what to expect from Comikaze Expo, and I’d just been to Long Beach Comic-Con the weekend before, but I was curious about the new show, and for $12 a day, I figured I’d check it out. Getting a discount on that already-low price through Goldstar clinched it, and when I found out my friend Wayne was going, we decided to carpool.

Cobra cosplay including the Baroness and Serpentor at Comikaze Expo 2011.What we found was a surprisingly big show, with a wide variety of exhibitors, though I’d hesitate to call it a “Comic-Con.” More of a general geek pop culture show. There were certainly comic book artists and dealers (a few of whom I recognized from last week), but it reminded me a bit of the last Wizard con I went to (Anaheim 2010). There were actors & celebrities, artists, indie publishers, authors, dealers, T-shirt and nerdy craft sellers, costumers, fan groups for everything from G.I. Joe to Firefly, tattoo artists (that’s a new one), a giant card game area, a giant tabletop game area, and a video game demo trailer. All in all, it was somewhere between Wizard and San Diego without the big names.

The Crowd at Comikaze Expo 2011

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When I heard that Long Beach Comic Con was rebranding itself as Long Beach Comic and Horror Con this year, I was a little concerned. One of the things I liked most about it the first two years was the heavy emphasis on comics compared to San Diego (which has plenty of comics, but is so big that it’s easy to miss them) or the Wizard conventions (which seem to have refocused around celebrities). As it turns out, the horror didn’t drown out the comics at all. The front of the hall was still mainly comics publishers, with dealers (mostly comics and collectibles) behind them in a U shape, wrapped around the core: a gigantic Artist’s Alley.

Of course, Halloween and horror did make their presence known, starting with the signs for zombie parking, and continuing with programming, guests and costumes. (Jump straight to the photos.)

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Darth Joker cosplay at Comic-Con 2011This year, we approached Comic-Con International a bit differently than usual. For the last seven years we’ve been staying in town for all four days. With the baby, we decided to do Comic-Con 2011 in just one day. So we left him with relatives and took the train down to San Diego for the day. We arrived in town about 9:00, walked down to the convention center, and had our badges just after the floor opened at 9:30.

(Full photo set on Flickr, Flash-related coverage on Speed Force.)

Jack Skellington Puppet/Costume at Comic-Con 2011Planning a trip to Comic-Con is always about trade-offs. It’s so big that you can’t see everything, and there are so many events going on that you can’t attend them all. With four days, there’s some wiggle room. With just one, it seemed like I was constantly thinking about those choices.

One of the first choices I made: No news panels. I could get that the next day online (and did). I wanted to focus only on what was unique to the con: exhibits, meeting people, the art show, etc. Basically, I wanted to experience as much of San Diego Comic Con as I could in one day.

Katie decided to pick two things and build her day around them: visiting The Field, an Irish pub our friend Sean introduced us to a few years ago, and seeing the new Thundercats screening. Continue reading →

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Looking along a long, semi-open tube in a building, with the Comic-Con banner in the center.

Comic-Con International sold out this weekend. The convention isn’t until July, which makes the January sell-out surprising enough…but tickets didn’t even go on sale until this past Saturday, and were all gone by the end of the day!

In past years, tickets haven’t been a problem. This year, they’ve become as hard to get as convention-rate hotel rooms. And those? The con hasn’t even announced when they’re going on sale.

This is the view from one of the escalators in the San Diego Convention Center lobby. One of my friends once referred to it as the “Death Star Cannon” view, inspired by the shot of the inside of the cannon firing near the end of Star Wars.

Update: TicketLeap dissects the technical bottleneck [archived] that caused the weekend’s sales meltdown. (TLDR version: Hostname lookups were turned on in the database, and it was blocking on DNS.)

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ZatannaOn the last weekend of October, I made it out to the second annual Long Beach Comic Con. It’s shaping up to be a very artist–, writer– and dealer-focused convention.

A couple of years ago, Wizard World Los Angeles seemed to be all about people looking for deals on comics and collectibles (in which case, why not just go to Frank and Son or the Shrine?). When the show resurfaced in Anaheim this year, it seemed to be all about the celebrity autographs.

If you just want to see the photos, check out the photo set on Flickr. Otherwise, read on!

Layout

OBISHWNThe first thing everyone noticed was the row of themed cars out in front of the convention center: A Camaro painted up as Bumblebee, a replica of KITT from Knight Rider, cars from less geeky shows like Starsky and Hutch and (IIRC) Magnum, P.I.…and a car that had been modified to look like a Rebel Alliance small fighter, complete with an R2 unit!

The main floor at Long Beach was bigger this year than last, though nowhere near as big as Anaheim. Unlike Anaheim, they used most of their space.

All the publishers were clustered near the entrance, with Aspen and BOOM! the most prominent, followed by Top Cow, Image and Avatar in the next row with other small press, along with the celebrity autograph area off to one side.

Dr. Doom and Captain AmericaThe rest of the floor was structured with a huge Artist’s Alley at its core, surrounded by retailers on either side. Actually, it would be more accurate to say that it was two Artist’s Alley areas with dealers wrapped around them in a sort of F shape.

If you went to Anaheim Comic-Con this year, remember how big the celebrity signing area was, and how small the artists’ area was? Flip it. My gut instinct says that there were more artists with tables here than there were in San Diego, but then it could just be that they’re a bigger percentage of the smaller space.

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