Category: Entertainment

Posted on
by

(Lost)Here’s a surprise: Lost has been renewed for a three-season deal… but each season is only 16 episodes long. The writers are glad that they have an endpoint, because now they know how long they have to tell the rest of the story they have in mind. (Call me credulous, but I’m inclined to believe that they do have at least some of their plans worked out ahead of time.)

Though I have to say, I hope they’ve checked their contract for loopholes. Farscape thought they had a two-season deal, so they took their characters and story to some really dark places in Season 4, figuring they had another year to dig them out. Instead they got canceled, and it took a fan campaign and the sale of the Jim Henson company to get even a four-hour miniseries to wrap things up.

As for the structure, this is actually probably better than two 24-episode seasons. It makes it easier to show an entire season through without interruptions. This season’s schedule, with just 6 episodes at the beginning followed by months of reruns, was terrible. Of course, once they came back from hiatus, it was much better than the sporadic episodes they showed in Season 2.

Arc vs. Scheduling

This brings up a problem with trying to run a TV series with an arc to it: Scheduling can seriously mess it up.

Babylon 5 suffered from PTEN’s decision to hold the last four episodes of each season until fall, followed immediately by the following season. It undermined the season-ending cliffhangers, and broke the narrative in the middle. Eventually they started anticipating it: JMS would write a mini-cliffhanger five episodes before the end of the season, and in one case even wrote a recap into the script for episode 19.

Veronica Mars and Heroes have done a good job this year of breaking the season into mini-arcs that match the schedule. Veronica Mars had a 9-part mystery, followed by a 6-part mystery, followed by a series of one-shots at the end of the season, and each arc was shown without interruption.

Heroes told the initial “Save the Cheerleader, Save the World” storyline, followed it up with some backstory, and finished the first run with a teaser for the main arc for the rest of the season. The second arc deepened the plot, and brought everything to a high point: the revelation of Linderman’s and Bennett’s agendas, plus cliffhangers in Hiro’s and Peter’s journeys. Now we’re in the home stretch. As the tagline says, “It’s time to save the world.”

That seems to be the way to go: If you don’t have the clout to change the schedule (like 24), find some way to work within it. Plowing straight through without regard to when the episodes are going to be shown, like Lost did with Season 2, is just going to frustrate your audience.

(Thanks to aeryncrichton for the news!)

Posted on
by

Hmm, I wonder how many newsstands displayed these books next to each other:

Flash Comics 6 Smash Comics 16 Crash Comics 5

An explanation: I recently stumbled across a mention of Smash Comics, a series from Quality Comics that ran more or less concurrently with the more familiar Flash Comics. Just for kicks, I searched the Grand Comics Database (which is where I got the cover images) for Crash Comics, and found Crash Comics Adventures, which ran for 5 issues in 1940 before spinning off a series on the original Cat-Man. So the three books would have been on sale at the same time!

I couldn’t find any other books with the same pattern in the title. The GCD does substring matches, and “ash comics” only brought up variations on these three series. Though it did remind me that DC resurrected the Smash Comics title for one chapter of the 1999 The Justice Society Returns! event.

Posted on
by

Yesterday, President Bush reportedly said, “Politicians in Washington shouldn’t be telling generals how to do their job.”

I guess he’d better recuse himself from any further military decisions for the rest of his term. Commander in Chief or not, the President of the United States is a politician in Washington.

Hmm, maybe he can give orders while traveling?

Posted on
by

Flash poster by Alex RossDC Comics released their July solicitations today, along with some of the books due in August. They managed to say absolutely nothing informative (or, to be honest, particularly interesting) about Flash #14—just that it’s going to be big. C’mon, show, don’t tell!

On the plus side, we now have a cover and a confirmed date for Flash: The Greatest Stories Ever Told: August 15. The table of contents hasn’t changed from the initial announcement, so it sounds like it’s final. At least for promotion, they’re using Alex Ross’ portrait of the Flash.

Tangent ComicsOddly enough, the one thing on the list that actually got me excited was the first collection of Tangent Comics, due August 29. (Edit: I’ve updated the image at the left to the final cover. Originally, DC posted the cover from Tangent Comics: The Atom)

Tangent Comics was a fifth-week* event back in 1997 that built an entirely new fictional universe using only the names from DC’s stable of characters. The Atom became a nuclear-powered Superman type. Green Lantern became a mysterious figure whose lantern could bring souls back from the dead to complete unfinished business. The Flash was a human made of light. The event consisted of nine books, each designed as if it were the first issue of an ongoing series, and was successful enough that they followed it up with a second round in 1998. Continue reading →

Posted on
by

Someone walked into the restroom talking on a cell phone, explaining, “it’s going to sound really bad now, because I’m in the executive washroom.”

Executive washroom?

Sure, if by “executive washroom” you mean first-floor lobby restroom that’s available to anyone who walks into the building.

I couldn’t tell whether he was joking, or trying to impress the person on the other end of the call.

»All pages site-wide with this tag