Category: Sci-Fi/Fantasy

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A post on 20 things I learned at Dragon*Con [edit: no longer available] reminded me of something Katie and I noticed at Comic-Con. During the screening of the musical Buffy the Vampire Slayer episode, “Once More With Feeling,” it seemed like half the audience would boo Dawn, and would shout out things like, “Shut up, Dawn” when she spoke, or “No!” when she sings, “Does anybody even care?”

Okay, I get that you don’t like the Scrappy… but shouting “Shut up!” when she’s spilling the beans about Willow & Tara’s fight? That sorta implies that you don’t want Tara to find out that Willow has been altering her memories. That’s psychological abuse by any standard. Is it better for Tara to stay in an abusive relationship than for Dawn to be the one to open her eyes?

Or how about when she mentions to Sweet that her sister is the Slayer? That sets the rest of the story in motion — in fact, it sets the rest of the season in motion. Not only does it make it possible for them to “beat the bad guy,” but it sets up that Buffy/Spike relationship, and I’d bet 90% of the people booing Dawn just lurve “Spuffy” to death. (Excuse me while I gag.)

It’s hate for the sake of hating the character, even when she does things you like — or things that are necessary.

Personally? I couldn’t stand her through most of 5th season. I’m not sure what turned me around, but it was during the last episode, “The Gift,” that I decided, y’know, she’s okay. Katie, who has a younger sister, found Dawn to be the best characterization of a younger sister on television…and couldn’t hate her for that reason.

Perhaps it was the realism of that sister relationship, seen through Buffy’s eyes, that made so many viewers dislike her. Well, that and the Scrappy effect.

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Wow.  The Babylon 5 Scripts team keeps finding more ways to get my money.  The latest: The Chronologies of Babylon 5.  And it includes every single piece of B5 canon, down to the six short stories JMS wrote after the series ended and even the unproduced Crusade scripts.

The script books have mostly been interesting for the commentary and supplemental material. Though I was disappointed that they couldn’t get Neil Gaiman to write an intro for his Day of the Dead script in the latest volume. It just reprinted the contents of the solo script book you can get from the CBLDF, which has a brief intro by JMS and a handful of footnotes by Neil Gaiman.

So, here’s what we’ve got so far (including what’s been announced):

  • 15 volumes of Babylon 5 scripts by J. Michael Straczynski.
  • 3 volumes of “Other Voices,” the B5 scripts by other writers.
  • 1 volume of the B5 TV movie scripts (announced).
  • 1 volume of chronology (with a Q&A and presumably commentary).

In theory, that covers everything except Crusade, which is what I’m really looking forward to. Probably two or three volumes, and I’d hope they’d include the unproduced scripts. IIRC there are two by JMS and one by Fiona Avery, and the Chronology list mentions one that was assigned but not written. The two JMS scripts used to be available online through some PITA Java-based reader that theoretically prevented people from copying the text (though that can’t stop screenshots or manual transcription), but also made it really difficult to do things like scroll. The site folded years ago, probably in the dot-com crunch, and they haven’t seen the light of day since. I remember one of them contained the first indication of a link between Techno-Mages and the Shadows.

Back to the chronology: on one hand, it feels like they’re starting to milk the audience for all it’s worth now that they’ve seen the success of the script book series.  On the other hand, it’s only one additional volume.  And it looks really cool…

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I don’t understand the rage exploding over the Harry Potter delay. More precisely, I suppose I should say I don’t understand the depth of the rage.

Harry Potter and the Half-Blood Prince was originally scheduled for November, but Warner Bros. has just decided to push it back to June for scheduling purposes.

Is it annoying? Yeah. Is it a personal affront? Not so much.

Maybe I’m jaded, having been through this with movies like Stardust and Serenity, not to mention Sci-Fi Channel’s insane scheduling system that basically treats each “season” as two 10-episode seasons and splits them across what might as well be two years…or, going further back, PTEN’s insistence on holding back the last 4 or 5 episodes of each Babylon 5 season until the following fall, every single year to the point where TNT, after picking up the final season, did the same thing. Pathology got postponed twice, then pulled off the schedule entirely before it finally hit theaters nearly a year after the original release date.

Or maybe it’s just that I like the Harry Potter books better than the movies.

It’s not like it’s been taken off the schedule indefinitely. It’ll still get a theatrical release. I can’t think of any at the moment, but I’ve had movies I really wanted to see get stuck on a shelf, finished, for years. Some of them eventually surfaced as direct-to-DVD releases.

And they’re not delaying production on Deathly Hallows. The actors will still be well within the standard Hollywood “teenager” age range by the time they finish playing 17-year-olds in the final film.

So I can understand being annoyed, but I don’t understand the letter-writing, the petitions, the plans to boycott the film — yes, there are fans who intend to boycott the film if they have to wait for it.

*sigh* I’d better go over to Newsarama and see how crazy the thread about Final Crisis #4 being delayed 2 weeks has gotten. Actually, no, I shouldn’t. I should get some sleep instead.

P.S. Anyone else think that “HP Rebellion” would be a great name for a computer?

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The latest newsletter for the Center Theatre Group includes a mention of The Fly: The Opera.  Yes, The Fly, based on the sci-fi film about a scientist who gets combined with a housefly in a teleportation accident.  And its remake. As an opera. 😯

Plácido Domingo conducts the U.S. premiere of the LA Opera-commissioned opera written by Oscar®-winning composer Howard Shore (Lord of the Rings)based on the original 1957 George Langelaan short story as well as David Cronenberg’s 1986 film, with a libretto by the Tony Award-winning playwright David Henry Hwang (M. Butterfly).

I used to figure, if someone can turn The Phantom of the Opera, Little Shop of Horrors, and Jekyll and Hyde into a musical, nothing should surprise me.  But… seriously…  The Fly? And not just a musical, but an opera? And the creative team: Placido Domingo and David Henry Hwang working with David Cronenberg?

😕

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It was a bit of a surprise to learn that J.K. Rowling’s The Tales of Beadle the Bard is actually getting a mass-market printing. This book of short stories, set in the Harry Potter universe with commentary by Dumbledore, was originally released only in a tiny run of seven hand-made copies, sold at auction for charity.

Now the charity is doing a standard hardcover run of the book…and a $100 collector’s edition designed to mimic the original hand-written run. While considerably cheaper than the £1,950,000 Amazon spent to get their copy of the original run, it’s a little more than I’d like to spend. (I mean, I didn’t even spring for the $150 for the special edition of Comic Book Tattoo.) I think I’ll stick with the standard edition.

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Every year I think I’m ready for the Comic-Con crowds. And every year they astonish me. By the time I’ve gotten used to the crowd level from Thursday and Friday, it’s Saturday, and there are even more people.

Katie got up 2 hours before I did to make sure she got a spot in the Heroes line. She succeeded, and managed to get into the hall before I even made it to the convention center. Of course, that was in part because I wanted to grab cash, coffee, and a sandwich to hang onto for lunch before I got in. I think I stood in line for at least 10 minutes waiting for an ATM at a branch in the Gaslamp district. There were two machines, one of which was broken, and the two — just two — people ahead of me were both making deposits. And the machine was slow.

As for coffee, I figured I’d go to a Starbucks just because it was closer — but once I got to the nearest one, I realized I wasn’t far from an It’s a Grind. So I walked the two blocks, and passed another Starbucks on the way. 😕 So I grabbed coffee and something to eat, then spent at least 20 minutes at Subway. Then I had to wait for the trolleys so I could cross the tracks…

By the time I got to the convention center, they were letting the Hall H line in. It was running all through the park area at the end of the center, zig-zagging around, and reportedly went all the way to Seaport Village. Which doesn’t make sense, because IIRC Seaport Village is at the other end of the center, so maybe they were talking about the line for badge pickups?

I waited near the front, figuring I’d hand Katie her water bottle and crochet hooks on the way in, but then I asked one of the “Elite” staff when the line started moving — and it had been almost an hour earlier.

So I went back to Artist’s Alley to pick up that sketch from Todd Nauck. He was off doing a signing at the DC booth. So I went to the reservation desk to set up for dinner. Which took a while, since I went through the main floor, which was a very cattle-drive-like experience. At least my shoulders are starting to get used to the backpack again, though I’m starting to feel like I’m in that third-day convention haze. (Plus I had only a scone and coffee, instead of a full breakfast, which might have something to do with it.)

There are a lot more people in costumes here today. As expected, there are lots of Jokers this year — so many, in fact, that I’ve stopped paying attention to them except for the really good ones and the creative ones. I’ve seen at least two Nurse Jokers over the last few days, possibly three.

I’m waiting for the Tori Amos/Comic Book Tattoo panel now. I figured the line would be long, so I showed up about 45 minutes early, but it turned out they were letting people walk right into the Ralph Bakshi panel, so I wandered in, watched the end of it, then moved to a better seat at the break. The room’s packed, and there are about 10 minutes left before the panel. But I’m only 5 rows back, and a little off to the side, which is better seating than I’ve had at any of her concerts.

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