Category: Sci-Fi/Fantasy

Posted on
by

Busy day. I had a lot of stuff that I wanted to get to but had to make choices. Shoulders are starting to acclimate, though there’s also the fact that I’ve taken a lot of stuff out of my backpack as I’ve gotten it signed. I have no idea what I’m going to do to carry around Comic Book Tattoo.

Speaking of which, yes, the books finally came in! I picked mine up late morning, and decided to shell out the extra $20 for the hardcover because it’s just so big. It’s at least an inch and a half thick, and it’s 12 inches square — the size of a vinyl record album case.

Katie dressed up as Yomiko Readman, and we started the day at Richard Walker’s Pancake House. They were very busy, but had a system in place that kept people moving — and they were also very good. We got to the convention center around 10:00, explored the floor a bit together, then split up. When I bought a comic from Sergio Aragonés that I hadn’t seen before, and asked him to sign it, he asked her what character her costume was from. He clearly didn’t recognize the show, but it was nice of him to ask. The first hour or so that we were there, she mostly got people asking, “What’s that from?” but then people who knew the show started asking for her picture.

I managed to round out the complete set of signatures on the Girl Genius trades. I also picked up a print of the Flash: Rebirth cover at Moose Baumann’s table, and commissioned an Impulse sketch from Todd Nauck. When I got there, he was talking with someone, and I waited while they chatted for several minutes. When he left, it turned out that he was Carlo Barberi, who drew Impulse during most of Todd Dezago’s run. I couldn’t stick around while he drew the sketch, since I was on my way to a panel, plus he was finishing up a sketch for someone else, so I’ll be heading back sometime tomorrow to pick it up.

I went to a couple of panels by science fiction authors, both one-person shows: Connie Willis and Robert Sawyer. Connie Willis was very funny as she talked about writing in general, about her upcoming novels, and answered questions from the audience. Robert Sawyer mostly talked about his experience in the publishing industry, and managed to make it interesting. I followed it up with a panel on lost civilizations and secret societies that should have been fascinating, but was dull enough that I left only 10 minutes in and decided to hit the art show instead. Katie attended “Humor in Science Fiction” and the Bones panel, and I finished the programming day up with Final Crisis Management.

Today was the day for running into people. On my way from Image (with the Tori book) to Studio Foglio, I ran into a group from Comic Quest (the local comic store I go to on Wednesdays). I ran into my mom at the Connie Willis panel. We met up with our friend Sean at lunch, and I ran into our friend Wayne after Final Crisis…because Katie had spotted a Minbari, and I went over to take his picture. Ten feet away, there was Wayne.

Lunch was at an Irish pub called The Field. I missed Sean’s phone call, so by the time we caught up he’d already found a place and ordered lunch, but they were nice enough to move all of us from the tiny little pub table he was sitting at to a larger table. Up to this point, we’d been batting 1.000 on food. Dinner was another story. We hadn’t gotten around to making reservations, and after a couple of places with long waits, we just went to the Horton Plaza food court.

Posted on
by

On the subject of filk, and trying to define it, there’s a whole subset of songs by professional musicians that just rides the edge. (Half of “Weird Al” Yankovic’s repertoire, for instance.) Twice in the last week I’ve heard Led Zeppelin’s “Ramble On,” which is apparently about Aragorn and Arwen from Lord of the Rings. It even makes references to Mordor and Gollum in the lyrics.

I’m not sure I’d ever heard it before, but Train covered it at the concert we went to last Friday (we went for the Wallflowers, who played after the intermission), and I just heard it on the radio this morning.

Talk about timing.

Posted on
by

Musician Tom Smith (author of the Talk Like a Pirate Day theme song and Girl Genius’ Transylvania Polygnostic University Fight Song, and a.k.a. filkertom on LiveJournal) is in the hospital after a nasty injury, facing expensive surgery and months of hospital bills…without insurance. And of course he can’t work while he’s in the hospital.

A bunch of other musicians in the filk community have put together a benefit album, “Mr. Smith Goes to the Hospital,” and are providing it as a download for people who donate to help him cover the bills.

What is filk music? There’s no solid consensus, but I think the simplest answer is: music about other media, by its fans. Songs about Star Wars, or Lord of the Rings, for instance. Sometimes with original music, often setting new lyrics to other people’s songs (“piggyback filk”). Most filkers just do it as a hobby (I’ve written a few filksongs myself, mostly back in high school and college), but some manage to eke out a living — or supplement one — by performing and selling recordings.

We’ve picked up a couple of his albums since we heard “Five Years” — a Babylon 5 filk to the tune of Barenaked Ladies’ “One Week” — at a Loscon a few years ago (back when we still went to Loscon).

(News found via Girl Genius.)

Posted on
by

I just got an email with the reminder that J. Michael Straczynski’s Babylon 5 Script Book Series is going out of print at the end of the month. Monday, June 30 is the last day.

It’s hardly a surprise, since the series was always advertised as a limited edition.

The weird thing is that they’re also shutting down the related store, with all the quote merchandise, until August. Presumably that includes the Londo/G’Kar campaign signs as well.

Meanwhile, the companion series, Other Voices, with scripts and commentary by the other writers who worked on the show, just released the second book. (To give you an idea of just how much of B5 JMS wrote, his scripts take up 14 volumes. The others add up to just 3.) It’s been interesting to compare the different styles of commentary. Some wrote epics, some did Q&A or interview-style introductions, and David Gerrold simply wrote half a page about why he resisted writing “Believers,” and what he did when he realized exactly why they wanted him to write it.

I hate to admit it, but I’ve only just started reading the bonus volume of the original set last weekend (in between bouts of re-reading The Ringworld Throne and writing). After so many years wondering “what would have happened if Sinclair had stayed?” you’d think I’d be in a bigger hurry to find out. Okay, I was busy with the whole moving thing, and then unpacking, and then trying to catch up on a fan site, and then trying to launch a blog, and I keep getting sucked into comic forums…

I think I need to sleep more.

Posted on
by

The Value of Space Exploration, via Phil Plait.

Neil Gaiman on The Fairy Feller’s Master Stroke, a painting by a madman that’s inspired its share of stories.

And from Comics Worth Reading, our WTF entry for the day: Paradise by the GoPhone Light. It’s a commercial done in the style of a music video, featuring Meat Loaf and Tiffany as the parents of a kid who wants a GoPhone. Completely surreal, especially once the random explosions start.

It’s just occurred to me that, aside from it being some sort of cell phone, I have no idea what a GoPhone is. [/me types “gophone” into Google] Ah, OK. Pre-paid cellphone. Meh. (And now I’m imagining how much spam is going to get posted to this thread. *sigh* )

Posted on
by

You may have noticed I’ve been thinking about fan conventions lately. 🙂

It started after last year’s Comic-Con, when I decided I wanted to go to something a bit less…intense. 😯 Last year’s Wizard World LA was nice, but a bit sparse, so I went looking for more comic and general sci-fi/fantasy cons within driving distance of the LA/OC area. Surprisingly, I didn’t find much. Gaming conventions, costuming conventions, Anime Expo, sure, but sci-fi? Pretty much just Loscon, which we both gave up on after 2002 (and from what I’ve heard, hasn’t picked up again). I asked around a bit on some forums, and someone on either the Comic Bloc or Newsarama forums suggested WonderCon, and suggested considering the city as a vacation destination, not just a place to find a hotel for the con.

Since WonderCon worked out so well, I’m looking at what else might be fun. That’s part of why I did my price comparison last month, and Kevin Standlee’s comments got me looking at WorldCons and the like again. Not for this year, but maybe a few years out.

Looking at all these cons, I realized that beyond a certain threshold, distance doesn’t matter. Only the destination. If it’s far enough away that you have to fly, the only thing that distance impacts is the cost of your plane ticket. Whether your flight is 5 hours or 10 hours*, it’s still going to take up most of a day or night when you factor in dealing with the airports. Everything else, from hotel prices to whether you need a passport, a phrasebook, or currency exchange, is a factor of the destination.

WonderCon, I think, was at the boundary of driving distance from here. We could make the trip out in one day, but it was a lot more fun to break it into stages and make it a road trip. San Diego is at the boundary of commuting distance. We could drive out there in the morning and drive back at night (and I did that with my parents for over a decade), but it’s not practical to do for more than one day. Whereas if I wanted to, I could easily commute to Wizard World Los Angeles 2 or even 3 days. (As it was, we only went for Saturday.)

With two cons in Q1, and San Diego coming up in July, any traveling we do later this year is probably not going to be convention-related. As it is, we’ve talked seriously about three possible non-con vacation spots. But it might be worth casting a wider net for cons in 2009 or 2010.

*Katie and I were talking about this, and realized that it’s probably different if you have kids. In that case, a 5-hour flight probably would be significantly harder to manage than a 3-hour flight.

Posted on
by

The Born QueenWe’ve both finished reading The Born Queen, the conclusion to Greg Keyes’ The Kingdoms of Thorn and Bone. Yesterday we spent the day reading in tandem on the couch: I read book 3, Katie read book 4, and finished within an hour of each other. Determined to catch up, I read 100 pages last night and spent this morning and afternoon reading the final book.

It was well worth the wait.

The series is set two millennia after humans, led by Virginia Dare (explaining where the lost Roanoke colonists went), overthrew the demonic race that had kept them as slaves for generations. Virginia had discovered how to harness the sedos power, essentially magic. The last of humanity’s oppressors warned them that the sedos would eventually destroy their world. Of course, no one believed him.

2200 years later, this corner of the world is not unlike Europe in the early Renaissance. Except that the church is based on the sedos, in the person of saints, and its priests walk the paths to harness the sedos powers.

The world is also beginning to rot. Things of nature are dying, human alliances are crumbling, and terrible creatures thought to be myth are walking the earth. There are several factions who claim that they want to save it, but their true goals are suspect, and their methods differ greatly. The various viewpoint characters are thrust into the middle of things without any real sense of what’s going on: a holter, a princess, a novice priest, a knight, a swordsman, a composer and a queen.

One of the things I find so fascinating about this series (as I mentioned when I first read The Blood Knight) is the fact that everyone is acting on partial information. This makes them screw up, sometimes mildly, sometimes horrifically. And there’s a curveball that comes about 1/3 of the way into The Born Queen that turns everything on its head.

I don’t think it’ll give too much away to say that one of the key struggles in this book is for control of the sedos. Even 100 pages from the end, I wasn’t sure which faction would give the world a better chance of surviving.

Music also figures importantly, starting with the second book, where it’s learned that certain combinations of sound can have a profound effect on the human psyche. I found myself wondering whether Keyes had someone set any of the songs to music.

By the end of The Born Queen, most of the major questions about what’s really going on have been answered. Of course, they’re answered in pieces, by different characters with different agendas. The major characters’ arcs reach (mostly) satisfying conclusions, with some finding what they want, some finding what they need, some doing what needs to be done, and some getting what they deserve.

It’s weird to finally be done with the series, which started around the same time as this blog. The first post that I made that wasn’t “Hey, look! I have a blog!” was a review of The Waterborn and The Blackgod, Greg Keyes’ first novel and its sequel. In it, I mentioned looking forward to The Briar King when it came out.

»All pages site-wide with this tag