There are two books I picked up recently that demonstrate how not to tell a story with pictures: Teen Titans #27 and the manga of The Nightmare Before Christmas.

First, Teen Titans #27, first half of a two parter by fill-in team of Gail Simone and Rob Liefeld. I’d planned on writing a more thorough review, but Comics Should Be Good beat me to it. And yeah, reviewing Liefeld’s art feels like a cheap shot, but sometimes ya just gotta go for it. Simone’s story isn’t bad, but it’s hard to follow. In particular, there are too many places where the art isn’t about story or action, it’s about showing the heroes or villains in dramatic poses. And yeah, you want the occasional dramatic pose, because you want to show off the costumes. That’s part of the genre. But you need to convey what’s actually happening. As dramatic as the last two pages were, I couldn’t figure out just what Kestrel was doing without looking at the “Next issue” blurb!

And then there are the places Liefeld left out dramatic poses that should have been there. The issue introduces a quartet of teen villains, but only one of them gets a full-body dramatic view, two get only action shots, and one—well, let me put it this way. I had to flip back to the beginning to be sure that there really were four of them and not just three. He’s in two panels with only his head and shoulders visible in the entire book. He’s not named, there’s no sign of powers or special skills, and he’s wearing a shirt and tie. I have to wonder whether Liefeld just didn’t get around to designing a costume since the character gets eliminated halfway through the book.

Anyway, onto The Nightmare Before Christmas. Continue reading

I’m sure every English-speaking chemistry student has joked about “Avocado’s Number” (the number of particles in a guaca-mole). Now the joke has gone professional, with this package we found at Trader Joe’s.

Avocado's Number Guacamole package from Trader Joe's

The back has a bit about Avogadro’s number, and admits that “there aren’t 6.0221367×10²³ avocados in here, but 5 plus avo’s isn’t bad!”

Kilauea is often called the world’s most active volcano. It’s been erupting continuously since 1983 at vents several miles away from the caldera. The eruptions are still inside Hawai‘i Volcanoes National Park, but the lava hasn’t stuck to the boundaries as it flows to the sea.

So late on an April afternoon, we started driving down Chain of Craters Road toward the ocean, hoping to see (from a safe distance) lava pouring into the ocean. The road is named because it connects a series of craters left behind by old vents. At first we stopped at all of them. They ranged from large craters like Keanakako‘i to fifty-foot-deep holes filled with rubble a dozen feet from the road. Soon we realized that would take way too much time, and stuck with the ones that looked particularly interesting.

I don’t recall which crater this one was at (probably either Puhimau or Pauahi), but there was a trail up to a wooden viewing platform. I stopped at one point along the trail and took this picture of a small tree on the edge of the crater.

Tree on crater's edge

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Let’s see, when we left off, we had nearly completed a circuit around the Kilauea caldera. Before driving down Chain of Craters road to the coast, we stopped at the Thurston Lava Tube. Update (2021): The park is now emphasizing the Hawaiian name for the cave, Nāhuku, but at the time we visited in 2005, all the labels we saw still called it Thurston Lava Tube.

Inside Thurston Lava Tube

Lava tubes are formed when smooth a’a lava flows through a channel, then crusts over. The still-molten lava underneath keeps flowing until the source stops, and it drains out, leaving a long tubelike cave.

We were lucky in that there were very few other tourists there at the time. (It was the first week of April, which isn’t exactly the height of Hawaii’s tourist season.) The Thurston tube is famous partly because of its size, and partly because it’s very easy to get to. It’s less than a quarter-mile walk from the road.

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Leave it to MapQuest to remind you that the nearby railroad actually is the Atchison, Topeka & Santa Fe (and immediately lodge the song into your mind).

Actually, I’m also reminded of a Forbidden Broadway bit on a musical version of Anna Karenina, which finished with the parody, “On the Ashkabad, Tblisi and the Kiev Express.”

Of course, that may have something to do with the fact that we went out to see The Musical of Musicals: The Musical last night at the Laguna Playhouse. (It’s a musical, by the way.) It features a cast of four performing the same melodrama plot five times, once each in the styles of Rodgers & Hammerstein, Stephen Sondheim, Jerry Herman, Andrew Lloyd Webber, and Kander & Ebb. The musical styles were dead on, the show was hilarious in its own right, and it was packed with in-jokes so if you’ve seen enough of the shows they’re lampooning, it’s even better.

A few nights ago I was walking around sunset, and decided to look for something that had been mentioned last week on the Astronomy Picture of the Day: the Belt of Venus.

Somehow I’d never noticed that after sunset, the band of red encircles the entire sky at the horizon. Even more amazing, if you look away from the sun you can actually see the Earth’s shadow on the sky as a slightly darker blue below the pink. It reminded me of the view of Mauna Kea’s shadow on the cloud layer below. Oddly, though I didn’t pay any attention to it at the time, the Belt of Venus is clearly visible in that photo!

I guess at sunset I’m most likely to be looking at, well, the sunset. Or focusing on whatever it is I’m doing at the time.

This was Thursday night, so the moon was almost full. It rose just below the Belt of Venus, just inside the shadow. So close to the horizon, the moon illusion was in full effect, and it looked huge!

And me without my camera. *sigh*