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News Archive: December 31, 1969

Wow, when they said “archive,” they really meant it! 🙂

While SharpReader is the best aggregator I’ve tried for Windows, it does have problems with dates from time to time — sometimes articles will be stamped with the time they were downloaded instead of the time they were posted.

And I suspect in this case, it’s missing a date. (In UNIX, and as a result across most of the Internet, time is measured in seconds since GMT midnight January 1, 1970. If you somehow end up with a time of -1, this is what you get.)

A couple of weeks ago, the landscaping wonks for my work building ripped out all the hedges in the parking-lot divider islands and heavily mulched the ground. They didn’t put anything new in until the middle of last week, when I noticed a slew of newly-planted birds of paradise on the exit side as we were driving out on Thursday night. This morning, the islands on the entrance side were stocked with nursery pots awaiting transplant. I’m wondering if I should start being even more suspicious of the lawyers in the building, or if I should wait to see if the thermostat starts creeping up…..

About a year ago, I posted recommendations for Girl Genius, Fables, and Halo and Sprocket. Now I’d like to recommend a few more.

[Cover of Planetary #20]Planetary, by Warren Ellis and John Cassiday. The premise of Planetary is “archaeologists of the impossible.” Elijah Snow, Jakita Wagner and The Drummer are the field team for Planetary, an organization devoted to uncovering the secret history of their world. Each issue focuses on a different genre or archetype. There’s a Godzilla issue early on, there’s a Vertigo issue, one focuses on Hong Kong action films, and the latest is reminiscent of Rendezvous with Rama. Along the way, Planetary has uncovered a series of conspiracies — some positive, such as the Pulp Heroes of the 1930s, and others malicious, such as the mysterious Four (a twisted analogue of the Fantastic Four) who may be the most powerful people on the planet — if they’re still human. After a long absence, the series is now being published every two or three months. It’s expected to run around 25 issues, although it could take longer to wrap up the story. The first 18 issues and several specials are collected in four graphic novels. (Bimonthly/quarterly from DC/Wildstorm.)

[Cover of Fallen Angel collection #1]Fallen Angel, by Peter David, David Lopez and Fernando Blanco. The fictional Louisiana town of Bete Noire is a magnet for strangeness, ruled by the enigmatic Magistrate Juris during the day and protected by the equally enigmatic Fallen Angel by night. But nothing is as it seems. Is the Fallen Angel a heroine, or just a loose cannon? The main focus of the series is moral ambiguity and duality. Can you map “order” and “chaos” to “good” and “evil?” What happens when a force for good turns out to be sinister, or when someone once evil seems benign? Or when someone uses cruel methods to achieve a noble goal? The first few issues have been collected as a graphic novel. Suggested for mature readers – there’s usually violence and sometimes sex. (Monthly from DC Comics)

[Cover of Powers volume 2 #1]Powers, by Brian Michael Bendis and Mike Avon Oeming. Bendis is known for his crime fiction, and that’s the focus of Powers. The book follows homicide detectives Christian Walker and Deena Pilgrim as they investigate the deaths of super-heroes. Up until recently, their world was one where super-heroes were the A-list celebrities everyone followed, and the Powers world is as full of lawsuits, grudges, politics and sex scandals as Hollywood. That was volume one. Things have changed: after a particularly powerful hero went mad and rained destruction across the globe, world leaders have declared all powers illegal. Volume two picked up last month with the city trapped in a gang war between super-villains — with no heroes in sight. The first series has been collected in six graphic novels, with one more yet to be published. Another mature readers title – there is sometimes very graphic violence and sex, despite the cartoony style. And if you’re at all sensitive, don’t read the letters column! (Monthly, previously from Image Comics and now at Marvel/Icon.)

Yesterday I went to two comics stores looking for issue #2 of Powers volume 2, which hit store shelves on Wednesday. Both had already sold out.

Today I tried a third store. They had a stack of at least 20, and that was just on the shelf. Who knows whether they had more in the back?

Of course, this store tends to carry both a larger selection and a larger inventory than the others. If I’m looking for back issues or anything esoteric, that’s my first stop. The others — well, the one I normally go to (which is near where I work, so I can drop in on my lunch hour) has a small collection of mostly recent back issues, but much of the store is given over to D&D and Warhammer. The one I tried yesterday evening (since I had a better chance of getting there before closing) is very small, and I have no idea what they do with their back stock, because I’m fairly certain it’s not in the store. But they have lots of graphic novels, anime, and manga — and the best thing is that they rent out graphic novels as if they were videos. That’s how I discovered Powers, actually — one of their clerks recommended it to me and I rented the first few collections, then started buying them.

What I’m getting at is that store #1 and store #2 seem to be ordering the number of books they expect to sell and no more, while store #3 seems to plan on keeping things around so that people can come in, pick up issue #4, and look for issues #1-3, and actually buy them.

Either that, or stores #1 and #2 mainly get customers in on the day new comics arrive, and store #3 gets more of its customers on the weekend.

So Apple is ticked off at Real’s reverse-engineering to let people buy music from Real and play it on an iPod. Apple has threatened DMCA sanctions and all but promised to deliberately break it in the next software update.

Excuse me? In general I like Apple, but their insistence on locking the iPod to iTunes and iTunes alone is short-sighted. When people hacked up a way to use an iPod on Windows, they first licensed the software, then wrote iTunes for Windows. iPod sales have tripled to the point where they may soon outsell Macintoshes. This could never have happened if Apple had kept the iPod Mac-specific.

I’m reminded of the many times Microsoft has altered its file-sharing protocol to break compatibility with Samba, the package that allows Linux, BSD, and now Mac OS X to connect to Windows networks.

The classic analogy is getting a car that can only run on certain roads. So someone’s found a way to let the iPod drive some different roads. But Apple still sells as many iPods. They might even sell more (as when it gained Windows compatibility). Why the accusations of hacking, why the legal threats, and why the determination to keep the iPod locked to their own roads?

I’m about halfway through The Illuminatus! Trilogy, and the most apt description is, if you’ll pardon the language, a mindfuck. Once the writing settles into a coherent structure (or perhaps once the reader is attuned to it), the mind starts noticing connections. Everywhere. It’s as if it was written specifically to induce apophenia.

The most insidious part of the book(s) is the frequent use of historical or other authors’ fictional sources. “Oh, there’s Emperor Norton.” “OK, we’re back to Buckminster Fuller again.” “Hey, that’s right, ‘Tekeli-li!’ does show up in both Lovecraft and Poe.” And this constant mixing of fact with fiction, familiar with strange, and things known to be true with things which seem implausible does make you wonder: how much of this did they make up on their own, and how much did they stitch together out of real events, prior works, and creative synthesis?

After all, if you had never heard of Joshua Norton, and one day heard the story of a man who declared himself Emperor of the United States, Continue reading

Fact #1: During my three-and-a-half days at Comic-Con last week I frequently thought how odd it was that, unlike past years, I no longer had a list of old comics I was trying to track down, and in some ways it was too bad that I didn’t have a reason to trawl through the dealers’ room.

Fact #2: Every day, eBay sends me an email if new items have popped up on a set of saved searches. I’ve been trying for several months to track down the rest of the WaRP Graphics Myth Adventures series (an adaptation of Robert Asprin’s Another Fine Myth with art by Phil Foglio), and every day I’ve grumbled that all that shows up are the issues I already have or the Foglio-illustrated editions of the novels.

I just connected these two facts. >:-(

(Originally posted on Livejournal)

Current Mood: 😡annoyed

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