Tag: Science Fiction

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I grew up with Star Wars. It was the key fandom of my childhood. I don’t remember discovering Star Wars because I did so before I could really form long-term memories. I started reading the novels when Heir to the Empire came out, and the Dark Empire and Tales of the Jedi comics. I was thrilled to see the special editions in theaters after nearly 15 years, even though some of the changes, like Greedo firing first and the way that you restored the Jabba scene,* didn’t make sense.

And while I’ve lost some interest over time—the novels and comics have gotten so complex that I wouldn’t have time to keep up with them if I wanted to, and the prequels were less engaging than the original series—I stayed on board for the entire prequel trilogy. Grumbling at times, but enjoying them nonetheless.

When you announced that only the special editions would be available on videotape, I was disappointed, because I liked both versions. When you announced that the films would be changed again for the DVDs, I was disappointed for the same reason. But I bought the DVDs, and (mostly) enjoyed them.

So when you announced that the original versions of the original trilogy would be available on DVD, I was thrilled! Continue reading →

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I’ve been working my way through the classic Universal Frankenstein movies, some of which I’m sure I’ve seen before, and some of which I’m sure I haven’t. Of course, they get filtered through having read the book at least three times and having watched Young Frankenstein many times.

Last weekend I watched Bride of Frankenstein. It’s a good movie, but the framing sequence bugs me. In it, Lord Byron is telling Mary Shelley how much he enjoyed her tale of horror, and proceeds to revisit the high points in the 1935 version of “Previously, in Frankenstein…” Unfortunately, just about everything he mentions wasn’t in her book! (Neither the 1818 or 1831 versions.) He then bemoans that it should have ended so abruptly, at which point she says something like, “Ended? That wasn’t the end at all!” and proceeds to tell Percy Shelley and Lord Byron the tale of, well, the next movie.

All this, despite the fact that the movies clearly take place in the 20th century, though they at least went to the effort to dress Byron and the Shelleys in period costumes.

On one hand, it’s a nifty conceit, made somehow more appropriate by casting the same actress, Elsa Lanchester, as both Mary Shelley and the Bride.

On the other hand, it’s emblematic of Hollywood’s mixed demand and contempt for original source material and its authors. This is the industry that brought us both Bram Stoker’s Dracula and Mary Shelley’s Frankenstein, trading on the author’s name as a claim of authenticity while still taking things in their own direction. (To be fair, both movies made efforts to include aspects of the original stories that are usually left out. And MSF followed quite well until about 5 minutes before the end, at which point it took a 90° turn and flew off into another movie entirely.)

Neil Gaiman says it best in his short story, “The Goldfish Pool and Other Stories” (in Smoke and Mirrors):

She managed a pitying look, of the kind that only people who know that books are, at best, properties on which films can be loosely based, can bestow on the rest of us.

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Apparently Stargate: SG-1 has been canceled after 10 seasons. I wasn’t a fan, but you’ve got to admit, 10 seasons is a serious accomplishment. But I found one remark interesting:

Ironically, this is the first year since Season Four that plans were already in place, both creatively and in signed actor contracts, for another year. The show has lived on year-to-year since moving to SCI FI, with the writers forced to write a possible series finale every year — only to find the show renewed once again.

A space-based show on the Sci-Fi Channel, used to planning one year at a time, has finally decided to plan two years, only to find themselves cut off halfway through. Starring (among others) Ben Browder and Claudia Black. It sounds oddly familiar. Where could I possibly have heard something like this before?

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I read Shadowpact #2 last night. So far the book does read better than Day of Vengeance, probably in large part because Bill Willingham can set his own schedule instead of the must-be-6-issues policy of the Infinite Crisis lead-ins.

One of the villains struck me as familiar, though: an albino swordsman with a magic sword, apparently allied to a sinister god-like being, who has picked up the nickname, “the White Rabbit.”

Elric: The Making of a Sorcerer #3Maybe it’s just the timing—just a few days ago I read a comic about Elric, an albino swordsman with a magic sword, allied to a sinister god-like being, with the nickname, “the White Wolf.”

Michael Moorcock's MultiverseActually, I was first reminded of Count Zodiac from Michael Moorcock’s Multiverse, largely because Zodiac is based in the 20th century, rather than an ancient sword-and-sorcery landscape. Count Zodiac is one of at least three versions of Count Ulric von Bek*—the others appear in The Dragon in the Sword and the trilogy that begins with The Dreamthief’s Daughter—and, like Elric, an incarnation of the Eternal Champion.

The Eternal Champion in all his forms fights for the balance between order and chaos, and often finds himself fighting for order while indebted to a lord of chaos. At least two versions** of von Bek are albinos who wield the Black Sword (Ravenbrand, rather than Stormbringer), and while I don’t recall Ulric himself being linked to a demon the way Elric is reluctantly linked to Arioch of Chaos, the von Bek family has ties to Lucifer going back to the Hundred Thirty Years War. Continue reading →

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Last night we went to see a screening of Twelve Monkeys, still one of my favorites. There was an odd moment in the middle, though. In the scene in which Bruce Willis and Madeline Stowe are attacked in the abandoned theater, just after Willis’ character kills the attacker, is this exchange:

“You killed him!”
“All I see are dead people.”

Nervous laughter cascaded around the theater as the audience flashed forward to The Sixth Sense and its signature catch-phrase.

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Despite growing up in Orange County, I never managed to go to Medieval Times. It’s a dinner show with knights on horseback staging a medieval tournament. Last month in Las Vegas, Katie talked me into going to the Tournament of Kings at Excalibur, which is the same type of show.

[Knight from Excalibur'sTournament of Kings]When you purchase your tickets, you’re assigned a country. (We got Hungary, which seemed appropriate for a dinner show.) This determines two things: your seating area, and which knight you’ll cheer for. People got really into it, cheering on their own knights, booing others, all from a random assignment. About halfway through the show, I realized it was a Drazi scarf situation.

The Drazi leaders.To explain: The Babylon 5 episode, “The Geometry of Shadows” features a conflict among an alien race called the Drazi. Two factions have been fighting each other on the station, and the crew wants them to stop. The Drazi ambassador explains that every few years, they put a bunch of green and purple scarves in a barrel. Each Drazi reaches into the barrel and pulls out a scarf. Green Drazi form one faction, Purple Drazi form the other, and they fight until one side wins, becoming the dominant political force for the next few years.

The episode was clearly meant as commentary on politics, but here in the dinner tournament was an actual case where nothing but random chance determined allegiance. It wasn’t even a random draw for a team, this was just the cheering section! For a scripted show!

[Pirate]Last weekend we went to the Pirate’s Dinner Adventure for Katie’s birthday. It’s a similar setup, only with pirates instead of knights, a smaller arena so that you can actually see the actor/stuntmen’s faces, and a more interactive setup. (There are contests where they get willing audience members to participate, kids get to be sworn in as members of the pirate crew, etc.) Again, you’re assigned a color when you get your ticket, and that color corresponds to one of the pirates. And everyone gets a colored headband. Not too different from those Drazi scarves.

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