Here’s an interesting storefront window:

Just what kind of food would vikings serve? Mead, I suppose. Probably with “roaring fires, malt beer, [and] red meat off the bone!”
Here’s an interesting storefront window:

Just what kind of food would vikings serve? Mead, I suppose. Probably with “roaring fires, malt beer, [and] red meat off the bone!”

For a movie theater with only four screens, they seem to be going for themes lately. How else would they end up pairing up these two? Corpse Bride, Just Like Heaven.
(I passed the sign the night before, and it was pairing up The 40 Year Old Virgin with Just Like Heaven—another combination that’s just slightly wrong.)

‘A‘a fresh? Hmm, that makes me think of something more like this:

(Image courtesy of the US Geological Survey)
No thanks, I think I’ll stick with the mild salsa on this one.
Edit: For the benefit of out-of-state readers, the sign’s for a restaurant called Baja Fresh.

Okay, read the last two titles together: The 40 Year Old Virgin, Unwanted Woman. It seems like the second line might explain the first…
(On a side note, this is the second post with pictures from my new camera phone. The image quality is pathetic compared to the good camera—640×480 vs. 5 megapixels—but it’s a lot more convenient to carry around, and quite adequate for this type of photo. And it’s much better than the expendable camera was, especially at the end of its life.)
Our friend Jason spotted this partial sign over the weekend:

As you may or may not be aware, an alien foodstuff called spoo was a running joke in Babylon 5. The first time it was mentioned in the show, someone asked what it was, and JMS replied with a long, humorous explanation.
(Thanks to Wayne for taking the photo.)
Whenever I see this sign, I always think of the story about P.T. Barnum trying to get his visitors out of an exhibit so that new customers could come in. He eventually put up a sign saying “This way to the egress,” figuring most people wouldn’t know the word just meant “exit.” According to the legend, it worked.

Now, given that every other freeway sign I’ve seen says “exit,” I have to wonder why they phrased this one the way they did. My best guess is that it’s because it’s marking an exit from the carpool lane (it’s on the Santa Ana Freeway, heading north between the 55 and 22) instead of an exit to surface streets or directly to another freeway—but even that doesn’t make sense, because every place where you’re allowed to leave a carpool lane is marked as “exit!”
If you’re in danger of losing your religion, try…

We saw this by the side of the road in Old Town, and both of us immediately thought of cake topping. Not something you’d want to use this for.

There was just something inherently amusing about seeing Xena standing at Mrs. Field’s.

You know, ever since the new VW Bug came out, Katie’s said that the yellow ones looked like Pikachu. Well, the Pokémon people fixed one up and were raffling it off at the con.

This probably belongs in with the hall costumes, but the cardboard thought balloon was a nice Farscape reference.

One oddity we didn’t manage to catch on virtual film was mixed into the city’s graffiti. In two places (one visible from the Blue Line trolley, one on a freeway on-ramp), someone had spray-painted the word Enron on the wall.
The last two were actually in San Clemente, where we stopped for coffee on the way back. We picked an exit and got off, looking for a Diedrich, Starbucks, or other coffee shop. We found a Starbucks (with a Coffee Bean and Tea Leaf across the street that we didn’t notice until we got back in the car), but we passed two odd signs on the way to and from the freeway. We couldn’t get decent pictures from the car, and neither of us was in the mood to find a parking space and take the photo on foot. But I did find photos on Flickr by Brian Mitchell, under a Creative Commons license that allows me to repost them here under the same license. The first: Taste of China…in the shape of a hot dog. And practically across the street was a place advertising the Pastrami Love Burger.

(Continued in Volume 3.)