WonderCon 2009Continuing the tale of our late-February vacation (starting with Cambria and Hearst Castle and moving on to Monterey and Carmel, we catch up to San Francisco itself and two days at WonderCon.

Note: If you want to skip straight to the photos, head over to my Wondercon 2009 Photo Set on Flickr.

We’d been to WonderCon once in 2008 and had a great time, and while we weren’t planning to make it an annual trip, the timing worked out such that we’d be in San Francisco the right weekend anyway.

Staying in San Francisco: The Mosser

View from the Mosser Hotel.Last year we stayed at the Mark Twain, which was okay, but this year on my brother’s recommendation we stayed at the Mosser Hotel. It was quite nice, although the rooms were still extremely small by modern standards — small enough that instead of an actual desk, there’s a fold-out desk on the armchair. There’s also a flatscreen TV with both pay-per-view and video game rentals, and an AT&T wireless hotspot accessible from the room. The staff was nice, and the location was perfect. We were in a decent area of town, near restaurants, 5 minutes from the Moscone Convention Center one way, 5 minutes from a BART, MUNI & cable car station the other way, and right across the street from the official convention hotel.

Day 4: Friday (Feb 27) at WonderCon

After Thursday’s long drive, we slept in Friday morning and made our way to the convention center around 11:00. The “line” to get to the registration area moved quickly enough that it might as well not have been a line, and there were only a few people in front of us at the badge pick-up windows, so we made it through the whole process in only a few minutes. Then we stood in line for 45 minutes waiting for the hall to open at noon. Oh, well!

We started by making a beeline to the BOOM! Studios booth to pick up several copies of the Farscape #1 WonderCon exclusive variant — one for us, and several more for people at the Terra Firma message board. Series writer Keith R.A. DeCandido was there signing them, and we chatted a bit with him and with another Farscape fan. After that I got in line for the DC booth, and Katie went off to explore. I picked up a bunch of random swag from DC, some of which I want to keep and some of which I’ll probably offer to people on Speed Force.

Cowboy Bebop: Faye Valentine and JuliaNext I headed over to Artist’s Alley to track down some of the artists connected with Comic Book Tattoo for signatures. I’d gotten a few of them (including Tori Amos herself!) at last year’s San Diego Comic-Con, but took the massively heavy lead weight book back to my hotel room at the first opportunity, not thinking that I could catch up with more of the creators. So now I’m trying to fix that.

I found David Mack first, and he had a whole spread of Kabuki material. As we talked, I admitted that I’d never read any of it, and he not only offered me a few issues of the latest series for free, he signed them!

I wandered the floor a lot, picked up some cheap trades, scarfed down a small pizza and eventually went up to a panel on “The Real Archeology Behind Indiana Jones.” It was run by an archeology professor from some college out near Lake Tahoe, and he had this talk about the major artifacts in the four films — what is known about the Ark of the Covenant, where people are looking for it, (or in some cases, claim they’ve found it but won’t let anyone see) — the actual stories behind the Sankara stones and the Thugee cult — legends around the history of the Holy Grail, and where people think it might be — the history and legends of the various crystal skulls, none of which can be verifiably traced to an actual excavation.

Batman asks a question at DC Nation.Then I hit DC Nation, Katie hit panels on 2D visual effects and the shift from a cowboy metaphor to a super-hero metaphor in US Politics (all those Obama-as-Superman images), we met up at the BOOM! panel, and finally went to the Wonder Woman screening.

Friday was, overall, really laid-back. The crowds were light, people in line were patient, and there weren’t even too many people in costumes. Even DC Nation was relaxed, though that’s probably in large part because Dan Didio was at Megacon and Ian Sattler was running the panel.

Wonder Woman

We had no trouble getting into the Wonder Woman screening, and managed to get seats maybe 10 rows back. I noticed a woman I recognized in a WW outfit (someone I’d seen as WW at other cons). Oddly, they kept calling it the movie’s premiere, even though it had premiered at New York Comic-Con a few weeks earlier, so at best this was the west coast premiere. Still, the movie was very good and amazingly epic for a 90-minute animated film. (Reviews are all over the place now that the DVD is out, so I’ll skip the details.)

Wonder Woman Discussion Panel.

After the screening there was a discussion panel with producer Bruce Timm, screenwriter Michael Jelenic, actress Virginia Madsen (Hippolyta), director Lauren Montgomery, and executive producer Gregory Noveck. They talked about making the film for quite a while, then took audience questions until their time was almost up.

Then they ran the trailer for the next DC animated project: Green Lantern: First Flight. I’m not a huge Green Lantern fan, but this looks suitably cosmic in scope and sci-fi in tone, and frankly, that’s the way I prefer the character, so it looks promising!

Evening

Shh... The con is sleeping!After the discussion, we cleared out. Neither of us wanted to watch a bunch of Star Wars fan films at this point (I would have 10 years ago, but these days? Not a priority.), and we were hungry. So we headed back to the hotel to change and went out to look for someplace to eat dinner. We ended up at a very good steak restaurant in the Marriott, then went back to the hotel where stayed up way too late uploading photos and dashed off a first impressions post of the con.

Update: On the way out, though, we stopped at the mezzanine walkway, which has a long glass-enclosed view into the main floor. It was eerie to see all the booths set up, fully lit, but with covers thrown over tables, and the aisles empty except for (as far as I could see) one person.

Continued in Saturday at WonderCon.

There’s been a lot of talk about digital distribution of comics lately, what with declining print sales and shrinking distribution channels. In particular, the idea of comics on the iPhone has produced a lot of discussion, with iVerse Media distributing a number of comics from small publishers like IDW and Boom through the iPhone Marketplace. Not having an iPhone, I haven’t been able to check them out, but they’ve just released their first comic for the Android operating system, which runs my current phone, the T-Mobile G1.

I figured, hey, this one’s free, why not check it out?

Finding and Downloading

The first problem I had was finding it. But that’s mostly the fault of the Android Market, which can only be browsed by hierarchy and sorted by date or popularity. Fortunately, there’s a search function, so I just searched for “Hexed” and it turned up immediately.

It took a while to download even over 3G, so I let it sit and came back to it when I had time to take a break.

G1 Hexed - Cover

Continue reading →

Launchpad: Katie at the Great Park Balloon (which is not in New York).

We went out to the “Great Park” yesterday to see if we could go up in the balloon. It turned out to be completely booked for the day (there was some big ice skating event going on) but we got in some photos on the ground, including a couple of pics with our copy of Scott Pilgrim 5 to submit to the Not In New York Contest.

[Edited to add]: Brian Lee O’Malley was at New York Comic-Con during the release and asked fans who weren’t in New York to submit photos of themselves with their copies of the new book at some local landmark. IIRC winners got a T-shirt or something similar.

More photos: OC Balloon set on Flickr.

DC Comics recently canceled its Minx line of graphic novels aimed at teen girls, leading to much discussion amongst comics bloggers. I don’t want to talk about why the line folded, but why the line existed in the first place. Why did DC create an entirely new brand in order to go after this audience?

A big advantage to creating a new label: no preconceptions. Prospective readers won’t look at the cover, see a DC logo, and wonder where the super-heroes show up and rip off people’s arms. And they won’t see a Vertigo logo and assume that it’s a “mature readers” book. On the downside, a new label has to build its credibility from the ground up, instead of starting with name recognition.

This got me thinking: an established brand associated with customers of one gender creates a new brand in order to target the other half of the population. Where else have I seen this?

I own a jacket labeled Claiborne, which is of course made by the Liz Claiborne company.

Mervyns sells (or used to) H&H Men clothing, which was clearly a variation on their Hillard and Hanson brand.

All the examples I could think of (other than Minx itself) were companies that had traditionally been aimed at women, but were adding lines aimed at men. It made me wonder: is it the names? Do men feel odd buying a product named “Liz,” while women are used to buying brands named after both men and women? (Sara Lee notwithstanding.) Maybe it’s the stigma of a man participating in something perceived as feminine? Sort of like the assumption in children’s TV that boys will only watch shows about boys, while girls will watch shows about girls or boys (so they make shows about boys instead of girls, figuring they’ll get a bigger audience).

Then Katie pointed out LEGO Belville, the line aimed at girls which entirely misses the point of LEGO by making as much of each set prefab as possible. And pink. On the plus side, unlike Claiborne, Belville doesn’t try to hide the fact that it’s a LEGO product.

That makes it more like Men’s Vogue, a copy of which is sitting in the lunch room at work. In this case they’d have to call it something different (unlike a clothing line) because it’s not just a brand, but the title of the magazine.

I still think the craziest example of this has to be Men’s Pocky. It’s a cookie. One which I’d hardly consider a “girlie” cookie, but maybe it’s more associated with girls in Japan. I still can’t figure out whether it’s a case of cultural translation or deliberate absurdity.

Re-watched some classic cartoons yesterday.  It started when we were talking about Duck Dodgers at breakfast, and wondered when it had been made.  That led to an IMDB lookup, which mentioned it was #4 on a list of 50 Greatest Cartoons of all time from 1994, and that had me looking up “One Froggy Evening” to verify that it was in fact the cartoon with the singing, dancing, Michigan J. Frog… and that had a link to the cartoon on YouTube.  And YouTube brings up a list of related videos at the end of each clip…

By the time we stopped, we’d also watched “What’s Opera, Doc?” “The Rabbit of Seville” — absolute classics — and a couple of World War II propaganda cartoons featuring Daffy Duck and Donald Duck (the latter in a cartoon based on “Der Fuehrer’s Face”).

At the other end of the spectrum, a week ago I watched 2 DVDs worth of 1967 Filmation cartoons starring various DC super-heroes.  I wanted to do a write-up of the Flash, Justice League and Teen Titans cartoons, and figured I might as well watch the whole thing and do a review. They were seriously cheesy. They were played straighter than Super-Friends, but can’t stand up to the Bruce Timm-designed Justice League series.

Google Chrome seems to be a multi-threaded open-source browser based on WebKit (with some code from Firefox as well), focusing on making a browser that will work well with web applications.

It’s got built-in support for the Gears API (not surprising). And, like Firefox 3, IE8, and Opera 9.5, it’ll do full-history search & auto-suggest in the location bar. Interestingly, they’ve adopted a couple of UI elements from Opera, including thumbnails of your most-visited pages when opening a new tab (like Opera’s Speed Dial, though in this case the list is automatically generated from your browsing behavior), and putting the tabs above the main toolbar — something that Opera has taken a lot of flack for.

According to the blog post, the first preview release should be out for Windows tomorrow, with Linux and Mac following.

Oddly enough, I found out about it through comics blogs (A Distant Soil, specifically), not tech blogs, because Google hired Scott McCloud (Understanding Comics) to explain what makes the browser different in comic-book form.

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