Category: Entertainment

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Drawing of the Flash, a man running wearing a red suit with yellow lightning-themed trim.Yesterday’s article about the Flash (warning: major spoilers for this week’s DC Universe: Zero) in the New York Daily News brings up the hero’s key role in launching the Silver Age of Comics. Superheroes had fallen out of favor in the early 1950s, and comics were exploring genres like westerns, horror, romance, etc. When DC successfully relaunched the Flash in 1956, there was an explosion of new super-hero titles.

The Daily News quotes former Flash scribe Geoff Johns as saying, “Without Barry Allen, we’d still be reading comic books about cowboys.”

I don’t think that’s precisely true. Not to discount Barry’s contribution—it’s entirely possible, even likely, that super-heroes would have remained a background genre. But for one thing, we’re looking at half a century of ephemeral pop culture. For another thing, let’s consider: why were comics going after the western, crime and horror genres when super-heroes failed? Because that’s what was popular in movies and television at the time.

I’d guess that, without the Flash revitalizing super-heroes, we would have seen more science-fiction comics in the 1960s, more police comics in the 1970s, sitcom comics in the 1980s, and so on. Comics genres would probably have followed along with trends in pop culture instead of becoming heavily focused on a single genre.

We wouldn’t be reading cowboy comics today; we’d be reading reality comics.

Perhaps the presence of multiple genres would have eventually gotten rid of the “but, you know, comics are just for kids” mentality. (Not that it’s worked for cartoons or video games yet, but video games are still relatively new, and cartoons have similarly been dominated by the musical fairy tale and slapstick comedy short.)

Eh, who knows? Maybe they’d be all about pirates.

Edit: The comment thread at The Beat also has some interesting speculation on comics without the Silver Age Flash.

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Opera Software has just released a new beta version of the desktop web browser, Opera 9.50 beta 2. The splash page makes me think of something a bit different, though:

Opera 9.5 beta
Speed, security, and performance matter.

Now, we’ve made the fastest browser in the world even faster. Opera’s new beta is quicker to start, faster at loading Web pages and better at running your favorite Web applications.

Hmm, a red and yellow blur, zooming across the view? And an emphasis on speed? That reminds me a bit of this guy:

The Flash

Opera has long promoted itself on its speed, and it has used a super-hero theme in its advertising before. The vaguely Superman-like* “Opera Man” was used heavily in advertising Opera 8, despite being ridiculed by most of the browser’s user community.

So why not a subtle reference to the Flash?

*Blue costume + red cape. Hey, if a blue shirt and red jacket work for Clark on Smallville, you know the color scheme has become iconic.

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The CBLDF has issued a press released detailing the victory in the Gordon Lee case. This was the case in which a comic book store in Rome, Georgia, as part of a 2004 Halloween promotion, was handing out free comics left over from that year’s Free Comic Book Day. Among over 2,000 comics, they accidentally included a copy of Alternative Comics #2, which included a story about Picasso which included him running around his studio in the nude. And they accidentally gave it to a kid. The parents wouldn’t accept an apology, and pressed charges instead. The DA has been determined to make an example out of him, pushing grossly overinflated charges including felonies that would have given him prison time. 3½ years, 3 trial dates, a mistrial for prosecutorial misconduct, and $100,000 in defense costs later, the Rome DA finally agreed to drop the case in exchange for a written letter of apology — which is exactly what the store owner had offered in the first place.

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Recently, I was reminded of a conversation about songs with twist endings. Like a Twilight Zone episode, they’ll set up one situation and then in the final verse, switch things around to a completely different perspective.

One example would be Vertical Horizon’s breakthrough hit, “Everything You Want.” The chorus repeats:

He’s everything you want,
He’s everything you need.
He’s everything inside of you that you wish you could be.
He says all the right things at exactly the right times,
But he means nothing to you and you don’t know why.

Most of the song presents this sort of detached, third-party view of someone who perhaps is concerned for a friend, but that’s all. Then the bridge hits, with lines like, “It’s only what you’re asking for,” and the intensity builds, until you get to the final chorus:

I am everything you want,
I am everything you need.
I am everything inside of you that you wish you could be.
I say all the right things at exactly the right times,
But I mean nothing to you and I don’t know why.

It suddenly becomes clear that the speaker is himself right in the middle of things, and the woman’s affections are in fact extremely important to him.

Another one would be the Jim Steinman song “Two Out of Three Ain’t Bad,” made famous by Meat Loaf. The speaker keeps pleading with a woman that…

I want you
I need you
But there ain’t no way I’m ever gonna love you
Now don’t be sad
‘Cause two out of three ain’t bad

At the end of the song, he explains “There’s only one girl that I will ever love” and that, when she left him, “She kept on telling me…” at which point he launches into the refrain. Suddenly, this guy who sounded unreasonable throughout the entire song turns out to have been on the receiving end of the same dysfunction in a previous relationship—and he’s still messed up by it.

What other songs can you think of that do this?

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The Value of Space Exploration, via Phil Plait.

Neil Gaiman on The Fairy Feller’s Master Stroke, a painting by a madman that’s inspired its share of stories.

And from Comics Worth Reading, our WTF entry for the day: Paradise by the GoPhone Light. It’s a commercial done in the style of a music video, featuring Meat Loaf and Tiffany as the parents of a kid who wants a GoPhone. Completely surreal, especially once the random explosions start.

It’s just occurred to me that, aside from it being some sort of cell phone, I have no idea what a GoPhone is. [/me types “gophone” into Google] Ah, OK. Pre-paid cellphone. Meh. (And now I’m imagining how much spam is going to get posted to this thread. *sigh* )

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