Category: Sci-Fi/Fantasy

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It’s funny how some companies will go out of their way to avoid acknowledging the competition. Universal Studios has a panel at Comic-Con promoting the movies Paul and Cowboys and Aliens. Here’s how they describe Paul and its part of the panel:

Paul—  Scheduled to appear for Universal Pictures’ sci-fi comedy-adventure Paul are a who’s who of film comedy. Director Greg Mottola (Superbad) will be joined by cast members Simon Pegg (Hot Fuzz), Nick Frost (Shaun of the Dead), Kristen Wiig (Date Night), Bill Hader (Forgetting Sarah Marshall), Jeffrey Tambor (The Hangover), Joe Lo Truglio (Role Models), Seth Rogen (The Green Hornet), and Sigourney Weaver (Baby Mama) as they discuss the movie about two sci-fi geeks whose pilgrimage to Comic-Con ultimately takes them to America’s UFO heartland. While there, they accidentally meet an alien who takes them on an insane road trip that alters their universe forever. Q&A session to follow.

Does anyone really think that the Comic-Con audience will best remember Sigourney Weaver for a supporting role in Baby Mama? (I didn’t even know she was in it.)

Not, say, her starring role in the Alien series?

Ripley would like to have a word with someone...

Or if you want to go for something more recent, it’s only been half a year since Avatar.

Or heck, since it’s a sci-fi comedy about fans and conventions, how about Galaxy Quest?

See, they don't think it makes sense either.

Guess what? Those movies weren’t produced by Universal. Baby Mama was.

Talk about underselling the guests! That’s like promoting that you’ve got Harrison Ford from Sabrina!

I see it in comic books as well, though not quite to this extent. DC, when it realizes that someone is best-known for their work at Marvel or somewhere else, will at least mention the fact…but they always seem to want to downplay it. Standard practice is to put the DC titles in all-caps and anything else in standard title case. For example: Flash: Emergency Stop by “Grant Morrison (FINAL CRISIS) and Mark Millar (Civil War),” or Superman: Earth One by “J. Michael Straczynski (BRAVE AND THE BOLD, Thor, Babylon 5).”* It always leaves the impression that they’ve kind of hoping that, even though they’re banking on the name recognition, you won’t really notice.

*Ironically, Babylon 5 was produced by another subsidiary of Warner Bros….and the licensed comic books were published by DC.

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I finally made it to a Westercon! It’s been years since I’ve been to a general science-fiction/fantasy convention. The last one was WorldCon/LACon IV in 2006, but I was distracted by a summer cold and lots of DayQuil. Before that was the last Loscon I attended in 2002. So while I remembered how this sort of event is usually run, I wasn’t sure what to expect.

A Bit of Background

Westercon is a fan-run convention that travels around the western United States and Canada, similar to WorldCon on a smaller scale. It’s usually held during the Fourth of July weekend. This year it was held in Pasadena, California, and combined with the filk convention ConChord 23 to form WesterChord, Westerconchord, or simply Confirmation.

I’ve been to a couple of Westercons, but not anything you’d call recent. I remember attending one in San Diego and one in Anaheim, having a dinosaur-themed T-shirt from one year, and picking up a particular issue of The New Teen Titans in San Diego, so I think the two I attended were San Diego in 1986 and “Conosaurus” in Anaheim in 1989. Yes, it’s been twenty years since my last Westercon!

Location

I had no trouble finding the Pasadena Hilton, but getting inside was a little tricky. The entryway was under construction, so they were routing people through one of the ballrooms, which had been set up for some sort of banquet. (More about that later.) The hotel was vaguely familiar from my memories of Loscon in the 1980s, but has been remodeled to add a coffee shop and a restaurant in the middle of the conference center. The Starbucks was most welcome, though the con was good at making sure pitchers of water and plastic cups were available in each panel room and the main hall.

Since I was only there for the day, I didn’t explore the area looking for restaurants or other activities. I just relied on Starbucks and the ad-hoc pizza, sandwich, pastry and salad counter that had been set up across the way.

Anyway, I found registration easily, but the onsite sign-up forms were on a table behind a planter. I wasn’t the only one who walked straight past them.

Impressions

It was a much smaller convention than I’ve become used to in years of attending the big comic-book events like Comic-Con International, WonderCon, and Wizard World. Even Long Beach Comic Con pulled in 6,300 people its first year, but I’d count the attendance here in the hundreds.

Attendees were also older than Comic-Con on average, mostly 50+ rather than mostly around 30. Certainly there were plenty of younger fans at Westercon, and there are plenty of older fans at Comic-Con, but there does seem to be a generation gap of sorts between the two types of conventions, at least in the southern California area. At least this con seemed more alive than the last few Loscons I attended — and a lot less bitter!

Maybe it’s the literary focus. LASFS has always been very book-oriented, and there were a lot of writers among the con guests. One of the book dealers even had an entire shelf set aside for books by authors who were guests at the con.

Continue reading →

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An experiment: I’ve modified* Twitter Tools to create digest posts as drafts instead of publishing immediately. That gives me a chance to edit a week’s worth of random thoughts and links down to the interesting stuff, clean things up a bit, expand things that could use more detail, and remind myself of items that I wanted to write more about later.

If it works out, and if the plugin still offers digests after it’s rewritten to use OAuth, I’ll probably use this same setup to make sure I keep on top of linkblogging at Speed Force.

*It was pretty simple. I just looked for the function that creates digests, then changed the post_status from publish to draft.

The Links

  • Why information storage is hard: The Universe Hates Your Data.
  • Interesting analogy: Facebook, Twitter, and the iPhone aren’t quite ecosystems. Maybe it’s better to think of web services as governments. (via ma.tt)
  • WTF of the week: A book I was looking at on Amazon didn’t have any active discussions related to it, so Amazon showed me some random forum threads. They included this question on used textbooks: “Is it Ok if I used it to bludgeon several people to death with it?” Be sure to read the responses. [Edit: Amazon’s forums have been shut down.]
  • I love how Twitter’s status blog describes Wednesday morning’s outage as “high whales.”
  • Dear CNN: A 4.0 earthquake in California, especially one that didn’t cause any damage, is not breaking news. It’s more like business as usual. (It’s worth noting that a full day later, they haven’t updated the story with anything substantive…probably because there isn’t anything to add!)
  • Very cool: the Sci-Fi Airshow is a gallery of photorealistic images of spaceships from various science-fiction TV shows and movies set at, well, an air show. (via Bad Astronomy and SciFi Wire)

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If you went out to the movies in the US during 2009, there’s a good chance you saw a turn-off-your-phone PSA in which a movie about “robots from space” tries to negotiate blowing up Mount Rushmore.

In a case of life imitating art, the National Park Service is currently battling Transformers 3 — a movie about robots from space — over just what they can and can’t do with a national monument!

Okay, you can’t blow up a national monument, but…

Bill Line, Park Service spokesman, said the producers “have asked to do some things that simply are not done on the National Mall,” among them staging a “car race” along the Mall’s gravel paths and flooding it with artificial light in order to shoot at night.

Apparently it’s not unique to Transformers 3, but a fairly frequent battle between the park service and film producers, which means Sprint’s video isn’t just a funny story, but a bit of an in-joke to those familiar with the industry.

Hmm, any chance the new movie will have a chorus singing “Robots from space!” in the background?

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Remember the Battlestar Galactica cake? For last night’s LOST finale, Katie made an authentic DHARMA Initiative chocolate cake, and pizzas with the Swan and Orchid logos.

The cake is chocolate, with homemade buttercream icing (vanilla for the background, chocolate for the design). The pizzas have an outer ring of sausage, with bell pepper strips for the I Ching. The Swan logo is cut from a bell pepper. The Orchid is cut from a tomato, and placed on the pizza after baking.

For more views, including in-progress pictures, close-ups, and making-of commentary, check out the LOST finale food photos on Flickr.

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The latest seasonal beer at Oggi’s* is The Schwartz, a Belgian IPA. And just in case the “May the Schwartz Be With You” tagline wasn’t clear enough…well, check out the poster:

Sorry about the image quality. I wasn’t sampling the brew, it’s just the phone camera in low lighting.

*Oggi’s (pronounced OH-jeez) is a chain of pizza & brewery restaurants in Southern California, mostly in San Diego and Orange County.

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So, the last few TV shows I was waiting to hear about have been officially canceled.

FlashForward is two episodes away from its season — now series — finale. I’ll miss it a little, but I think I’ll miss what it could have been a lot more than I’ll miss what it actually was. The book was fascinating, and the pilot episode was absolutely fantastic, but since then it’s just been a study in missteps and missed opportunity, week after week. It was canceled yesterday. At least they built the first season around a one-year main arc, rather than relying on future seasons happening.

Heroes I won’t miss at all, actually. I loved season one, and even liked most of season two, flawed as it was…but I gave up on it during season three. The “Villains” arc was just plain annoying. I gave each of the following arcs a shot, but “Fugitives” is the kind of story that always bugs me, and “Redemption” just didn’t grab me at all. It was canceled today.

Better off Ted, though…that one I’ll miss. This one followed the Pushing Daisies path so precisely it’s bizarre: A short first season with Too Good to Last stamped all over it, then a surprise renewal, then cancellation halfway through season two…with several episodes left unshown. Maybe now that it’s officially toast, ABC will put the unaired episodes up at 3AM on a Sunday or something…again, like they did with Pushing Daisies. Or maybe we’ll just have to wait for the DVD. (There’d better be a DVD.)

Oh, well. Just like with Pushing Daisies, it’s a season more than I thought we’d see.

Next year: At least Castle will be back, and Leverage starts season three next month. I haven’t been paying much attention to new shows, but I’ve been keeping half an eye on No Ordinary Family, sort of a Fantastic Four/Incredibles type show about a family that gains super-powers, mostly because the mom is a speedster. (She’s also Darla from Buffy the Vampire Slayer and Angel.) It was picked up by ABC yesterday. I suspect this means that if the show actually proves to be good, it’ll get two short seasons with the last three episodes left unaired for five months.

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