Category: Highlights

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[Water Cooler]If you work in an office, chances are there’s a water cooler somewhere. And if there’s a water cooler, chances are there’s a stack of disposable paper cups (or possibly, even in this age, styrofoam). And chances are that most people will walk up, grab a paper cup, take it back to their desk and then throw it away.

Of course, all those paper cups end up in a landfill somewhere. And there’s the material to manufacture them (even if it’s recycled). And there’s the energy that went into manufacturing them.

So why not reuse that paper cup if you’re only using it for water? It’ll dry out between uses, so the water shouldn’t seep through the wax. If you have, say, one glass of water a day, and you use the same cup for a week, you’re cutting down your paper cup usage by 80%.

Or better yet: do you have a coffee mug? You need to wash it out anyway before you put more coffee in (unless you’re keeping it full all day long). Why not wash it out earlier, and use the mug when you want some water?

Sure, it’s less convenient than walking past the lunch room and grabbing a new paper cup. But let’s face it: you work in an office. And Americans, on the whole, don’t get enough exercise. You might as well take advantage of the extra activity for some incidental exercise.

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Recently, I was reminded of a conversation about songs with twist endings. Like a Twilight Zone episode, they’ll set up one situation and then in the final verse, switch things around to a completely different perspective.

One example would be Vertical Horizon’s breakthrough hit, “Everything You Want.” The chorus repeats:

He’s everything you want,
He’s everything you need.
He’s everything inside of you that you wish you could be.
He says all the right things at exactly the right times,
But he means nothing to you and you don’t know why.

Most of the song presents this sort of detached, third-party view of someone who perhaps is concerned for a friend, but that’s all. Then the bridge hits, with lines like, “It’s only what you’re asking for,” and the intensity builds, until you get to the final chorus:

I am everything you want,
I am everything you need.
I am everything inside of you that you wish you could be.
I say all the right things at exactly the right times,
But I mean nothing to you and I don’t know why.

It suddenly becomes clear that the speaker is himself right in the middle of things, and the woman’s affections are in fact extremely important to him.

Another one would be the Jim Steinman song “Two Out of Three Ain’t Bad,” made famous by Meat Loaf. The speaker keeps pleading with a woman that…

I want you
I need you
But there ain’t no way I’m ever gonna love you
Now don’t be sad
‘Cause two out of three ain’t bad

At the end of the song, he explains “There’s only one girl that I will ever love” and that, when she left him, “She kept on telling me…” at which point he launches into the refrain. Suddenly, this guy who sounded unreasonable throughout the entire song turns out to have been on the receiving end of the same dysfunction in a previous relationship—and he’s still messed up by it.

What other songs can you think of that do this?

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I don’t think I’ve seen this one in the wild, but variations pop up on Spam Or Not from time to time.

I’ve obscured the website address, though I’m sure it’s been replaced by now.

Seriously, how can you look at the combination of poorly-drawn not-quite stick figures (probably done with a mouse in Microsoft Paint) with the visual equation demonstrating the supposed effects of a diet supplement and not laugh?

Edit: I’ve realized why I haven’t seen these in the wild: We use the MSRBL-Images signatures in our spam filter, and that list is built using ratings from Spam Or Not.

Edit 2: Both the filter signatures and the rating site seem to be gone now, so a little background: MSRBL-Images was a list of hashes that could be used to identify images that were repeatedly used in spam. Spam or Not, inspired by the infamous Hot or Not site, was their way of crowdsourcing the data. The site would show an image that had been collected, and you could mark it as spam or not, and some threshold or percentage of spam ratings would cause the hash to go into their signature list.

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I was thinking about the timeline of DC Comics’ Earth-51 (home to the Great Disaster in Countdown to Final Crisis) and trying to wrap my head around what the past and present might mean for a world that’s been created and destroyed twice in as many years, and realized that some of the time paradoxes make much more sense if you consider that there’s more than one kind of time.

Real-world time is, as you’d expect, the time that passes between when two stories are published. For example, it’s been 45 years since Spider-Man first appeared in Amazing Fantasy #15 (Aug. 1962).

In-story time is the time that passes within a story. So even though it’s been 70 years since Superman first appeared on the newsstand, it’s only been 10–15 years since his debut within the DC Universe.

The tension between these two leads to a strange, fluid take on time, which has its own issues.

But then you get into time travel and cosmic retcons, and in-story time can’t quite explain things. Continue reading →

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The Born QueenWe’ve both finished reading The Born Queen, the conclusion to Greg Keyes’ The Kingdoms of Thorn and Bone. Yesterday we spent the day reading in tandem on the couch: I read book 3, Katie read book 4, and finished within an hour of each other. Determined to catch up, I read 100 pages last night and spent this morning and afternoon reading the final book.

It was well worth the wait.

The series is set two millennia after humans, led by Virginia Dare (explaining where the lost Roanoke colonists went), overthrew the demonic race that had kept them as slaves for generations. Virginia had discovered how to harness the sedos power, essentially magic. The last of humanity’s oppressors warned them that the sedos would eventually destroy their world. Of course, no one believed him.

2200 years later, this corner of the world is not unlike Europe in the early Renaissance. Except that the church is based on the sedos, in the person of saints, and its priests walk the paths to harness the sedos powers.

The world is also beginning to rot. Things of nature are dying, human alliances are crumbling, and terrible creatures thought to be myth are walking the earth. There are several factions who claim that they want to save it, but their true goals are suspect, and their methods differ greatly. The various viewpoint characters are thrust into the middle of things without any real sense of what’s going on: a holter, a princess, a novice priest, a knight, a swordsman, a composer and a queen.

One of the things I find so fascinating about this series (as I mentioned when I first read The Blood Knight) is the fact that everyone is acting on partial information. This makes them screw up, sometimes mildly, sometimes horrifically. And there’s a curveball that comes about 1/3 of the way into The Born Queen that turns everything on its head.

I don’t think it’ll give too much away to say that one of the key struggles in this book is for control of the sedos. Even 100 pages from the end, I wasn’t sure which faction would give the world a better chance of surviving.

Music also figures importantly, starting with the second book, where it’s learned that certain combinations of sound can have a profound effect on the human psyche. I found myself wondering whether Keyes had someone set any of the songs to music.

By the end of The Born Queen, most of the major questions about what’s really going on have been answered. Of course, they’re answered in pieces, by different characters with different agendas. The major characters’ arcs reach (mostly) satisfying conclusions, with some finding what they want, some finding what they need, some doing what needs to be done, and some getting what they deserve.

It’s weird to finally be done with the series, which started around the same time as this blog. The first post that I made that wasn’t “Hey, look! I have a blog!” was a review of The Waterborn and The Blackgod, Greg Keyes’ first novel and its sequel. In it, I mentioned looking forward to The Briar King when it came out.

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Here are some interesting/amusing signs we spotted on our trip to Northern California last month.

Silver Surf MotelSilver Surfer Motel

This seemed appropriate for a trip to a comic convention. And like the Sylar Industries sign I posted earlier, all it needed was a little adjustment. Can you get a room with the power cosmic? Found in San Simeon, across the highway from our motel. (Keep in mind as you read on that the one on the right is the only doctored photo in the post.)

Sign: Mr. Speeder, Meet Mr. Traffic CopMy personal favorite was this one in Sunnyvale. It’s always nice when city planners (or anyone making a sign, really) have a sense of humor.

Perhaps Mr. Speeder was frustrated by driving this street, somewhere near San Luis Obispo:

Sign: Exit 220A to Traffic Way
Continue reading →

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Spotted this driving back from LA on Saturday, after Wizard World.

Truck full of tires… changing its tire!

Well, I guess they don’t need to worry about finding the spare!

We both just sort of stared at it for a second or two. Was that really what we thought it was? Then I grabbed for the camera, snapped a shot that didn’t come out well, and handed it to Katie, who had a better view from the passenger seat.

Fortunately the traffic was terrible (now there’s something you don’t say very often) and we were able to get a shot instead of zooming past.

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