Spotted this in mid-August, during the height of Back to School sales. It’s a school bus-shaped display with shelves on the sides and back. Katie’s fairly certain that the other shelves weren’t all Rice Krispies treats — they were Pop Tarts and the like.

So, yeah, send your kids to school with a ton of these. Their teachers will just love it.

<voice=”cranky old man”>Of course, back in my day, we didn’t have those pre-made Rice Krispies Treats. We had to buy the cereal and marshmallows and make them ourselves. (And frankly, without all the extra preservatives, it was probably more healthy. Or less unhealthy, in any event.)</voice>

(Yeah, still catching up on photo posts.)

I found this while looking through a box of old photos, in an envelope marked Lunar Eclipse and developed in June 1994. Most likely the May 25, 1994 eclipse.

I’m not sure, but I think the bright splotch near the bottom is actually the moon, and the clear image of the moon up near the top is a reflection inside the camera. I have no idea whether the ring is an atmospheric phenomenon that got picked up on the film, or just lens flare.

Update: It was most likely taken with a point-and-shoot fixed-focus 35mm camera (though I had an SLR by that time that my grandfather had given me, so I’m not sure why I wouldn’t have used it). But even if it’s a really messed-up picture of an eclipse, it’s still an interesting-looking picture, IMO, which is why I scanned it.

I was looking up the proper term for a plasma lamp and stumbled upon the Wikipedia entry for the Zeusaphone.

It’s a Tesla Coil that’s set up to modulate its discharges so that they produce specific notes. In other words, it’s a Tesla Coil that plays music using lightning!

Seriously… how can you turn down a description like that?

It’s also been called a “thoremin,” — another lightning-god-based pun, this one on the theramin,

The company that makes them has a couple of video clips on their website, but sadly they’re a little underwhelming on a 200-pixel window with computer speakers. I imagine they’d be seriously impressive in person.

Photo by Dracoswinsauer. Used per Creative Commons Attribution 3.0 License.

When I was around 15, I had a close encounter with a rattlesnake. In my tent. No one was bitten, but getting that snake out was an interesting experience. It happened during a week-long summer camp at Lost Valley Scout Reservation in the mountains northeast of San Diego. It was at least my fourth summer camp with my Boy Scout troop, placing it around 1991 or 1992, and at least my second at Lost Valley.

Lost Valley

There are two kinds of campsites at Lost Valley (or at least there were in the early 1990s): One type had simple wooden cabins, which held two bunk beds apiece*. This was the other type, with canvas tents. The canvas made up the roof and walls, and was tied to a metal frame with a plywood floor. (Note: this arrangement is not sealed.) Two cots lay on the floor. Scouts would typically lay out their sleeping bags on top of the cots, and stow their gear underneath.

The site was in a wooded area of the camp — mostly evergreen trees — below a hill, in the Camp Irvine section. Looking in from the road, there was a large rock formation to the right, which I remember a lot of us scouts would climb onto. (It’s the 13th point of the Scout Law: A Scout Climbs Rocks) To the left, the land stayed flat at least as far as the next section of road. Straight back was a fairly steep hill which led up to more campsites and eventually the dining hall, if you were willing to go off-trail and cut through another site. Judging by the map, it looks like it was probably Indian Wells campsite. Edit: My dad points out that the stones had been grinding sites for the local Native American tribes, which may have been the source of the name.

Finding the Snake

My tent was toward the back. One night** as I was getting ready for bed, I set my canteen down before closing it and accidentally knocked it over. I quickly set it upright, then got down with a flashlight to look at the puddle of water spreading back under my cot, and see if I needed to move anything out of the way.

Looking back at me was a rattlesnake. It had apparently set up its own camp under my bed. I said, surprisingly calmly, “Oh, there’s a snake under my cot.”

“That’s nice,” my roommate, Geoff, who was already half-asleep, mumbled. Followed a few seconds later by, “WHAT!?!?”

I think he went to get an adult while I kept my distance and watched the snake. Or possibly the other way around. Or maybe we both went for help. I definitely recall one of those audio relays of boys saying, “There’s a snake in Kelson’s tent!” Someone went to contact camp staff, and the snake crew showed up. (Chances are pretty good that Phil Brigandi*** was among them.)

Keep in mind that it was dark. It was several hours into night, and the only light came from flashlights and propane lanterns.

Removing the Snake

My dad, who was there as a troop leader, adds a little more info:

They used the opportunity to make a point that little rattlesnakes are more dangerous than adults, because they’re less skilled at releasing their venom in small doses. (Otherwise, the snake has no venom for a second strike, in case it needs to fight another enemy.) So little rattlesnakes inject you with everything they’ve got.

Our biggest concern of course was that we didn’t want the rattlesnake to get away while we went and got the snake control guys. (Otherwise, you’ve got the trouble of wondering where it’s GONE!) Of course, nobody was going to try to catch it or anything, so the basic idea was to leave it alone but keep the lights on so we could keep an eye on it. We all counted ourselves lucky when we got back and found that the snake was still where we’d found it!

They don’t kill rattlesnakes when they find them, just relocate them. (Rattlesnakes play a part in the local ecosystem, after all.) Their equipment consisted mainly of a stick with, IIRC, a loop of rope on one end, and a large wooden box. Normal practice involved trying to pick up the snake with the stick, depositing it in the box, closing it in the box, then taking it out somewhere farther away from any people.

There was a problem, though: The snake was too small to pick up. It just kept sliding through the loop. Finally someone (possibly my dad, now that I think about it) picked it up with a shovel and put it in the box. They closed it up, may have loaded it on a truck, and that was the last I ever saw of the snake.

Notes

*It was in one of those cabins that I once rolled off the top bunk in my sleep and woke up on the way down, before I hit the floor. I don’t remember it hurting at all. I just climbed out of my sleeping bag, climbed back up, and went back to sleep.

**I think it was the same night that I took my camera and a tripod out to one of the large meadows and experimented with taking pictures of the night sky. I got some fairly decent (for a first-timer) shots of Sagittarius, Scorpio, and the Milky Way, which I’ll have to see if I can find sometime.

***I was prompted to write this when I read Orange County Historian Phil Brigandi‘s account of the first time he ever saw a rattlesnake bite in his many years at Lost Valley Scout Reservation.

It’s always something.

Last month it was my computer that needed rebuilding. This month it was Katie’s. It’s an old G4 PowerMac, but it’s still plenty for iTunes, web, email, word processing, etc., and we’ve got a newer Windows box for things like games. It failed to boot after a system upgrade, and subsequent troubleshooting determined that the drive was going bad. (This time I ran some more diagnostics, confirming that the rest of the hardware was fine, and Tech Tool Pro found dozens of bad blocks before I stopped the surface scan.)

So: New drive, reinstall system, transfer the data and apps that we can. Which led to this question:

The Leopard or the Tiger?

(Sorry, I couldn’t resist phrasing it that way!)

Last fall I bought the multi-license pack of Leopard so that we could put it on both Macs. We ended up not upgrading the desktop. She was under the impression that the hardware was too old, and I only remembered that Leopard had dropped support for Classic apps. The first problem was easy: I’d checked the specs before ordering, and would only have bought the single-license box if it hadn’t been supported. The second was also easy: in the past year, she’d converted all her documents from old classic-only apps, and wasn’t playing the classic-only games anymore.

So: Installed Leopard, transferred data from old drive & backups.

Side annoyance: transferring a user with the Migration Assistant did not work. First it wouldn’t copy over her account, so I had to create another account, log in, delete her (new) account, then do the transfer. Then, every time it ran into one of the 5 or so corrupted but inconsequential files, it would freak out and remove everything it had copied. Drag and drop copy didn’t work because the alternate account didn’t have permission to read everything. (Remember: admin != root.) I finally resorted to the UNIX commandline, which worked. For reference: sudo cp -rp oldpath newpath Prob. should’ve used tar instead of cp, but I’m not sure how much Mac OS X uses symbolic links in user accounts. In any case, it’s been working, so I’m not going to worry about that.

The real problem: A week later, while doing link maintenance on this site, I stumbled across my blog post about upgrading the laptop, which mentioned the fact that Photoshop 7 won’t run on Leopard.

*facepalm*

Cue Spamusement:

Screaming figure running from a ghost crying, $150...just to UPGRADE

So, what are the options?

  1. Shell out $200 to upgrade to Photoshop CS3. I don’t think so. Not after doing major surgery on two computers, not in this economy. (Incidentally, it took forever to find the system requirements on Adobe’s website and verify that CS3 would actually run on that machine, since everything is focused on CS4…even though it isn’t available yet.)
  2. Downgrade to Tiger. Might just be Archive & Install, might require wiping the new drive and reinstalling. (Reports are mixed.) I don’t think any of the built-in apps she uses have changed data formats, so that’s probably OK.
  3. Find something cheaper or free. Katie pointed out that it has to be able to read PSD files accurately.

We’re going with (c) for now, starting with the OSX version of GIMP.

I’ve been putting off getting my car washed for several weeks. Over the weekend, I decided I was going to take it to a nearby car wash Monday morning before work. So I did. It was sunny and clear, with a few clouds off to the south that had made for a very nice sunrise earlier this morning.

As I sat there reading, I noticed the sky was getting darker, clouds moving in front of the sun so that I no longer needed my sunglasses. As I got in the car, I realized it had become overcast, and the owner’s remark about “Enjoy this beautiful weather while it lasts” took on an entirely new context.

As I got on the freeway to go to work, I could see rain falling in the distance straight ahead. A few minutes later, I actually saw a bolt of lightning. I don’t think I’ve seen lightning directly in several years. The occasional flashes out of the corner of my eye, sure (and I saw another of those as I pulled off of the exit), but actually seeing the bolt? It’s been a while.

When I got to work, it wasn’t raining, but it was cold and windy. (And here I was in short-sleeved business casual with no jacket.) It clearly had rained, and looked like it might again. Off to the north maybe 1/4 of the sky at most was still blue.

I could swear that when I looked at the weather report yesterday there was no indication of rain.

Current Location: Irvine, California

DC Comics recently canceled its Minx line of graphic novels aimed at teen girls, leading to much discussion amongst comics bloggers. I don’t want to talk about why the line folded, but why the line existed in the first place. Why did DC create an entirely new brand in order to go after this audience?

A big advantage to creating a new label: no preconceptions. Prospective readers won’t look at the cover, see a DC logo, and wonder where the super-heroes show up and rip off people’s arms. And they won’t see a Vertigo logo and assume that it’s a “mature readers” book. On the downside, a new label has to build its credibility from the ground up, instead of starting with name recognition.

This got me thinking: an established brand associated with customers of one gender creates a new brand in order to target the other half of the population. Where else have I seen this?

I own a jacket labeled Claiborne, which is of course made by the Liz Claiborne company.

Mervyns sells (or used to) H&H Men clothing, which was clearly a variation on their Hillard and Hanson brand.

All the examples I could think of (other than Minx itself) were companies that had traditionally been aimed at women, but were adding lines aimed at men. It made me wonder: is it the names? Do men feel odd buying a product named “Liz,” while women are used to buying brands named after both men and women? (Sara Lee notwithstanding.) Maybe it’s the stigma of a man participating in something perceived as feminine? Sort of like the assumption in children’s TV that boys will only watch shows about boys, while girls will watch shows about girls or boys (so they make shows about boys instead of girls, figuring they’ll get a bigger audience).

Then Katie pointed out LEGO Belville, the line aimed at girls which entirely misses the point of LEGO by making as much of each set prefab as possible. And pink. On the plus side, unlike Claiborne, Belville doesn’t try to hide the fact that it’s a LEGO product.

That makes it more like Men’s Vogue, a copy of which is sitting in the lunch room at work. In this case they’d have to call it something different (unlike a clothing line) because it’s not just a brand, but the title of the magazine.

I still think the craziest example of this has to be Men’s Pocky. It’s a cookie. One which I’d hardly consider a “girlie” cookie, but maybe it’s more associated with girls in Japan. I still can’t figure out whether it’s a case of cultural translation or deliberate absurdity.

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