Neither of us spent more than an hour or so on the floor on Saturday, in part out of self-defense. Comic-Con is usually the most crowded on Saturdays, though we didn’t see much difference from Friday this year.

After the Flash panel, I went back to my back issue hunt. Found quite a few in the $150-500 range. Unfortunately I’m looking in the $50-100 range. Dealers just haven’t brought their low-grade Golden Age books, so it looks like it’ll be back to eBay.

Quick Draw was, as promised, lots of fun. I missed the first 20 minutes or so (I’d been planning to go to the One Year Later panel, but changed my mind at the last minute—no regrets there!), but Katie caught the whole thing. Sergio Aragonés, Scott Shaw!, and Kyle Baker were directed by Mark Evanier to draw ever crazier things, sometimes competing to convey a “secret word” in a Pictionary-style game.

The Narnia/Pirates panel, expected to be the highlight of the day, turned out to be a big disappointment. Last year, the Narnia presentation was fascinating, despite the delay from the satellite link-up, because things were completely new, and because the people involved knew what fans were interested in seeing. This time they basically sent the marketing guy out to talk about the special edition DVD.

As for Pirates of the Caribbean… the talk by John Knoll was a fascinating insight into the technology that they used to animate Davy Jones, but the first half was out of place at a Comic-Con. It would have done much better with a highly technical audience—maybe at a Cal Tech Seminar Day or something. Once he started showing the before-and-after shots, and the test footage, the audience warmed up to him. And some of the joke footage, like the giant Krispy Kreme donut rolling out into the surf, or Elizabeth Swann cutting a swath through the Dutchman’s crew with a pair of lightsabers, was great.

After that fiasco, we decided to clear out instead of staying for the Spider-Man panel. Neither of us had anything we were looking at for the rest of the afternoon, so we decided to go out to see the Star of India (the ship, not the restaurant) and the other ships out by the bay. Among other things, Katie wanted to get some pictures while still in her pirate costume. Unfortunately it took us so long to get around the insanely long line for Spider-Man—which was a big surprise, since we’d just walked into the hall earlier—that we missed our trolley. Literally, we were up to the gate on the opposite side of the tracks when it pulled away. We ended up postponing our dinner reservations to make sure we had enough time.

As it turned out, the Star of India itself was closed, but the HMS Surprise (used for filming Master and Commander) was open, along with the HMS Berkeley, a ferry, and a pleasure boat called the Medea. The Berkeley had mostly been turned into the Maritime Museum, but the engine rooms were open for view. We skipped the Soviet submarine. Bulky costumes and full backpacks don’t go well in confined spaces.

Absolutely no climbing in the rigging!

We had enough time to drop stuff off at our hotel room and lie down for a few minutes, then went back to the Gaslamp district and dinner at Dussini, a Mediterranean place that replaced the old Spaghetti Factory. Once again, a great restaurant. We also saw a great demonstration of why you should make reservations: The walk-in couple in front of us had a 45-minute wait. We were shown to our table immediately.

Some interesting comments by Warren Ellis in today’s Bad Signal on film budgets, and Superman Returns in particular.

$250 million puts you in spacelaunch-budget territory. For $250 million WB could’ve given Bryan Singer his own communications satellite and spent the change on a George Clooney movie.

This is the absurdity of modern Hollywood; that taking more than the GNP of Luxembourg in a single weekend is not actually enough to put a movie in the black.

It’s the “spacelaunch” comment that I find most interesting, as I made the same comparison a few years ago, from the other side of the fence: Assuming that the Spirit and Opportunity missions to Mars are typical, price-wise, it doesn’t make sense to complain that we’re “wasting” money on space exploration when a mission costs as much as two summer blockbusters. Manned missions are, of course, more expensive, but robotic missions? If we, as a society, toss away $250 million several times a year on mindless action flicks, what’s so terrible about spending a similar amount to learn something about our universe?

Yes, I know the difference is public vs. private funding. Movies are financed by studios and private investors, and space exploration is usually financed by governments, and therefore by taxes. But comparing the dollar amounts puts things in a different perspective—whether you’re astonished by the literally astronomical movie budgets, or realizing that exploring outer space is more down to Earth than it seems at first glance.

NPR’s “Morning Edition” ran a story today on the rise of the Spanish-language television market, and Univision in particular. They led into it with a remark that Spanish-language coverage of the World Cup has been getting higher ratings than the English-language coverage.

This should surprise no one, given that soccer (as we norteamericanos call what everyone else seems to refer to as football) isn’t terribly popular in the USA, with two notable exceptions: Parents of 6-year-olds who want to put their children into a sport, and the duration of the World Cup. El fútbol, however, is wildly popular in Europe and Latin America, and we have a lot of recent immigrants from Latin America.

So no, I wouldn’t be surprised at all to learn that there are more Spanish-speaking hardcore soccer fans than English-speaking ones.

The Orange County Register has an ad campaign going in which people stand around on street corners holding banners with controversial topics printed on them. The latest is, “Is Bush abusing executive power?”

Given that the Register is known to have a conservative bias (you can often guess a person’s political affiliation from whether they read the Register or the Los Angeles Times), chances are that their answer is “No.” However, it’s undisputed that Bush has been expanding executive power over the past six years.

The trick with expanded power is that people often don’t object when the person wielding it is someone with whom they agree. Even if you think it’s OK for President Bush to insist on greater powers, eventually, someone you don’t like will be in the Oval Office. Even if the Democratic party implodes, there are different factions in the Republican party, and chances are either the Republicans would split, or another party would rise to fill the gap. And if no one did… well, a one-party system isn’t much of a democracy, is it?

So whether it’s 2 years from now, 6 years, or 10 years, someone you disagree with will end up with all the powers Bush has pushed for. If there’s anything you don’t want that President to have…are you sure you want the current President to have it?

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