I subscribe to allergy alerts through FAAN. Normally I skim the notices to see if (a) the problem is something I’m allergic to and (b) the product is something I’m likely to buy or eat, or have already bought. A couple of amusing phrases jumped out in this one:

FISH ALLERGY ALERT

April 17, 2012

Nestlé Prepared Foods Company announced today that it is voluntarily recalling two hour codes of STOUFFER’S® Satisfying Servings Lasagna Italiano because the package may contain STOUFFER’S Stuffed Peppers. While the Stuffed Peppers are wholesome, the recipe includes Worcestershire Sauce—which contains anchovy as an ingredient–and there is no Anchovy allergen statement on the Lasagna Italiano package. Consumers who are allergic to fish should not consume this product.

These products were manufactured in December 2011 and, given their popularity, Nestlé believes there may not be much inventory left on supermarket shelves. However, Nestlé is asking consumers to check their freezers for STOUFFER’S Satisfying Servings Lasagna Italiano in the 19 1/8 oz. package, with UPC code 13800-44709. The possibly affected production codes include 1349595513R or 1349595513S. This information can be found on the “proof of purchase” panel, located on the right end flap of the package, below the ingredient statement.

If you find the codes on your product, please call Nestlé at 1-800-392-4057, or email nestlefrozenfoods@casupport.com for further instructions. Nestlé will provide a replacement coupon to those affected consumers.

(Emphasis added.)

There’s just something funny about the way they went out of their way to talk up the product even in the middle of the recall notice!

WonderCon’s first year in Anaheim* was a lot of fun despite the rain and wind. I actually enjoyed it more than the last one I attended in San Francisco (WonderCon 2010). Partly that’s because a lousy trip into SF soured my mood, and partly it’s because I spent all three days at the con this year, but it’s also because this year’s con had everything I’ve come to expect at a WonderCon, with more space, so the crowds never got unbearable.

»Skip to the photos if you’re so inclined.

There was a very strong comic book focus to the con, maybe not so much as at Long Beach, but all the major comics publishers were there, plus many of the minor ones. I was surprised to find webcomics wrapped around the large-press area and not hidden off in a corner. The small press and Artist’s Alley areas were huge (especially when compared to Wizard’s Comic Con in the same hall two years ago). And there were comic book dealers all over the place.

The only real complaint I had about the layout was that it seemed a bit haphazard. Marvel, IDW, and DC were front and center, but Studio Foglio and the Winner Twins were stuck in between IDW and DC. Zenescape was off in a corner rather than being clustered with fellow indies Archaia, Aspen and Avatar. And when I say the comic dealers were all over the place, I mean scattered all over the place.

The rest of the convention center was being used by a girls’ volleyball tournament and a cheerleading competition. I was encouraged by the fact that the players were just as interested as the fans in taking photos of and with the people in costumes, from Captain America and Bucky through Optimus Prime.

*They’d like to return to San Francisco after Moscone Center’s renovations are done, but that’s still up in the air.

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Years ago, when I’d drive along the 405 freeway late at night, I’d catch glimpses in the distance of what looked like a cluster of tall buildings in a city center. Not knowing the area well, I’d wonder whether I was seeing glimpses of Long Beach, or some other city in the area that I didn’t know. And then the freeway would curve, and I’d never quite figure out where those buildings were, and I’d mean to look it up on a map, but by the time I got home I’d be so tired I’d go straight to bed, and I’d forget all about it in the morning.

It always made me think of the kind of fantasy story inspired by mirages, where someone sees something from a distance, but when they get close it turns out not to be there, or to be far less grand than expected.

Somewhere along the line I realized that those lights I was seeing in the distance weren’t a city far off from the freeway. They were the lights on the oil refinery right next to the freeway a few miles down in Carson. I’d just catch glimpses of it between trees and closer buildings. With no reference points and no sense of scale, it wasn’t clear that I was looking at a compact cluster of small towers, not a larger cluster of taller buildings. By the time I got close enough to see the actual refinery towers, they looked different enough that my sleepy and driving-focused brain didn’t make the connection to those distant lights.

The South Bay is dotted with oil refineries, built here in the days when it was a major oil producing region, and I assume kept here because it’s so close to the Port of Los Angeles. [Edit: Actually, the area still produces quite a bit of oil, but the remaining wells are much better hidden.] Every once in a while I’ll be driving or walking over a hill and catch a glimpse of a too-regular “skyline” where all the lights are yellow, and I’ll think back to the time when I wondered about a vanishing city.

Photo: Exxon/Mobil Torrance Refinery, seen from a hill up on 190th St.

I finally bought a new camera yesterday. I picked it up on a clear, beautiful March afternoon, and my first impulse was to drive up into the hills to Vista del Norte and start taking scenic photos of the entire Los Angeles Basin. I could get a great panorama from Santa Monica in the west, across the San Gabriel Mountains to the north, a glimpse of the next range over, all the way to Long Beach in the east with Saddleback behind it. Then I could go up to Del Cerro Park and get some shots of the coastline, the ocean, and Catalina Island in the late afternoon light.

Of course, they don’t ship the batteries charged, which put a quick end to that plan. And today, it’s overcast and smoggy.

I did, however, get this shot of the moon when I left a few hours later on a trip to the grocery store.

It was right around sunset, so the sky looking east was actually a medium blue, but with the short exposure needed to get details on the moon, it ended up looking black. This is the first photo I have taken of the moon that shows texture. I think this will do!

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Banner: Comic-Con International

If you’re trying to get a message out, or provide a service, analytics are great. They tell you what’s working and what’s not, so you can focus on what does work. Unfortunately, when it comes to email, a lot of organizations use a third-party click-tracking service, which registers which mailing the user clicked on, then redirects them to the real website.

Why do I say unfortunately?

Because it’s what phishing does: Sets up a link that looks like it goes one place, but sends you somewhere else instead. In the case of a legitimate email with a click tracker, you end up at the real site eventually. In the case of a phishing message, you end up at a fake login page that wants to capture your username & password, or a site with drive-by malware downloads. Using this technique in legit mail trains people to ignore warning signs, making them more vulnerable to the bad guys. And it makes it harder for security software to detect phishing automatically.

Now add another reason: You don’t control that click-tracking service, so it had better be reliable.

That’s what happened with Comic-Con registration today.

Getting tickets to San Diego Comic-Con used to be a breeze, but last year the system broke down repeatedly. It took them three tries, with multiple handlers, to open a registration system that didn’t melt in the first few minutes.

A few days ago, Comic-Con International sent out a message with the date and time registration would open, and a link to where the page would be when it went live. They went to a lot of trouble to make sure their servers could handle the load, as did the company handling registration. They built a “waiting room” to make sure that people trying to buy tickets would get feedback, and get into a queue, when they arrived, but could still be filtered into the registration system slowly enough not to overwhelm it.

The weak link: The click tracker.

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Imagine that a group of people who don’t drive much, don’t understand how cars work under the hood, and have never studied traffic engineering decide that they’re going to stop speeding by requiring that cars automatically slam on the emergency brake and lock the controls the moment they exceed the speed limit — or the moment someone reports that the car has exceeded the speed limit.

Note that I didn’t say anything about turning the engine off, or putting it in neutral. Or only doing so in places where the speed limit is properly posted. Or worrying about whether there’s a car behind them that will have to slam on their own breaks to prevent a pile-up. Or actually checking that the car really is speeding before acting on the report.

Now imagine that criticisms and objections raised by actual drivers, the auto industry, traffic engineers, highway planners, and city planners are all dismissed as speeder propaganda.

That’s basically what’s going on with the “anti-piracy” bills being discussed in the House (SOPA) and Senate (PIPA/Protect IP).

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