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Finally got out to see Terminator: Salvation at the second-run theater. It was a passable action flick, though a bit overblown and tedious at times. I thought it was better than T3: Rise of the Machines, at least. T3 was too caught up in repeating the first two movies (a Terminator is sent back in time to kill John Connor, a guardian is sent back in time to protect him, they spend the whole time running from the Terminator, and they repeat the same stunts with bigger vehicles and explosions) and showing the origins of what we’d seen before.

While Terminator: Salvation also has the unenviable task of being both a sequel and a prequel at the same time, it manages to at least distinguish itself by going off in a new direction in terms of story. Yes, it’s the story of a prototype Terminator, how John Connor met Kyle Reese, and how John Connor became leader of the resistance, but it takes those elements as starting points and tells a story, rather than following a connect-the-dots path. (Though they did repeat a few stunts, and there are plot holes you could fly an H-K through.)

That, and T3 really annoyed me because it rejected the core theme of T2: “The future is not set. There is no fate but what we make for ourselves.” Whether that theme is actually supportable in the first two movies is debatable (especially considering that the first film appears to present a stable time loop), but this complete reversal is a bit of a slap in the face.*

Surrogates, Terminators and Borg

I actually don’t know much about Surrogates other than the fact that it’s based on a comic book, but I saw this poster the other day and was instantly reminded of the original posters advertising Terminator: The Sarah Connor Chronicles.

Surrogates Poster Terminator: The Sarah Connor Chronicles Poster

It’s not a direct reference, of course, simply a similar concept — and the image of a partially-assembled Cameron (Summer Glau) was clearly inspired by the first appearance of the Borg Queen (Alice Krige) in Star Trek: First Contact.

Borg Queen

Of course, as I was reminded while looking for pictures, the Borg Queen had her own antecedents as well.

Back to the Surrogates poster, it turns out that Bleeding Cool spotted a much closer reference in the form of an entry in a Celebrity Cyborgs photo alteration contest, featuring model Kate Moss.

Cyborg Celebrities: Kate Moss

Appropriately enough, the entry was apparently inspired by an article that mentioned an upcoming movie adaptation of Surrogates…

*Regarding the “slap in the face” — that’s not really the phrase I want to use, since it implies deliberate offense and is really overused in entitled fandom. What I’m getting at is that it’s sudden and shocking, like preparing to wade out slowly into a very cold pool, then getting pushed in and doing a belly flop.

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We went to the Orange County Fair on Saturday afternoon. Most years we end up going to at least one of the Pacific Amphitheater’s summer concert series, which includes fair admission, so we just combine it into one trip. This year it was Melissa Etheridge, and we also had another goal: Al’s Brain.

We started by grabbing some water and (in my case) a chocolate milkshake (because I wanted some ice cream, dangit! and drinkable made it easier), then wandered through the arts and crafts displays, where they showed prize-winning jewelry, crochet, display models, dresses, origami, etc.

Al’s Brain

A giant sand sculpture of a brain and Weird Al's head.Then we made our way to the back of the fair, where they had set up a portable theater for Al’s Brain (in 3-D!). There was a huge sand sculpture out front of “Weird Al” Yankovic holding out a brain in his hand. An animated question mark and exclamation point would occasionally pop out the top of his head, and smoke would pour from his ears.

“Weird Al” has actually had a long association with the Orange County Fair, often doing free concerts on multiple nights during the run. We’ve seen him there at least twice, possibly three times. One year there was a “Weird Al” museum of sorts. This year, he got involved in a short 3-D educational film (comedic, of course) about the brain.

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Sometimes when walking to lunch I pass this pipe sticking out of the ground. I have no idea how deep it goes, or whether it connects to something or just stops. I also have no idea what it’s for, unless as a vent or a placeholder. It just pokes out a couple of feet next to the hedge bordering a vacant lot.

I wonder how much litter collects at the bottoms of things like this. People tossing garbage, leaves falling in, people dropping rocks to gauge depth, people accidentally dropping things like flashlights or keys. If I dropped something important, would it be retrievable? If I couldn’t fish it out with a hook or gum on the end of a string, who would I call? Or would I just have to write it off as lost?

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Friday night at Comic-Con. After walking around all day in costumes, we returned to our hotel, got cleaned up, had dinner at the hotel restaurant and got in line for the shuttle back to the convention center to catch “The Worst Cartoons Ever” at 9:00.

Except only one of us made it onto the bus.

Missing the Bus

We’d thought about going back to the restaurant for dessert later (they had Bailey’s cheesecake), so I did something stupid and went back to check the hours. (If they were going to be closed, we’d go somewhere in the Gaslamp area like Ghirardelli.) This took longer than expected, and the shuttle arrived in the meantime.

The shuttles only run every 20-30 minutes at night, and we had barely 30 minutes to the screening. Chances were if I didn’t catch this one, I wasn’t going to make it.

I fought my way upstream through the crowd that had just gotten off the bus, saw that Katie wasn’t at the stop, and ran halfway down the block as the shuttle pulled away…and immediately stopped at a red light.

I ran to the front of the bus and knocked on the door. The driver gestured toward the back of the bus. I looked back to see if there was another door. Nothing. I knocked again. He glared at me and pointed toward the back of the bus again. It became clear he was not opening that door for anything.

Words Exchanged

So I pulled out my cell phone and called Katie, who was in the process of calling me to ask where the hell I was. Whichever call connected, I started out with something like “The &@^#*& driver wouldn’t let me on the bus!” We each fumed a bit, the light turned green, and the bus pulled away.

I wasted a precious minute trying to decide whether it was worth trying to catch a trolley or something. I figured their schedule was about as bad. Driving didn’t even cross my mind — it probably would have taken me long enough to park that it wouldn’t have helped anyway. If I’d really been thinking I would have walked around to the front of the hotel and hailed a taxi.

Maybe it was that I’d spent the day dressed as the Flash. I decided to run.

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One of the events I made sure to hit at Comic-Con was the Flash Forward panel. Flash Forward is a new series launching on ABC this fall — you’ve probably seen ads for it — about what happens when everyone in the entire world blacks out for two minutes and has a vision of what they will be doing at a specific time in the future. This incident has two major consequences:

  • Millions of people die, worldwide, in the space of moments. Cars and airplanes crash, people standing on staircases or ladders fall to their deaths, swimmers drown, etc.
  • The survivors know exactly what they’ll be doing for a two-minute slice of time in the future…but they don’t necessarily know why.

Flash Forward

It’s based on the novel Flashforward by Robert J Sawyer, which I reviewed last December. It’s a great book, and I highly recommend it. The focus seems to be different, though: the book follows the scientists whose experiment accidentally triggered the event, in which everyone sees visions of 21 years in the future. The TV show is following, to start with anyway, an FBI agent investigating the event.

So where the book is mostly philosophical science fiction, the show looks like a mix of action, mystery and drama.

Both have, as their major theme, a single question: If you knew what your future was going to be, what would you do? Would you try to change it? Would you try to make it happen? If you saw a future you wanted, would you slack off, confident that things would work out in the end, or would you put in extra effort knowing you’d succeed?

To start with, they brought out the producers of the show, had some discussion, then ran the first two acts of the pilot episode.

Read on for a write-up and photos from the panel. Continue reading →